Current Search: 19th century (x) » Department of Music (x)
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Title
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Beethoven: his nine symphonies and their influence on the development of the orchestra.
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Creator
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Padua, Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of Music
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Abstract/Description
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Beethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of...
Show moreBeethoven is widely considered to be one of the most influential composers of all time. His compositions denote a crucial turning point in the history of western music, and his influence can be discussed in numerous ways - musically, technically, theoretically and even philosophically. This treatise discusses one of the primary aspects of Beethoven's influence on later generations: the way that his symphonies contributed to the expansion of the genre and, consequently, to the development of the orchestra. Included is a detailed analysis of his nine symphonies, an overview of his personal life, and an exploration of the historical, social, and political time in which he lived. This thesis collects and examines relevant documents in order to inquire about and better understand the changes and innovations that transformed the standard orchestra of the eighteenth century, opening the doors to the symphonic music of the Romantic Era.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/2978945
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Subject Headings
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Influence, Criticism and interpretation, Performance practice (Music), History, Music, Philosophy and aesthetics, Instrumentation and orchestration, History, Arrangement (Music), History
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Format
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Document (PDF)
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Title
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The voice of nationalism in Moniuszko's opera.
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Creator
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Niewczas, Marlena., Dorothy F. Schmidt College of Arts and Letters, Department of Music
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Abstract/Description
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Stanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his...
Show moreStanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his operas. The national elements portrayed in his compositions include Polish dances, such as the polonaise, mazurka, and krakowiak, as well as folk tunes, and most importantly, the libretto with social and patriotic stances. This thesis intends to enlighten English speakers about the development of Polish national opera, its innovator, and his techniques.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/1930489
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Subject Headings
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Criticism and interpretation, Criticism and interpretation, Nationalism in literature, Music, History and criticism, Nationalism, History, Politics and government
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Format
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Document (PDF)
