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Title: "A spirit of benevolence": Manchester and the origins of modern public health, 1790-1834.
Creator: Boxen, Jennifer L., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: This thesis argues that the British Public Health movement did not begin in 1842 with Edwin Chadwick's publication, Report on the Sanitary Conditions of the Labouring Population of Great Britain (1842), or in 1848, with the subsequent passage of the Public Health Act. The beginning of the public health movement was instead the product of local initiatives such as the Manchester Board of Health, administered not by central government, but by members of the local community supported by...
Show moreThis thesis argues that the British Public Health movement did not begin in 1842 with Edwin Chadwick's publication, Report on the Sanitary Conditions of the Labouring Population of Great Britain (1842), or in 1848, with the subsequent passage of the Public Health Act. The beginning of the public health movement was instead the product of local initiatives such as the Manchester Board of Health, administered not by central government, but by members of the local community supported by predominantly philanthropic funding. The Manchester movement predated Chadwick's efforts by at least half a century and bore a greater resemblance to the modern idea of an organized public health system than that advanced by Chadwick and his contemporaries. This is because the Manchester movement emphasized not only those sanitary ideas ascribed to Chadwick but also included a broader spectrum of public health measures, including but not limited to ; preventative medicine, occupational health, and the reduction of contagious diseases.
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Date Issued: 2013
PURL: http://purl.flvc.org/FAU/3360766
Subject Headings: Public health, History, History, Social conditions
Format: Document (PDF)

Title: "How does one remember thirst?": phallic and matrixial memory in Chris Marker's La Jetâee and Sans Soleil.
Creator: Barr, Jeremy., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: This thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze....
Show moreThis thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze. Bazin's work is used to address aesthetic issues, as well as providing a method for exploring how the phallic and matrixial frameworks impact the formal construction of the films. Ultimately, La jetâees model of phallic memory is shown to sever past from present in a manner corresponding to Lacanian notions of desire, castration, and loss, whereas Sans soleil demonstrates the potential of matrixial memory to establish a liminal relationship between past and present.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3166838
Subject Headings: Criticism and interpretation, Criticism and interpretation, Psychoanalysis and art, Psychoanalysis and motion pictures
Format: Document (PDF)

Title: "JULIA" CHARACTERIZATION IN THE PLAYS OF LILLIAN HELLMAN.
Creator: BELL, KATHLEEN T., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Julia character, as depicted in the essay in Pentimento, provides a character model for Lillian Hellman's plays. Julia's strength of personal responsibility provides Hellman a measure by which her characters succeed or fail, a criterion upon which personal worth is judged. Julia's strength, compassion, and personal responsibility are depicted in varying degrees in the characters created in Watch on the Rhine, The Children's Hour, The Little Foxes, Another Part of the Forest, The Searching...
Show moreThe Julia character, as depicted in the essay in Pentimento, provides a character model for Lillian Hellman's plays. Julia's strength of personal responsibility provides Hellman a measure by which her characters succeed or fail, a criterion upon which personal worth is judged. Julia's strength, compassion, and personal responsibility are depicted in varying degrees in the characters created in Watch on the Rhine, The Children's Hour, The Little Foxes, Another Part of the Forest, The Searching Wind, and The Autumn Garden. As reflected in the plays, Julia is Hellman's model, her ideal; she is the vehicle for Hellman's strong personal and social statements.
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Date Issued: 1980
PURL: http://purl.flvc.org/fcla/dt/14044
Subject Headings: Literature, Modern, Theater, Literature, American
Format: Document (PDF)

Title: “Odd Apocalyptic Panics”: Chthonic Storytelling in Margaret Atwood’s MaddAddam.
Creator: Nugent, Ashley Frances, Mason, Julia, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: I argue that Margaret Atwood’s work in MaddAddam is about survival; it is about moving beyond preconceived, thoughtless ideology of any form with creative kinship. Cooperation and engagement cannot be planned in advance, and must take the form of something more than pre-established ideology. I will discuss MaddAddam in light of Donna Haraway’s recent work in which she argues that multispecies acknowledgement and collaboration are essential if humans are to survive and thrive in the coming...
Show moreI argue that Margaret Atwood’s work in MaddAddam is about survival; it is about moving beyond preconceived, thoughtless ideology of any form with creative kinship. Cooperation and engagement cannot be planned in advance, and must take the form of something more than pre-established ideology. I will discuss MaddAddam in light of Donna Haraway’s recent work in which she argues that multispecies acknowledgement and collaboration are essential if humans are to survive and thrive in the coming centuries. By bringing the two texts into dialogue, one sees that Atwood’s novel constitutes the kind of story deemed necessary by Haraway for making kin in the Chthulucene. Various scenes depicting cooperation and interdependence among humans and other animals offer chthonic models of kinship; these relationships, as opposed to ideological and anthropocentric isolation, will serve as the means of surviving and thriving within an ongoing apocalypse.
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Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013090
Subject Headings: Atwood, Margaret, 1939- MaddAddam trilogy., Haraway, Donna Jeanne., Atwood, Margaret, 1939---Criticism and interpretation.
Format: Document (PDF)

Title: "Room for you and me": an ethical critique of noncanonical labor literature.
Creator: McDermott, Rachel., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Labor literature is in popular and academic neglect. I argue that labor literature's neglect is unjust, and I provide a way of examining labor literature that can rescue it from neglect. I shall be concerned with labor literature's academic decline due to its apparent lack of value according to traditional standards of literary criticism. I will argue that ethical criticism - criticism of literature that considers the ethics of a work as a part of its literary value - can reveal new...
Show moreLabor literature is in popular and academic neglect. I argue that labor literature's neglect is unjust, and I provide a way of examining labor literature that can rescue it from neglect. I shall be concerned with labor literature's academic decline due to its apparent lack of value according to traditional standards of literary criticism. I will argue that ethical criticism - criticism of literature that considers the ethics of a work as a part of its literary value - can reveal new complexities in labor literature. An ethical critical analysis of the representation of American labor movements and workers in noncanonical texts will show the distinctive ethical value such texts hold. I will argue that labor texts possess ethical value insofar as they help readers develop awareness of complex ethical issues posed by labor and community, and that the ethical value of labor literature provides a new reason to value such works.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342209
Subject Headings: Narration (Rhetoric), Authenticity (Philosophy) in literature, Criticism and interpretation, Labor in literature, Criticism and interpretation
Format: Document (PDF)

Title: "The Accidental Tourist": Novel and film.
Creator: Askew, Jennifer Y., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Accidental Tourist, a 1985 novel by Anne Tyler, is the story of Macon Leary, a man whose life and marriage have been shattered by the tragic death of his son. Despite these dismal circumstances, Tyler's book is quirky, offbeat and ultimately comic, due primarily to the unfailing tolerance and humor of the author herself. Lawrence Kasdan's 1988 film adaptation of Tyler's novel is thematically consistent with the book. Kasdan unerringly recognized the scenes naturally suited to...
Show moreThe Accidental Tourist, a 1985 novel by Anne Tyler, is the story of Macon Leary, a man whose life and marriage have been shattered by the tragic death of his son. Despite these dismal circumstances, Tyler's book is quirky, offbeat and ultimately comic, due primarily to the unfailing tolerance and humor of the author herself. Lawrence Kasdan's 1988 film adaptation of Tyler's novel is thematically consistent with the book. Kasdan unerringly recognized the scenes naturally suited to dramatization, and in places he successfully transfers Tyler's dialogue directly to the screen with effective comic results. Throughout most of the film, however, the tone is melancholy and the overall effect is much heavier than the novel. Superb acting by William Hurt and Geena Davis help to give Kasdan's film depth and power.
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Date Issued: 1991
PURL: http://purl.flvc.org/fcla/dt/14703
Subject Headings: Literature, American, Cinema
Format: Document (PDF)

Title: "The Battle of Maldon": Evidence of the move away from epic heroism.
Creator: Baird, Diane Stetson, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: The Battle of Maldon is a poem of change, a pivot point in the English literary tradition. It lies between Beowulf and Sir Gawain and the Green Knight, both in time and in intent. The Maldon poet created finely interrelated philosophic and social commentary in his poem, playing the epic hero against the newer Christian martyr. He used both characterizations to create a picture of Byrhtnoth as a political martyr. With some understanding of the historical and religious perspectives of tenth...
Show moreThe Battle of Maldon is a poem of change, a pivot point in the English literary tradition. It lies between Beowulf and Sir Gawain and the Green Knight, both in time and in intent. The Maldon poet created finely interrelated philosophic and social commentary in his poem, playing the epic hero against the newer Christian martyr. He used both characterizations to create a picture of Byrhtnoth as a political martyr. With some understanding of the historical and religious perspectives of tenth century England, it is possible to begin to appreciate The Battle of Maldon and to understand its pivotal role in artistic evolution. The poet integrated disparate ideas to produce an Anglo-Saxon work of surprising complexity that has survived for one thousand years.
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Date Issued: 1991
PURL: http://purl.flvc.org/fcla/dt/14779
Subject Headings: Literature, Medieval, Literature, English
Format: Document (PDF)

Title: "Viens a la maison": Moroccan hospitality, a contemporary view.
Creator: Schwartz, Anita., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: As a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by...
Show moreAs a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by welcoming guests into their homes to visit and share meals. The vessels are ornately painted and decorated so that meals served will feast the eyes as well as the palate. The porcelain is decorated with ornate finials, underglazes and china painting. The subject of the imagery is a combination of visual anthropology in which random images of people from today's society are contrasted with my own interpretation of ancient geometric design details that are found in North African Zillij cut mosaic tiles. This infuses the work with an imagined sense of time and place. The attempt to harmonize seemingly incongruent elements results in vessels that feel both familiar and eccentric. The layers of color areused to symbolize nature, purity, depth of life and spiritual abundance. The colors are placed randomly in contrast to the symmetry of the geometric designs. The work is displayed in a dining room setting where guests are always welcome to enter. My work as an artist enhances the experience I bring to my students in the classroom.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172699
Subject Headings: Symbolism in art, Ceramic sculpture, Jews, History, Ethnicity in art, Identity (Psychology) in art, Social life and customs
Format: Document (PDF)

Title: La (in)visibilidad de la traductora: la traducciâon del inglâes al espaänol del cuento "Spanish Winter" de Jennifer Egan.
Creator: Almeida, Gabriela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter....
Show moreThis thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter. The importance of this text lies in the quest for identity of a female character whose journey symbolizes a search for herself. This postmodern tale, which depicts cultural exchanges between Spaniards and a US American woman and presents a contemporary theme told by a female narrator traveling abroad, is extremely relevant in today's globalized world. It is a valuable text whose translation promotes a fruitful literary exchange between the United States and the Spanish-speaking countries.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342033
Subject Headings: Criticism and interpretation, Criticism and interpretation, Identity (Psychology) in literature, Americans, Translating and interpreting
Format: Document (PDF)

Title: (Re)making men, representing the Caribbean Nation: authorialIndividuation in works by Fred D’Aguiar, Robert Antoni, andMarlon James.
Creator: Gifford, Sheryl C., Machado, Elena, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This dissertation proposes that West Indian contemporary male writers develop literary authority, or a voice that represents the nation, via a process of individuation. This process enables the contemporary male writer to unite the disparities of the matriarchal and patriarchal authorial traditions that inform his development of a distinctive creative identity. I outline three stages of authorial individuation that are inspired by Jung’s theory of individuation. The first is the contemporary...
Show moreThis dissertation proposes that West Indian contemporary male writers develop literary authority, or a voice that represents the nation, via a process of individuation. This process enables the contemporary male writer to unite the disparities of the matriarchal and patriarchal authorial traditions that inform his development of a distinctive creative identity. I outline three stages of authorial individuation that are inspired by Jung’s theory of individuation. The first is the contemporary male writer’s return to his nationalist forebears’ tradition to dissolve his persona, or identification with patriarchal authority; Fred D’Aguiar’s “The Last Essay About Slavery” and Feeding the Ghosts illustrate this stage. The second is his reconciliation of matriarchal (present) and patriarchal (past) traditions of literary authority via his encounter with his forebears’ feminized, raced shadow; Robert Antoni’s Blessed Is the Fruit evidences this process. The third is the contemporary male writer’s renunciation of authority defined by masculinity, which emerges as his incorporation of the anima, or unconscious feminine; Marlon James’s The Book of Night Women exemplifies this final phase of his individuation.
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Date Issued: 2013
PURL: http://purl.flvc.org/fau/fd/FA0004021
Subject Headings: Antoni, Robert -- 1958- -- Blessed is the fruit -- Criticism and interpretation, D'Aguiar, Fred -- 1960- -- Feeding the ghosts -- Criticism and interpretation, D'Aguiar, Fred -- 1960- -- Last essay about slavery -- Criticism and interpretation, James, Marlon -- 1970- -- Book of night women -- Criticism and interpretation, Jungian psychology
Format: Document (PDF)

Title: The (trans)formation of image: Symbolic consumption, self, and society.
Creator: Bauer, Daniel Eric, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology, Harris, Michael S.
Abstract/Description: In the United States tattooing has become popularized. Tattoo studios are now commonplace commercial venues. Tattooing has become a legitimate art form. This research examines the commodification of tattooing in South Florida and the relationship between consumption and identity production. In efforts to express the self and exert control over the body, individuals adorn themselves. In the United States we are increasingly using tattoos as one form of self-expression. However, this expression...
Show moreIn the United States tattooing has become popularized. Tattoo studios are now commonplace commercial venues. Tattooing has become a legitimate art form. This research examines the commodification of tattooing in South Florida and the relationship between consumption and identity production. In efforts to express the self and exert control over the body, individuals adorn themselves. In the United States we are increasingly using tattoos as one form of self-expression. However, this expression is grounded in Western consumerist ideals. It is through consumption of the symbolic commodity of the tattoo that the individual expresses the self and asserts control over the body.
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Date Issued: 2002
PURL: http://purl.flvc.org/fcla/dt/12876
Subject Headings: Anthropology, Cultural, Design and Decorative Arts
Format: Document (PDF)

Title: *granted*.
Creator: Khourshid, Kally, Dorothy F. Schmidt College of Arts and Letters, Brooks, Clarence, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2012
PURL: http://purl.flvc.org/fau/fd/FAdwd12gran
Subject Headings: Dance performance
Format: Set of related objects

Title: 5th Wave: The Fault of Women.
Creator: Koppisch, Patricia, Cunningham, Stephanie, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: As a reaction to the demand for women’s suffrage and equal rights in the late-1800s, American antifeminism emerged. In the article by Janet Saltzman Chafetz and Anthony Gary Dworkin, “In the Face of Threat: Organized Antifeminism in Comparative Perspective,” the authors concluded that the growth of a countermovement is contingent upon the success and size of the movement it opposes.1 This conclusion is applied to the actions, counter-actions and subsequent growth of both antifeminism and...
Show moreAs a reaction to the demand for women’s suffrage and equal rights in the late-1800s, American antifeminism emerged. In the article by Janet Saltzman Chafetz and Anthony Gary Dworkin, “In the Face of Threat: Organized Antifeminism in Comparative Perspective,” the authors concluded that the growth of a countermovement is contingent upon the success and size of the movement it opposes.1 This conclusion is applied to the actions, counter-actions and subsequent growth of both antifeminism and feminism. However, as feminism succeeds with small advancements in equality, antifeminism escalates its oppositional strength by creating accusations against women, using labels based on gender stereotypes and initiatives that incite divisive discourse in the pursuit of equal rights for all human beings. Graphic design is a catalyst for both antifeminism and feminism visual language. To find inspiration for my exhibition, I examined one-hundred years of design used by both movements. Based by my research, the exhibition, “5th Wave: The Fault of Women,” navigates through the growth and history of antifeminism and visually examines antifeminist labels and initiatives and the culmination of these techniques used during the fifth wave of antifeminism. The exhibition, “5th Wave: The Fault of Women,” exposes and challenges the efforts of the fifth wave of antifeminism in an effort to evoke an understanding of the importance of feminism’s fight for equality and the betterment of all human beings. Using research and design to expose antifeminism’s growing labels and initiative, feminism can combat the techniques used to punish those who challenge patriarchy and heteronormativity.
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Date Issued: 2020
PURL: http://purl.flvc.org/fau/fd/FA00013596
Subject Headings: Graphic design, Anti-feminism
Format: Document (PDF)

Title: [worthy].
Creator: Khourshid, Kally, Dorothy F. Schmidt College of Arts and Letters, Brooks, Clarence, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2012
PURL: http://purl.flvc.org/fau/fd/FAdwd12wort
Subject Headings: Dance performance
Format: Set of related objects

Title: A camera trap study of the cyptic, terrestrial guenon cercopithecus lomamiensis in Central Democratic Republic of the Congo.
Creator: McPhee, Steven G., Detwiler, Kate M., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description: From October-December 2013, we conducted a study of the newly discovered primate species lesula, Cercopithecus lomamiensis, in the DR Congo. We placed 41 camera traps inside a 4 km2 grid outside the proposed Lomami National Park (LNP). We compared an analysis of 140 lesula events over 1,683 camera trap days from the heavily hunted Okulu area to a pilot study (38 events over 462 camera trap days) at the Losekola study site within the LNP. Our data show an unexpected result: capture probability...
Show moreFrom October-December 2013, we conducted a study of the newly discovered primate species lesula, Cercopithecus lomamiensis, in the DR Congo. We placed 41 camera traps inside a 4 km2 grid outside the proposed Lomami National Park (LNP). We compared an analysis of 140 lesula events over 1,683 camera trap days from the heavily hunted Okulu area to a pilot study (38 events over 462 camera trap days) at the Losekola study site within the LNP. Our data show an unexpected result: capture probability of lesula (0.08) is the same at both the hunted and non-hunted sites. This is in contrast to the sharp decline in capture probability of all other medium-to-large terrestrial mammals at the Okulu site. These findings suggest lesula’s cryptic behavior is an important adaptation buffering the species from the impacts of hunting. This study also expands knowledge on minimum group size, terrestriality, diet, and times of activity.
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Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00004391, http://purl.flvc.org/fau/fd/FA00004391
Subject Headings: Cercopithecidae -- Behavior, Congo (Democratic Republic), Lomami National Park -- Congo (Democratic Republic), Mammals -- Congo (Democratic Republic) -- Identification, Primates behavior, Wildlife watching -- Congo (Democratic Republic)
Format: Document (PDF)

Title: A Change Entered My Mind.
Creator: Brooks, Clarence, Dorothy F. Schmidt College of Arts and Letters, Trimboli, Mike, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FAdwdchng
Subject Headings: Dance performance
Format: Set of related objects

Title: A Change is Gonna Come.
Creator: Konrad, Maria [Choreographer], Cooke, Sam [Music], Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
Abstract/Description: The FAU Repertory Dance Theatre Ensemble, the University’s professional dance company, was founded to exhibit works by established and emerging artist, to offer a forum for collaborations using dance as the common medium and to showcase the wide range, scope and diversity of dance.
Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FAde2014change
Subject Headings: Dance performance
Format: Set of related objects

Title: A Consequence of English-First: Florida’s Separate and Unequal Writing Curricula.
Creator: Batchelor, Claudett V., Leeds, John, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: In this thesis, I examine the structure of developmental or remedial English education at U. S. two-year community colleges, specifically focusing on the disparities between Florida’s English for Academic Purposes (EAP), an English as a Second Language (ESL) program, and Developmental English (Dev English), a Basic Writing program. Both programs supposedly prepare disadvantaged and/or immigrant students for freshman composition, but they employ very different pedagogies. Drawing on existing...
Show moreIn this thesis, I examine the structure of developmental or remedial English education at U. S. two-year community colleges, specifically focusing on the disparities between Florida’s English for Academic Purposes (EAP), an English as a Second Language (ESL) program, and Developmental English (Dev English), a Basic Writing program. Both programs supposedly prepare disadvantaged and/or immigrant students for freshman composition, but they employ very different pedagogies. Drawing on existing research and my own experience as a student and a teacher, I present English as it is employed to assimilate and empower second-language users, investigate the role of Florida’s institution in promoting EAP over Dev English, and discuss issues of identity and the categorization of students. I close by recommending the teaching of English as a Second Language – reading, writing, and basic language skills – to all developmental students, immigrant or native, to equip them for higher learning and a competitive workforce.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00005921
Subject Headings: Dissertations, Academic -- Florida Atlantic University
Format: Document (PDF)

Title: A Conservation Genetic Study of Cercopithecus mitis in the Lomami Basin, Democratic Republic of the Congo.
Creator: Leroy, Ailissa, Detwiler, Kate M., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description: The Cercopithecus mitis radiation has significant phenotypic and ecological diversity, making it a great candidate for evolutionary genetic studies. This study represents the first genetic survey of C. mitis from well provenanced wild populations, including C. mitis heymansi from the TL2 landscape, an area of remote tropical forest between the Tshuapa, Lomami, and Lualaba rivers in the Democratic Republic of the Congo. Tissue samples were collected from 7 male blue monkeys, DNA was extracted...
Show moreThe Cercopithecus mitis radiation has significant phenotypic and ecological diversity, making it a great candidate for evolutionary genetic studies. This study represents the first genetic survey of C. mitis from well provenanced wild populations, including C. mitis heymansi from the TL2 landscape, an area of remote tropical forest between the Tshuapa, Lomami, and Lualaba rivers in the Democratic Republic of the Congo. Tissue samples were collected from 7 male blue monkeys, DNA was extracted and surveyed at 919 bp of the Testis-Specific Protein Y-chromosome (TSPY), and added to a larger dataset including other C. mitis and C. albogularis specimens. Evolutionary analyses suggests TL2 C. mitis shared recent genetic contact with C. albogularis at the headwaters of the Congo River than with conspecifics to the northeast, indicating the Congo River is a significant biogeographic barrier to C. mitis and sheds new light on their genetic heritage, taxonomic assignment, and conservation status.
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Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004608, http://purl.flvc.org/fau/fd/FA00004608
Subject Headings: Congo (Democratic Republic), Lomami National Park--Congo (Democratic Republic), Cercopithecus mitis--Congo (Democratic Republic)--Lomami National Park--Ecology., Cercopithecidae--Congo (Democratic Republic)--Lomami National Park--Evolution., Mammals--Congo (Democratic Republic)--Lomami National Park--Identification., Conservation biology--Congo (Democratic Republic)--Lomami National Park.
Format: Document (PDF)

Title: A Content Analysis of State Political Party Newspapers.
Creator: Jednak, Robert Eddy, Huckshorn, Robert J., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Political Science
Abstract/Description: The history of the development of the party newspapers is reviewed in the first chapter. The goal of the research was to attempt to discover the uses and goals of state political party newspapers. Five propositions were proposed which would accomplish this aim. The first proposition was to discover the extent to which the state party paper is used to extend the publicity of the state chairman. The second proposition was to discover to what extent the party newspaper is used as a tool in...
Show moreThe history of the development of the party newspapers is reviewed in the first chapter. The goal of the research was to attempt to discover the uses and goals of state political party newspapers. Five propositions were proposed which would accomplish this aim. The first proposition was to discover the extent to which the state party paper is used to extend the publicity of the state chairman. The second proposition was to discover to what extent the party newspaper is used as a tool in finance and fund-raising appeals. The third proposition attempted to reveal to what extent the state paper is used to extend the publicity of the incumbent governor. Proposition IV sought to ascertain whether or not a party not holding the governor's office openly criticized the state opposition party, while the incumbent party merely spoke of its own accomplishments while neglecting the opposition. The fifth, and final, proposition attempted to ascertain whether less populous state Republican party papers were more apt to relate themselves to the national Republican party and administration. The research method of content analysis was discussed and the methodology used in this study was explained. The scores for nine content categories were compiled and the findings from a one-issue analysis of sixty-two papers confirmed Propositions I-IV. The fifth proposition was disproven. A time analysis of six selected papers was performed and these findings confirmed the findings of the one-issue analysis. Furthermore, this analysis proved the existence of patterns of column-inch space allocations in a state party newspaper.
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Date Issued: 1970
PURL: http://purl.flvc.org/fau/fd/FA00012589
Subject Headings: Political parties--United States, Newspapers
Format: Document (PDF)

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