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- Title
- Gender, disability, and literature in the Global South: Nepali writers Jhamak Ghimire and Bishnu Kumari Waiwa (Parijat).
- Creator
- Acharya, Tulasi., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
-
This thesis explores gender, disability and literature in the Global South through an examination of the writings of two physically disabled contemporary women writers from Nepal, BIshnu Kumari Waiwa and Jhamak Ghimire. I show how these renowned contemporary writers challenge stigmas of the disabled body by deconstructiong the "ideology of ability" through their poetry, fiction, and autobiographical narratives. Religious and cultural values disable women's autonomy in general, and create even...
Show moreThis thesis explores gender, disability and literature in the Global South through an examination of the writings of two physically disabled contemporary women writers from Nepal, BIshnu Kumari Waiwa and Jhamak Ghimire. I show how these renowned contemporary writers challenge stigmas of the disabled body by deconstructiong the "ideology of ability" through their poetry, fiction, and autobiographical narratives. Religious and cultural values disable women's autonomy in general, and create even greater disadvantages for women who are physically disabled. Challenging these cultural stigmas, Waiwa and Ghimire celebrate sexuality and disability as sources of creativity, agency, and identity in narratives that deconstruct cultural or social models of sexuality, motherhood, and beauty. In this thesis feminist disability and feminist theory guide an analysis of Waiwa and Ghimire's writing to advance our understanding of gender, culture, disability and literature in the Global South.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3356903
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Prejudices in literature, Discrimination against people with disabilities, Stigma (Social psychology), Women in literature, Social conditions
- Format
- Document (PDF)
- Title
- The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.
- Creator
- Allerton, Tracy., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
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This thesis employs a star study of Meryl Streep, incorporating pertinent feminist, reception and culture-studies theories, to investigate biases within the Hollywood film industry. The actress has enjoyed a resurgence as a leading lady at age 61. Streep's star persona, acting prowess and career arc are examined across three theoretical platforms - production of culture, textual analysis, and audience analysis - or clues as to why she has been singled out among her peers. This thesis posits...
Show moreThis thesis employs a star study of Meryl Streep, incorporating pertinent feminist, reception and culture-studies theories, to investigate biases within the Hollywood film industry. The actress has enjoyed a resurgence as a leading lady at age 61. Streep's star persona, acting prowess and career arc are examined across three theoretical platforms - production of culture, textual analysis, and audience analysis - or clues as to why she has been singled out among her peers. This thesis posits that Streep's unique star image and surge in popularity have helped her break out of hegemonic articulations of gender and aging that privilege youthful beauty, putting female stars at a disadvantage within the capitalistic film industry. Also considered is the cultural significance of Streep's late-life success: Does she represent new openings for older actresses (and concomitantly, an increase in film representations of aging women), or is she merely an anomaly within the entrenched patriarchal system?
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2867329
- Subject Headings
- Criticism and interpretation, Sex role in motion pictures, Women in motion pictures, Middle age in motion pictures, Women in popular culture
- Format
- Document (PDF)
- Title
- La (in)visibilidad de la traductora: la traducciâon del inglâes al espaänol del cuento "Spanish Winter" de Jennifer Egan.
- Creator
- Almeida, Gabriela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter....
Show moreThis thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter. The importance of this text lies in the quest for identity of a female character whose journey symbolizes a search for herself. This postmodern tale, which depicts cultural exchanges between Spaniards and a US American woman and presents a contemporary theme told by a female narrator traveling abroad, is extremely relevant in today's globalized world. It is a valuable text whose translation promotes a fruitful literary exchange between the United States and the Spanish-speaking countries.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342033
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Identity (Psychology) in literature, Americans, Translating and interpreting
- Format
- Document (PDF)
- Title
- Author-ity, privilege and violation: the role of subaltern and the intellectual in the novels of Julia Alvarez.
- Creator
- Alonso, Raquel., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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Can the subaltern really speak? Invoking Gayatri Spivak's post-colonial theory on the subaltern, this study aims to highlight the necessary, yet problematic relationship between intellectuals and the marginalized groups they seek to represent. This study argues that in the last chapter of Julia Alvarez's How the Garcâia Girls Lost Their Accents, the image of the wailing cat becomes a haunting image regarding Alvarez's own subject-position as a writer, a role that often places her in the...
Show moreCan the subaltern really speak? Invoking Gayatri Spivak's post-colonial theory on the subaltern, this study aims to highlight the necessary, yet problematic relationship between intellectuals and the marginalized groups they seek to represent. This study argues that in the last chapter of Julia Alvarez's How the Garcâia Girls Lost Their Accents, the image of the wailing cat becomes a haunting image regarding Alvarez's own subject-position as a writer, a role that often places her in the center of harsh criticism. Consequently, this project traces the subaltern figures through three of Alvarez's texts -¡YO!, In the Time of the Butterflies, and Saving the World - in order to reveal the paradox that defines their relationship with the privileged body that seeks to be their representative. The subaltern cannot speak beyond the margins without the help of the elite; however, the same position of privilege and power that enables the intellectual to write can quickly become the factor that discredits their right to speak. Consequently, this study also attempts to reclaim the voice of Julia Alvarez, who is herself silenced and thus, rendered subaltern in the literary market by critics who feel that her privileged position complicates her ability to represent the collective.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2867330
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Marginality, Social
- Format
- Document (PDF)
- Title
- Strange time: block universes and strange loop phenomena in two novels by Kurt Vonnegut.
- Creator
- Altomare, Francis C., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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Einsteinian relativity forever altered our understanding of the metaphysics of time. This study considers how this scientific theory affects the formulation of time in postmodern narratives as a necessary step toward understanding the relationship between empirical science and literary art. Two novels by Kurt Vonnegut, The Sirens of Titan and Slaughterhouse-Five, exemplify this synthesis. Close readings of these texts reveal an underlying temporal scheme deeply informed by relativity....
Show moreEinsteinian relativity forever altered our understanding of the metaphysics of time. This study considers how this scientific theory affects the formulation of time in postmodern narratives as a necessary step toward understanding the relationship between empirical science and literary art. Two novels by Kurt Vonnegut, The Sirens of Titan and Slaughterhouse-Five, exemplify this synthesis. Close readings of these texts reveal an underlying temporal scheme deeply informed by relativity. Furthermore, this study explores how relativity manifests in these texts in light of the block universe concept, Gèodelian universes, and strange loop phenomena. Vonnegut's treatment of free will is also discussed. All of these considerations emphasize Vonnegut's role as a member of the Third Culture, an author who consciously bridges C.P. Snow's two cultures.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2684306
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Postmodernism (Literature), Literature and science, Science and the humanities in literature, Space and time in literature
- Format
- Document (PDF)
- Title
- Out of the ever after and other stories.
- Creator
- Amadori-Segree, Claudia., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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Out of the Ever After and Other Stories is a collection of language-driven stories set in different parts of the world and thematically linked, comprising realist narratives and magical realism. The trope that unifies this collection is that of the journey. The characters go on journeys, whether real or metaphorical. Many are lost at the beginning, but they find themselves in the end; others remain lost, but have a better understanding of their condition in the world. Although diverse in...
Show moreOut of the Ever After and Other Stories is a collection of language-driven stories set in different parts of the world and thematically linked, comprising realist narratives and magical realism. The trope that unifies this collection is that of the journey. The characters go on journeys, whether real or metaphorical. Many are lost at the beginning, but they find themselves in the end; others remain lost, but have a better understanding of their condition in the world. Although diverse in nationality, cultural background and gender, the characters in the eight stories share the need to find a lasting identity and a home-place to return to, whether physically or psychologically. The collection alternates magical and realist plots, male and female narrators, points of view, and diverse settings to create variety and a multicultural, hybrid and hyphenated experience. Some stories experiment with language; others have a more traditional mood, akin to fairytales.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77641
- Subject Headings
- Short stories, Collections, Short stories, Criticism and interpretation, Symbolism in literature, Fiction, Technique
- Format
- Document (PDF)
- Title
- Rewriting history in Alejo Carpentier's The Kingdom of This World and Michelle Cliff's Abeng.
- Creator
- Amiel, Tricia., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Traditional Caribbean history has been directed by and focused upon the conquerors who came to the region to colonize and seek profitable resources. Native Caribbean peoples and African slaves used to work the land have been silenced by traditional history so that it has become necessary for modern Caribbean thinkers to challenge that history and recreate it. Alejo Carpentier and Michelle Cliff challenge traditional Caribbean history in their texts, The Kingdom of This World and Abeng,...
Show moreTraditional Caribbean history has been directed by and focused upon the conquerors who came to the region to colonize and seek profitable resources. Native Caribbean peoples and African slaves used to work the land have been silenced by traditional history so that it has become necessary for modern Caribbean thinkers to challenge that history and recreate it. Alejo Carpentier and Michelle Cliff challenge traditional Caribbean history in their texts, The Kingdom of This World and Abeng, respectively. Each of these texts rewrites traditional history to include the perspectives of natives and the slaves of Haiti and Jamaica. Traditional history is challenged by the inclusion of these perspectives, thus providing a rewritten, revised history.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342034
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Slavery, Historiography, Slavery, Historiography, Slavery, Historiography, History
- Format
- Document (PDF)
- Title
- " Is it my fault my fangs come out when I'm turned on?": a feminist analysis of Pam and Jessica's vampire sexuality in the HBO television series True Blood.
- Creator
- Anderson, Ashley., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
This thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their...
Show moreThis thesis analyzes Pamela Swynford De Beaufort and Jessica Hamby from the provocative HBO series, True Blood, in order to determine what hegemonic ideologies are reinforced through their sexual representation in the series. Through analysis based on concepts of the "vagina dentata" and "monstrous feminine," and in determining whether they fall victim to the Madonna/wore dichotomy, the question of Pam and Jessica's autonomous existence falls under scrutiny - particularly in regards to their sexuality. Feminist scholarship is vital to this research in order to examine the often fetishized and marginalized sexuality of women who dare to exhibit transgressive behaviors. This thesis concentrates on Seasons One through Four of the series, and also utilizes meta-text from the official website related to each character in order to help answer the posed research questions.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3356897
- Subject Headings
- Criticism and interpretation, Women in popular culture, Vampires on television, Lesbianism on television, Feminist theory, Philosophy in literature
- Format
- Document (PDF)
- Title
- Smoothing out the rough edges: postcolonial spaces and postcolonial subjectivities in Le petit prince de Belleville and The celestial jukebox.
- Creator
- Anderson, Karyn H., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Both Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by...
Show moreBoth Calixthe Beyala's Le petit prince de Belleville, published in France in 1992, and Cynthia Shearer's The Celestial Jukebox, published in the United States in 2005, explore similar questions regarding the place of immigrants in increasingly multicultural societies. Gilles Deleuze and Fâelix Guattari's concept of - smoothness and - striation illuminates the settings of these two texts, helping demonstrate that the Parisian neighborhood of Belleville presents a striated space dominated by State constraints, from which the residents yearn to break free, and the fictional town of Madagascar, Mississippi consists of relatively smooth space that allows for local improvisation and engenders insecurity. The stories of Loukoum and Boubacar illustrate how these two characters negotiate their respective spaces, with Loukoum creating a position thoroughly between striated majority French culture and the smoothness of his diasporic sphere and Boubacar functioning as a rhizomatic nomad, embarking on an autonomous journey of discovery.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186325
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Multiculturalism, Philosophy, Emigration and immigration, Political and social aspects, Place (Philosophy) in literature, Women authors, Black, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Earth, water, and black bodies: elements at work in Toni Morrison's literary landscape.
- Creator
- Anderson, Pauline P., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This project focuses on the natural elements earth and water as presented in the works of African American author Toni Morrison. The primary texts analyzed are Sula, Song of Solomon, and Beloved. In the first two novels, Morrison alludes to the abuse of black bodies by drawing parallels between the destruction of trees and the negative effects of urbanization. I argue that environmental destruction and urbanization parallels the disenfranchisement and killing of black bodies. Water in Beloved...
Show moreThis project focuses on the natural elements earth and water as presented in the works of African American author Toni Morrison. The primary texts analyzed are Sula, Song of Solomon, and Beloved. In the first two novels, Morrison alludes to the abuse of black bodies by drawing parallels between the destruction of trees and the negative effects of urbanization. I argue that environmental destruction and urbanization parallels the disenfranchisement and killing of black bodies. Water in Beloved connotes bondage because of its historical link to the Triangular Trade. However, considering Morrison's frequent mention of water and the fugitives' constant need to drink, I argue that ingesting water symbolizes a need for psychological freedom. All of the novels that I have analyzed emphasize the complex connections between African Americans and nature.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3356892
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, African Americans in literature, African American philosophy, Human ecology in literature, Nature in literature, Ecocriticism
- Format
- Document (PDF)
- Title
- The influence of Plotinus on Marsilio Ficino's doctrine of the hierarchy of being.
- Creator
- Ayala, Nora I., Dorothy F. Schmidt College of Arts and Letters, Department of Philosophy
- Abstract/Description
-
Marsilio Ficino provides the ground to consider Renaissance Platonism as a distinctive movement within the vast context of Renaissance philosophy. Ficino's Platonism includes traces of earlier humanistic thought and ideas from Neoplatonic philosophers such as Plotinus, Proclus, and Dionysius the Areopagite. Ficino was able to rebuild a traditional philosophy that, from the ancient Greeks to Plotinus, had established the harmony between paganism and Christianity. Neoplatonism, characterized by...
Show moreMarsilio Ficino provides the ground to consider Renaissance Platonism as a distinctive movement within the vast context of Renaissance philosophy. Ficino's Platonism includes traces of earlier humanistic thought and ideas from Neoplatonic philosophers such as Plotinus, Proclus, and Dionysius the Areopagite. Ficino was able to rebuild a traditional philosophy that, from the ancient Greeks to Plotinus, had established the harmony between paganism and Christianity. Neoplatonism, characterized by complex metaphysical, ethical, and psychological canons, provided the grounds for Ficino's cosmological challenge to merge the cyclical aspect of the universe with the religious notion of the soul, in order to secure its cosmic position. Ficino adopted Plotinus hierarchy of being as a dominant component of his own thought. His formulations on the three hypostases and the movements of the soul allow him to develop his own hierarchy of the universe, in which soul anchors the metaphysics of the structure and reaffirms its ontological nature as immortal.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3166834
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Philosophy, Renaissance, Neoplatonism, Chain of being (Philosophy)
- Format
- Document (PDF)
- Title
- Liberating machismo: deconstructing the stereotypes of Latinidad in Alberto Korda's Guerrillero Heroico.
- Creator
- Ayala-Walsh, Johanna., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This thesis examines the Alberto Korda Guerrillero Heroico image within the realm of U.S. Latino/a fiction. Drawing from several trends that constitute Latino/a identity as either resistant to white mainstream hegemonies, or as a performative construct, I argue that a collective Hispanic identity is found somewhere between these two extremes. Corporate discourses have perpetuated stereotypes of Latino masculinity to limit any alternate and nuanced portrayal of Latinidad. Specifically, I posit...
Show moreThis thesis examines the Alberto Korda Guerrillero Heroico image within the realm of U.S. Latino/a fiction. Drawing from several trends that constitute Latino/a identity as either resistant to white mainstream hegemonies, or as a performative construct, I argue that a collective Hispanic identity is found somewhere between these two extremes. Corporate discourses have perpetuated stereotypes of Latino masculinity to limit any alternate and nuanced portrayal of Latinidad. Specifically, I posit that the corporate use of the Che photograph illustrates Latin men as hypermasculine, limiting Latin-ness to a performance of its mainstream depiction. To combat the commercialization of the print, the novel Loving Che imagines new possibilities for the Hispanic community and its relationship to the U.S. market, challenging the idea of a pan-Latino/a identity with archival photographis of the comandante. Together, both texts bridge performative and resistant trends, providing a potential Latinidad that resists and eludes corporate hegemonies.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3358279
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Masculinity in popular culture, Machismo, ?
- Format
- Document (PDF)
- Title
- The attack of the compilator: Chaucer's challenge of auctores and antifeminism in The Legend of Good Women.
- Creator
- Babrove, Franklin., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Geoffrey Chaucer's narrator persona in The Legend of Good Women (LGW) goes through a transformation, starting off in the Prologue to the LGW as a naèive compilator who is subordinate to his literary sources, or auctores, and eventually becoming an auctor himself by the end of the Legends. To gain an authoritative voice, Chaucer's narrator criticizes auctoritee as it pertains to the antifeminist tradition and its misrepresentation of women as inherently wicked, in the process using certain...
Show moreGeoffrey Chaucer's narrator persona in The Legend of Good Women (LGW) goes through a transformation, starting off in the Prologue to the LGW as a naèive compilator who is subordinate to his literary sources, or auctores, and eventually becoming an auctor himself by the end of the Legends. To gain an authoritative voice, Chaucer's narrator criticizes auctoritee as it pertains to the antifeminist tradition and its misrepresentation of women as inherently wicked, in the process using certain rhetorical devices and other literary strategies to assert control over his sources for the Legends, as well as over the text as a whole. Of particular importance in this process is the narrator's line "[a]nd trusteth, as in love, no man but me" (2561) occurring near the end of "The Legend of Phyllis," the penultimate legend in the LGW. At this point in the text, the narrator persona steps completely outside of the role of compilator and presents himself as auctor who can be trusted by his female readers to tell their stories fairly and sympathetically, in ways that subtly confront antifeminist texts and perceptions.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3362330
- Subject Headings
- Criticism and interpretation, Literature, Medieval, Criticism and interpretation, Feminism in literature
- Format
- Document (PDF)
- Title
- Quine and Peirce on counterfactual conditionals.
- Creator
- Bailey, Mary Allison., Harriet L. Wilkes Honors College
- Abstract/Description
-
Willard Van Orman Quine and Charles Sanders Peirce each create systems in which counterfactual conditionals can be meaningful. A counterfactual conditional is a statement whose antecedent is known to be contrary to fact. Counterfactual conditionals are important in making predictions. It would be irresponsible to implement any major change in the current state of affairs without first assessing the consequences. Quine's work seems to undermine the use of counterfactual conditionals, but I...
Show moreWillard Van Orman Quine and Charles Sanders Peirce each create systems in which counterfactual conditionals can be meaningful. A counterfactual conditional is a statement whose antecedent is known to be contrary to fact. Counterfactual conditionals are important in making predictions. It would be irresponsible to implement any major change in the current state of affairs without first assessing the consequences. Quine's work seems to undermine the use of counterfactual conditionals, but I show that his system does allow for certain types of counterfactual conditionals to be meaningful. I conclude that counterfactual conditionals are more meaningful in Peirce's system because the ability to make predictions is a primary concern for him. Although Peirce's system gets more meaning out of counterfactual conditionals than Quine's system, Quine's system aids in the understanding of science.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3334257
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Metaphysics, Philosophy, Modern, Conditionals (Logic)
- Format
- Document (PDF)
- Title
- Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
- Creator
- Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fcla/dt/186336
- Subject Headings
- Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
- Format
- Document (PDF)
- Title
- "How does one remember thirst?": phallic and matrixial memory in Chris Marker's La Jetâee and Sans Soleil.
- Creator
- Barr, Jeremy., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
This thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze....
Show moreThis thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze. Bazin's work is used to address aesthetic issues, as well as providing a method for exploring how the phallic and matrixial frameworks impact the formal construction of the films. Ultimately, La jetâees model of phallic memory is shown to sever past from present in a manner corresponding to Lacanian notions of desire, castration, and loss, whereas Sans soleil demonstrates the potential of matrixial memory to establish a liminal relationship between past and present.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3166838
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Psychoanalysis and art, Psychoanalysis and motion pictures
- Format
- Document (PDF)
- Title
- The age of William A. Dunning: the realm of myth meets the yellow brick road.
- Creator
- Barsalou, Kathleen P., Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
Stripped of the intent of its author, L. Frank Baum, the children's fairy tale The Wonderful Wizard of Oz was left to be understood only within a changing cultural construct. Historian Hayden White, arguing that the similarities between a novel and a work of history were more significant than their differences, insisted that history was preeminently a subsection of literature. According to White, historical narratives were manifestly verbal fictions, and the only acceptable grounds upon which...
Show moreStripped of the intent of its author, L. Frank Baum, the children's fairy tale The Wonderful Wizard of Oz was left to be understood only within a changing cultural construct. Historian Hayden White, arguing that the similarities between a novel and a work of history were more significant than their differences, insisted that history was preeminently a subsection of literature. According to White, historical narratives were manifestly verbal fictions, and the only acceptable grounds upon which the historian should choose his historical perspective were the moral and the aesthetic. White conflated historical consciousness with myth and blurred the boundary that had long divided history from fiction. Just as changing cultural concerns infused the Dorothy of Baum's children's literature with meaning so social, cultural, and moral imperatives came to dictate the content of historical stories particularly in the historiography of the Reconstruction era. The twenty first century conception of Reconstruction is different from the conception influential at the start of the twentieth. In assessing the scholarship of William A. Dunning, contemporary historians have adopted a new paradigm when describing the scholar's Reconstruction accounts. Modern commentators reject Dunning's authorial intention and the contextual framework needed to define it. Thus, Dunning has receded into the "realm of myth." Careful attendance to Dunning's historical context, contemporary audience, and his authorial intent, will reposition the perspective for analysis of Dunning's work. Removing Dunning from abstract analysis will allow historians to arrive at an understanding of his work, and view the importance of the real Dunning, rather than the fabricated image constructed from a partial and even fragmented reading of his work., Taking Dunning on his own terms restores a meaningful past and brings into bas-relief the tremendous advances the U. S. of twenty first century has made in reshaping social and political patterns.Taking theReconstruction era on its own terms impels historians to move beyond Dunning and return in their research to revisit primary records and documents as they work to clear the grisly ground of Reconstruction historiography for further fruitful examination.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/107801
- Subject Headings
- Criticism and interpretation, Political and social views, Criticism and interpretation, Wizard of Oz (Fictitious character), Oz (Imaginary place), Politics and literature, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Paradise impaired: duality in Paradise lost.
- Creator
- Bernhard, Katherine Joy., Harriet L. Wilkes Honors College
- Abstract/Description
-
This thesis examines the duality of meaning conveyed by John Milton's use of language in the epic poem, Paradise Lost, specifically repetition, pairing, alliteration and puns. Following a long tradition of close readings, especially critics RA. Shoaf and Christopher Ricks, I argue that Milton conceives the Fall of Adam and Eve as a falling into polysemy, or multiplicity of signification. Very few critics have undertaken a close reading of words that signal coupling in the poem, and their...
Show moreThis thesis examines the duality of meaning conveyed by John Milton's use of language in the epic poem, Paradise Lost, specifically repetition, pairing, alliteration and puns. Following a long tradition of close readings, especially critics RA. Shoaf and Christopher Ricks, I argue that Milton conceives the Fall of Adam and Eve as a falling into polysemy, or multiplicity of signification. Very few critics have undertaken a close reading of words that signal coupling in the poem, and their relationship to pairs and oppositions relevant to Genesis. Shoaf identifies pairs and oppositions in the poem as duals and duels, and connects them to binaries in the theology. However, he overlooks a great deal of evidence which supports his theory of the dual and the duel, and also disregards many significant examples of duality in Milton's wordplay that other critics identify, including alliterative pairs and words that convey ancient etymologies.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/FAU/11595
- Subject Headings
- Criticism and interpretation, Milton, John, 1608-1674, Language, Narration (Rhetoric), Discourse analysis, Narrative, Semiotics
- Format
- Document (PDF)
- Title
- Employing cultural landscapes in community preservation: the case of Druid Hills, Atlanta.
- Creator
- Blythe, Rachel, Harriet L. Wilkes Honors College
- Abstract/Description
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Druid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities...
Show moreDruid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities organized Citizens Against Unnecessary Thoroughfares In Older Neighborhoods (CAUTION). The strategic rhetoric of CAUTION's campaign emphasized Druid Hills' significance as "Olmsted's Vision of Atlanta," yet their use of this iconic figure did not capture the complete cultural landscape of Druid Hills. Although Olmsted designed the initial layout of the suburb, the suburb's form departed from his design during its development. I argue that preserving the community requires a comprehensive portrait of its varied history.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359291
- Subject Headings
- Criticism and interpretation, Ethnic neighborhoods, History, Historic preservation, Social life and customs, History and criticism
- Format
- Document (PDF)
- Title
- "Our fellows in mortality": kindness to animals in Thomas Hardy's Jude the Obscure.
- Creator
- Brockway, Jessica L., Harriet L. Wilkes Honors College
- Abstract/Description
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In Jude the Obscure, Thomas Hardy depicts characters who are especially sensitive to the suffering of all living creatures and thus engages his novel in the topic of animal rights. In this project I examine the human-animal relationships in Hardy's novel in terms of the ideas of two different philosophers: Peter Singer and Cora Diamond. I argue that, while Singer at first seems to provide a useful model for understanding these relationships in Jude, Diamond's account of these relationships is...
Show moreIn Jude the Obscure, Thomas Hardy depicts characters who are especially sensitive to the suffering of all living creatures and thus engages his novel in the topic of animal rights. In this project I examine the human-animal relationships in Hardy's novel in terms of the ideas of two different philosophers: Peter Singer and Cora Diamond. I argue that, while Singer at first seems to provide a useful model for understanding these relationships in Jude, Diamond's account of these relationships is ultimately a more helpful tool for understanding Hardy's ideas about animals. Diamond helps us see that Hardy believes people should help all living creatures in pain, no matter the cost to themselves, not because they recognize their suffering, but because they recognize a shared commonality with all sentient creatures.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3334248
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Animal rights (Philosophy), Human-animal relationships in literature, Symbolism in literature, Animals and civilization
- Format
- Document (PDF)