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Proust on theater: The fourth art in "A La Recherche du Temps Perdu"
- Date Issued:
- 2003
- Summary:
- Critical studies of the arts in Marcel Proust's La Recherche situate the text's many references to art works and artistic genius in a triadic structure of "the three arts": painting, music, and literature. Yet the theater and theatrical references reinforce many of the themes and signifying networks running throughout the text. Theater functions as an art form equivalent to Elstir's painting or Vinteuil's music, and Proust dramatizes in La Berma his crucial distinction between person and artist. In the social aspects of the actress's life, Proust constructs resonant parallels with the societal and familial conduct of his characters and their interactions, just as the brilliant theatrical performances of classical French dramatic roles onstage by La Berma essentialize the "mecanismes de la vie sociale" in the fictive world outside the theater. In short, theater functions crucially and continuously at all levels of the text, from basic components of story to meta-levels of discourse.
Title: | Proust on theater: The fourth art in "A La Recherche du Temps Perdu". |
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Name(s): |
Schaller, Margaret P. Florida Atlantic University, Degree grantor Hokenson, Jan W., Thesis advisor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 2003 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 95 p. | |
Language(s): | English | |
Summary: | Critical studies of the arts in Marcel Proust's La Recherche situate the text's many references to art works and artistic genius in a triadic structure of "the three arts": painting, music, and literature. Yet the theater and theatrical references reinforce many of the themes and signifying networks running throughout the text. Theater functions as an art form equivalent to Elstir's painting or Vinteuil's music, and Proust dramatizes in La Berma his crucial distinction between person and artist. In the social aspects of the actress's life, Proust constructs resonant parallels with the societal and familial conduct of his characters and their interactions, just as the brilliant theatrical performances of classical French dramatic roles onstage by La Berma essentialize the "mecanismes de la vie sociale" in the fictive world outside the theater. In short, theater functions crucially and continuously at all levels of the text, from basic components of story to meta-levels of discourse. | |
Identifier: | 9780496181797 (isbn), 13015 (digitool), FADT13015 (IID), fau:9881 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Dorothy F. Schmidt College of Arts and Letters Thesis (M.A.)--Florida Atlantic University, 2003. |
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Subject(s): |
Proust, Marcel,--1871-1922--Criticism and interpretation Proust, Marcel,--1871-1922--A la recherche du temps perdu Theater in literature Arts in literature |
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Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/13015 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |