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RADICAL RETICENCE: QUIETNESS, VISION, AND RESISTANCE IN CONTEMPORARY REPRESENTATIONS OF SLAVERY

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Date Issued:
2022
Abstract/Description:
Throughout the 21st century, some artists, athletes, and politicians began to use their platforms to speak out against the issues of systemic racism and police brutality that continue to affect black Americans to this day. While this outpouring of support for the black community has helped move the needle in terms of equity and inclusion initiatives, critics have often labeled these figures and movements too public or loud, conflating the concepts of talking and loudness with resistance to the status quo. Yet, in an era when “silence is not an option” and “quietness is complicity,” African American authors and artists have taken a subtle and quiet approach to depicting the lives of enslaved men and women. More specifically, novels, films, and art from the past two decades portray resistance as not only a public and physical phenomenon, but a mental and ideological one. This dissertation project comes at the intersection of African American literary, religious, and historical studies to argue that quiet and internal acts, such as surrender, memory, and visions, throughout contemporary representations of slavery provide an effective form of resistance to white hegemonic authority, ideology, and values. It asks readers to look beyond the public and the loud, to think about resistance that is not merely physical, to consider the possibilities present in reticence.
Title: RADICAL RETICENCE: QUIETNESS, VISION, AND RESISTANCE IN CONTEMPORARY REPRESENTATIONS OF SLAVERY.
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Name(s): McGeary, Stephen A., author
Dagbovie-Mullins, Sika , Thesis advisor
Florida Atlantic University, Degree grantor
Department of English
Dorothy F. Schmidt College of Arts and Letters
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Date Created: 2022
Date Issued: 2022
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 126 p.
Language(s): English
Abstract/Description: Throughout the 21st century, some artists, athletes, and politicians began to use their platforms to speak out against the issues of systemic racism and police brutality that continue to affect black Americans to this day. While this outpouring of support for the black community has helped move the needle in terms of equity and inclusion initiatives, critics have often labeled these figures and movements too public or loud, conflating the concepts of talking and loudness with resistance to the status quo. Yet, in an era when “silence is not an option” and “quietness is complicity,” African American authors and artists have taken a subtle and quiet approach to depicting the lives of enslaved men and women. More specifically, novels, films, and art from the past two decades portray resistance as not only a public and physical phenomenon, but a mental and ideological one. This dissertation project comes at the intersection of African American literary, religious, and historical studies to argue that quiet and internal acts, such as surrender, memory, and visions, throughout contemporary representations of slavery provide an effective form of resistance to white hegemonic authority, ideology, and values. It asks readers to look beyond the public and the loud, to think about resistance that is not merely physical, to consider the possibilities present in reticence.
Identifier: FA00013935 (IID)
Degree granted: Dissertation (Ph.D.)--Florida Atlantic University, 2022.
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Includes bibliography.
Subject(s): African-American studies
Slave narratives
American literature--African American authors
Persistent Link to This Record: http://purl.flvc.org/fau/fd/FA00013935
Use and Reproduction: Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.