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Heeding the Antiheroine's Call: the Rise of the Antiheroine in Literature and Popular Culture
- Date Issued:
- 2007
- Abstract/Description:
- In my thesis, I argue three assertions: 1) that the 21 st Century antiheroine who has figured so prominently in literature and film is an evolution of the heroine archetype that combines both the action-oriented traditional male hero archetype and the tragically flawed, antagonistic anti-heroine archetype, 2) that the foundation for this newly modified pop culture antiheroine can be traced back to Margaret Mitchell's iconic character, Scarlett O'Hara, and finally 3) that this new modem heroine archetype, the antiheroine, has become an integral part of popular culture, both in literature and film as well as other popular media. As my primary texts I used Margaret Mitchell's Gone With the Wind, the David O. Selznick film ofthe same title, Joseph Campbell's The Hero with a Thousand Faces, as well as several other primary and secondary sources, including the published volume of Margaret Mitchell's Gone With the Wind related letters.
Title: | Heeding the Antiheroine's Call: the Rise of the Antiheroine in Literature and Popular Culture. |
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Name(s): |
Lyles-Scott, Cynthia C. Childrey, John, Thesis advisor Florida Atlantic University, Degree grantor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Date Created: | 2007 | |
Date Issued: | 2007 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 79 p. | |
Language(s): | English | |
Abstract/Description: | In my thesis, I argue three assertions: 1) that the 21 st Century antiheroine who has figured so prominently in literature and film is an evolution of the heroine archetype that combines both the action-oriented traditional male hero archetype and the tragically flawed, antagonistic anti-heroine archetype, 2) that the foundation for this newly modified pop culture antiheroine can be traced back to Margaret Mitchell's iconic character, Scarlett O'Hara, and finally 3) that this new modem heroine archetype, the antiheroine, has become an integral part of popular culture, both in literature and film as well as other popular media. As my primary texts I used Margaret Mitchell's Gone With the Wind, the David O. Selznick film ofthe same title, Joseph Campbell's The Hero with a Thousand Faces, as well as several other primary and secondary sources, including the published volume of Margaret Mitchell's Gone With the Wind related letters. | |
Identifier: | FA00000935 (IID) | |
Degree granted: | Thesis (M.A.)--Florida Atlantic University, 2007. | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): | Dorothy F. Schmidt College of Arts and Letters | |
Subject(s): |
Mitchell, Margaret,--1900-1949--Gone with the wind--Criticism and interpretation Campbell, Joseph,--1904-1987--Hero with a thousand faces--Criticism and interpretation Women in literature Heroines in literature Popular culture--United States--20th century |
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Held by: | Florida Atlantic University Libraries | |
Sublocation: | Digital Library | |
Persistent Link to This Record: | http://purl.flvc.org/fau/fd/FA00000935 | |
Use and Reproduction: | Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |