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Mobile Modernity: Transportation in the works of F. Scott Fitzgerald and Ernest Hemingway
- Date Issued:
- 2008
- Abstract/Description:
- A central paradox in modernism is its disdain for mass culture, despite mass culture 's undeniable presence in modernist literature. American authors writing during the early twentieth century tried to establish themselves as "highbrow" by leaving the U.S. and traveling to Europe. In doing so, they created a particular aesthetic characterized by depictions of the transportation that facilitated this travel. These depictions reveal modernism's dependence on mass culture, and more importantly, create a space in which modernist authors can negotiate what was once a choice between high or low culture, exile or tourist, and ultimately, modernism or mass culture. Analyzing the car and train scenes in F. Scott Fitzgerald's Tender is the Night and Ernest Hemingway's The Sun Also Rises reveals the hybrid spaces made available to these authors through transportation.
Title: | Mobile Modernity: Transportation in the works of F. Scott Fitzgerald and Ernest Hemingway. |
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Name(s): |
Johnston, Carrie E. Furman, Andrew, Thesis advisor Florida Atlantic University, Degree grantor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Date Created: | 2008 | |
Date Issued: | 2008 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 63 p. | |
Language(s): | English | |
Abstract/Description: | A central paradox in modernism is its disdain for mass culture, despite mass culture 's undeniable presence in modernist literature. American authors writing during the early twentieth century tried to establish themselves as "highbrow" by leaving the U.S. and traveling to Europe. In doing so, they created a particular aesthetic characterized by depictions of the transportation that facilitated this travel. These depictions reveal modernism's dependence on mass culture, and more importantly, create a space in which modernist authors can negotiate what was once a choice between high or low culture, exile or tourist, and ultimately, modernism or mass culture. Analyzing the car and train scenes in F. Scott Fitzgerald's Tender is the Night and Ernest Hemingway's The Sun Also Rises reveals the hybrid spaces made available to these authors through transportation. | |
Identifier: | FA00000930 (IID) | |
Degree granted: | Thesis (M.A.)--Florida Atlantic University, 2008. | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): | Dorothy F. Schmidt College of Arts and Letters | |
Subject(s): |
Fitzgerald, F Scott--(Francis Scott),--1896-1940--Tender is the night--Criticism and interpretation Hemingway, Ernest,--1899-1961--Sun also rises--Criticism and interpretation Literature and society--United States Symbolism in literature Travel in literature Postmodernism (Literature) |
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Held by: | Florida Atlantic University Libraries | |
Sublocation: | Digital Library | |
Persistent Link to This Record: | http://purl.flvc.org/fau/fd/FA00000930 | |
Use and Reproduction: | Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |