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Questions for Animals
- Date Issued:
- 2008
- Abstract/Description:
- Through the worlds of cause and effect, forms, and formlessness, echoing the structure of the shrine Borobudur, this work explores these convergences: Paul Oppenheimer's argument that the best origin of sonnet is sonitus, the music of the spheres perceived in this world as a deafening; the experience of Borobudur 's rectangular stone reliefs within a structure that looks angular but is circular; and a deaf woman's observation that vowel sounds conflate on faces under the duress of pleasure or pain. The attempt, as the sonnet moves through the volume, interrupted four times by poems of other types, is to experience what seems, like stone or path, a most syllogistic of forms, as mandala. Throughout, the relationship between sight and sound is explored, using homophones, syntax working with and against parts of speech and lineation, hearkening to words that keep as unresolved as possible the vowel sounds, as brogues do, and tonal languages.
Title: | Questions for Animals. |
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19 downloads |
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Name(s): |
Hamilton, Peggy Mitchell, Susan, Thesis advisor Florida Atlantic University, Degree grantor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Date Created: | 2008 | |
Date Issued: | 2008 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 59 p. | |
Language(s): | English | |
Abstract/Description: | Through the worlds of cause and effect, forms, and formlessness, echoing the structure of the shrine Borobudur, this work explores these convergences: Paul Oppenheimer's argument that the best origin of sonnet is sonitus, the music of the spheres perceived in this world as a deafening; the experience of Borobudur 's rectangular stone reliefs within a structure that looks angular but is circular; and a deaf woman's observation that vowel sounds conflate on faces under the duress of pleasure or pain. The attempt, as the sonnet moves through the volume, interrupted four times by poems of other types, is to experience what seems, like stone or path, a most syllogistic of forms, as mandala. Throughout, the relationship between sight and sound is explored, using homophones, syntax working with and against parts of speech and lineation, hearkening to words that keep as unresolved as possible the vowel sounds, as brogues do, and tonal languages. | |
Identifier: | FA00000924 (IID) | |
Degree granted: | Thesis (M.F.A.)--Florida Atlantic University, 2008. | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): | Dorothy F. Schmidt College of Arts and Letters | |
Subject(s): |
Symbolism in literature Sonnet--History and criticism Poetry--Collections |
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Held by: | Florida Atlantic University Libraries | |
Sublocation: | Digital Library | |
Persistent Link to This Record: | http://purl.flvc.org/fau/fd/FA00000924 | |
Use and Reproduction: | Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |