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Milton's Satan: A Sublimely Dangerous Villain
- Date Issued:
- 2007
- Summary:
- In his epic poem Paradise Lost, John Milton, through sublime narration, creates his Satan as a sublimely dangerous villain in accordance with Pseudo-Longinus's five principles of elevated language, as outlined in Book VIII of On the Sublime. In his treatise, the philosopher delineates that the five principles for sublime expression are the ''power of forming great conceptions," the gift of "vehement and inspired passion," the "formation of figures," the art of"noble diction," and an abi lity to produce "dignified and elevated composition." Foundational to sublime composition and the excellent usage of these principles is the gift of discourse. Milton, in his quest to "justify the ways of God to men" (1.26), fulfills these requirements for the sublime. As the poet-narrator, he demonstrates his mastery in transporting the audience into the realm of his imagination, sublimely conceiving, creating, and portraying his Satan to be a dangerous villain.
Title: | Milton's Satan: A Sublimely Dangerous Villain. |
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Name(s): |
Grosso, Lisa A.K. Martin, Thomas L., Thesis advisor Florida Atlantic University, Degree grantor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Date Created: | 2007 | |
Date Issued: | 2007 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 92 p. | |
Language(s): | English | |
Summary: | In his epic poem Paradise Lost, John Milton, through sublime narration, creates his Satan as a sublimely dangerous villain in accordance with Pseudo-Longinus's five principles of elevated language, as outlined in Book VIII of On the Sublime. In his treatise, the philosopher delineates that the five principles for sublime expression are the ''power of forming great conceptions," the gift of "vehement and inspired passion," the "formation of figures," the art of"noble diction," and an abi lity to produce "dignified and elevated composition." Foundational to sublime composition and the excellent usage of these principles is the gift of discourse. Milton, in his quest to "justify the ways of God to men" (1.26), fulfills these requirements for the sublime. As the poet-narrator, he demonstrates his mastery in transporting the audience into the realm of his imagination, sublimely conceiving, creating, and portraying his Satan to be a dangerous villain. | |
Identifier: | FA00000923 (IID) | |
Degree granted: | Thesis (M.A.)--Florida Atlantic University, 2007. | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): | Dorothy F. Schmidt College of Arts and Letters | |
Subject(s): |
Milton, John,--1608-1674--Criticism and interpretation. Milton, John,--1608-1674.--Paradise Lost. Devil in literature. Milton, John,--1697-1674--Knowledge--Art. |
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Held by: | Florida Atlantic University Libraries | |
Sublocation: | Digital Library | |
Persistent Link to This Record: | http://purl.flvc.org/fau/fd/FA00000923 | |
Use and Reproduction: | Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |