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That's SO last century
- Date Issued:
- 2009
- Summary:
- A literary text is a means for critics to analyze societal influence on the author, and both fashion and body modification serve this same function because they are legible texts with which to interpret the psychological motivations of the wearer in the cultural context in which he or she lives. Fashion theorists such as Roland Barthes and J.C. Flugel have detailed the reasons that they believe dress evolves throughout time, and the following thesis applies their theories to Melville's first novel Typee. In the first chapter, entitled, "Moral Fibers: Dress as the Extension of Self," much emphasis is given to archetypes of dress such as the veil, the corset and military uniforms in the Orient and the Occident. The second chapter, "Cut From the Same Cloth: Body Modification as Semiotic Modality," discusses ritualistic tattooing as a mode of literary expression.
Title: | That's SO last century: fashion and modiality in Melville's Typee. |
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65 downloads |
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Name(s): |
DeBerry, Tealia. Dorothy F. Schmidt College of Arts and Letters Department of English |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Date Issued: | 2009 | |
Publisher: | Florida Atlantic University | |
Physical Form: | electronic | |
Extent: | v, 50 p. | |
Language(s): | English | |
Summary: | A literary text is a means for critics to analyze societal influence on the author, and both fashion and body modification serve this same function because they are legible texts with which to interpret the psychological motivations of the wearer in the cultural context in which he or she lives. Fashion theorists such as Roland Barthes and J.C. Flugel have detailed the reasons that they believe dress evolves throughout time, and the following thesis applies their theories to Melville's first novel Typee. In the first chapter, entitled, "Moral Fibers: Dress as the Extension of Self," much emphasis is given to archetypes of dress such as the veil, the corset and military uniforms in the Orient and the Occident. The second chapter, "Cut From the Same Cloth: Body Modification as Semiotic Modality," discusses ritualistic tattooing as a mode of literary expression. | |
Identifier: | 428805019 (oclc), 215287 (digitool), FADT215287 (IID), fau:3421 (fedora) | |
Note(s): |
by Tealia DeBerry. Thesis (M.A.)--Florida Atlantic University, 2009. Includes bibliography. Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web. |
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Subject(s): |
Melville, Herman, 1819-1891 Clothing and dress -- Psychology Fashion -- Social aspects Self-perception in literature Fashion in literature |
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Persistent Link to This Record: | http://purl.flvc.org/FAU/215287 | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU |