You are here
Let them run wild
- Date Issued:
- 2009
- Summary:
- Drawing from literary criticism, ecological philosophy, psychoanalysis, and the wisdom of the female principle - or what Paula Gunn Allen perceives as "Her presence," the "power to make and relate"- this interdisciplinary study challenges dominant assumptions that habitually prevail in western cultural thinking. Let Them Run Wild investigates alternative, "buried" articulations which emerge in nineteenth-and early twentieth-century narratives that especially engage an audience of both children and adult readers. Recognizing the fictions inherent in linear-driven thought, these articulations celebrate narrative moments where reason is complicated and reconjectured, where absence is affirmed as presence, and where tale-tellers disappear behind the messages they relate. By spotlighting legendary characters, Chapter One, "The Jowls of Legend," explains how "wild consciousness" resists legendary status. Chapters Two and Three discuss the interweaving journey of the wild arabesque in the Arabian Nights and untamed desire within Anne's transformative language in L.M. Montgomery's Anne of Green Gables. Chapter Four, examining the death drive in Frank Norris's The Octopus, describes how it is reconceived in E. Nesbit's The Railway Children. Lastly, the Epilogue explores Juliana Ewing's "Lob Lie-By-the-Fire," tracing the manifestation of the female principle through its most wild activity - not hindered by gender - of service rendered through mystery and adventure. Wild consciousness advances through the collective identity of what Frederic Jameson has called the "political unconscious"and commissions older, better approximations of ideology through willing, spontaneous service.
Title: | Let them run wild: childhood, the nineteenth-century storyteller, and the ascent of the moon. |
732 views
260 downloads |
---|---|---|
Name(s): |
Czerny, Val. Dorothy F. Schmidt College of Arts and Letters Department of English |
|
Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | multipart monograph | |
Date Issued: | 2009 | |
Publisher: | Florida Atlantic University | |
Physical Form: | electronic | |
Extent: | viii, 420 p. : ill. | |
Language(s): | English | |
Summary: | Drawing from literary criticism, ecological philosophy, psychoanalysis, and the wisdom of the female principle - or what Paula Gunn Allen perceives as "Her presence," the "power to make and relate"- this interdisciplinary study challenges dominant assumptions that habitually prevail in western cultural thinking. Let Them Run Wild investigates alternative, "buried" articulations which emerge in nineteenth-and early twentieth-century narratives that especially engage an audience of both children and adult readers. Recognizing the fictions inherent in linear-driven thought, these articulations celebrate narrative moments where reason is complicated and reconjectured, where absence is affirmed as presence, and where tale-tellers disappear behind the messages they relate. By spotlighting legendary characters, Chapter One, "The Jowls of Legend," explains how "wild consciousness" resists legendary status. Chapters Two and Three discuss the interweaving journey of the wild arabesque in the Arabian Nights and untamed desire within Anne's transformative language in L.M. Montgomery's Anne of Green Gables. Chapter Four, examining the death drive in Frank Norris's The Octopus, describes how it is reconceived in E. Nesbit's The Railway Children. Lastly, the Epilogue explores Juliana Ewing's "Lob Lie-By-the-Fire," tracing the manifestation of the female principle through its most wild activity - not hindered by gender - of service rendered through mystery and adventure. Wild consciousness advances through the collective identity of what Frederic Jameson has called the "political unconscious"and commissions older, better approximations of ideology through willing, spontaneous service. | |
Summary: | It acknowledges Homi K. Bhabha's articulation of "cultural hybridity," while, simultaneously, it directs such hybrid constructions of history, space, and negotiation outward toward a wild feminist critic Elaine Showalter has characterized as the "wild zone," customarily understood as a borderland space, is further reinterpreted as a borderless, expressive, timeless calling forth of receptive minds to engage in wildly compassionate, nonsensical acts and cunning, non-heroic feats in order to transform the inert, polemic systems that define our western collective mind. In short, this study refigures what Vandana Shiva identifies as cultural "patents on life," where "civilization" becomes small - a mere idea in a forest's deep heart. | |
Identifier: | 369177082 (oclc), 209982 (digitool), FADT209982 (IID), fau:3007 (fedora) | |
Note(s): |
by Val Czerny. Vita. Thesis (Ph.D.)--Florida Atlantic University, 2009. Includes bibliography. Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web. |
|
Subject(s): |
Symbolism in literature Ecofeminism and literature Philosophy of nature in literature Narrative (Rhetoric) -- 19th century -- Criticism and literature Storytelling in literature |
|
Held by: | FBoU FAUER | |
Persistent Link to This Record: | http://purl.flvc.org/FAU/209982 | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU |