You are here

FAU Collections » FAU Research Repository » FAU Theses and Dissertations

hand as creator in Wallace Stevens: Perception, sensation, and the phenomenal self

Download pdf | Full Screen View

Date Issued:
2002
Summary:
Wallace Stevens's poems alluding to hands yield one of his most profound topics of interest: reality (the external, natural world) versus the imagination (the internal mind). The human hand offers a unique perspective of the complex, often problematic worlds in which the artist exists. In terms of the external world, the hands are the most common means of sense experience. For many artists, the hands act as a medium through which expression of art is delivered. During inspiration, an artist therefore takes an experience of the world, filters it through the imagination, and then creates art by combining mind and sense experience. It is the complications involved in this process of creation that the forthcoming analysis explores. The philosophical insight of Merleau-Ponty, Emmanuel Husserl, and William James offers ways of interpreting the intricate creative process apparent in Stevens's poems. By visualizing the necessary altered state of perception through Stevens's language, one can then better understand the acquisition of the ideal state, or "phenomenal body."
Title: The hand as creator in Wallace Stevens: Perception, sensation, and the phenomenal self.
135 views
33 downloads
Name(s): Johnson, Jamie
Florida Atlantic University, Degree grantor
Pearce, Howard D., Thesis advisor
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 2002
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 69 p.
Language(s): English
Summary: Wallace Stevens's poems alluding to hands yield one of his most profound topics of interest: reality (the external, natural world) versus the imagination (the internal mind). The human hand offers a unique perspective of the complex, often problematic worlds in which the artist exists. In terms of the external world, the hands are the most common means of sense experience. For many artists, the hands act as a medium through which expression of art is delivered. During inspiration, an artist therefore takes an experience of the world, filters it through the imagination, and then creates art by combining mind and sense experience. It is the complications involved in this process of creation that the forthcoming analysis explores. The philosophical insight of Merleau-Ponty, Emmanuel Husserl, and William James offers ways of interpreting the intricate creative process apparent in Stevens's poems. By visualizing the necessary altered state of perception through Stevens's language, one can then better understand the acquisition of the ideal state, or "phenomenal body."
Identifier: 9780493772721 (isbn), 12916 (digitool), FADT12916 (IID), fau:12624 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Thesis (M.A.)--Florida Atlantic University, 2002.
Subject(s): Stevens, Wallace,--1879-1955--Criticism and interpretation
Perception (Philosophy) in literature
Self (Philosophy) in literature
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/12916
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.