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Pro(bl)em: The paradox of genre in the literary renovation of the Spanish American poema en prosa

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Date Issued:
1998
Summary:
The poema en prosa originates in the Romantic subversion of discursive boundaries, as a problematic genre that foregrounds its theoretical self-questioning. Through its confrontation of prose and poetry, and the paradoxical affirmation of a form that results from the dialogic struggle between them, the poema en prosa is able to create an alternative space for Spanish American writers conditioned by a colonial history of literary borrowings from other traditions. This counter-discursive entity attracted turn-of-the-century modernistas such as Julian del Casal and Ruben Dario, as did the prose experiments of Jose Marti Delineating an autochthonous discursive identity for Spanish America through Romantic ideology, Marti anticipates the renovating social and aesthetic ideals of the poema en prosa. His search for a paradoxically original Spanish American expression helps establish the theoretical parameters for later modernistas and postmodernistas, who resort to the poema en prosa as an ambiguous means of creative autonomy.
Title: Pro(bl)em: The paradox of genre in the literary renovation of the Spanish American poema en prosa.
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Name(s): Giannini, Natalia Rita.
Florida Atlantic University, Degree grantor
Gosser Esquilin, Mary Ann, Thesis advisor
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 1998
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 107 p.
Language(s): English
Summary: The poema en prosa originates in the Romantic subversion of discursive boundaries, as a problematic genre that foregrounds its theoretical self-questioning. Through its confrontation of prose and poetry, and the paradoxical affirmation of a form that results from the dialogic struggle between them, the poema en prosa is able to create an alternative space for Spanish American writers conditioned by a colonial history of literary borrowings from other traditions. This counter-discursive entity attracted turn-of-the-century modernistas such as Julian del Casal and Ruben Dario, as did the prose experiments of Jose Marti Delineating an autochthonous discursive identity for Spanish America through Romantic ideology, Marti anticipates the renovating social and aesthetic ideals of the poema en prosa. His search for a paradoxically original Spanish American expression helps establish the theoretical parameters for later modernistas and postmodernistas, who resort to the poema en prosa as an ambiguous means of creative autonomy.
Identifier: 9780591929928 (isbn), 15575 (digitool), FADT15575 (IID), fau:12335 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Thesis (M.A.)--Florida Atlantic University, 1998.
Subject(s): Prose poems, Spanish American.
Modernism (Literature)--Latin America.
Poets, Spanish American.
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/15575
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.