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Politics, protest and propaganda in Hollywood's Golden Age

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Date Issued:
1996
Summary:
This Master's Thesis examines movies of political and social significance during Hollywood's Golden Age. Significance is here defined as belonging to those films that have been singled out by historians and critics for their social "conscience" as well as films whose significance I have found in the course of my research and after a lifetime of watching movies. The films of this era included strong social and political analysis, contrary to a tradition of film study which depicts the Golden Age as either apolitical entertainment or basically a conservative defense of the status quo. The thesis describes how the politics of the Golden Age films began with a critical, anti-establishment outlook in the 1930's but evolved as a cooperative partner of the establishment by the Second World War. This change occurred in part because of the special relationship that Hollywood (led by Warner Brothers Studios) developed with the Roosevelt Administration. I shall further examine the consequences of this evolution for the film industry in the post-war era and cold war eras.
Title: Politics, protest and propaganda in Hollywood's Golden Age.
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Name(s): Lozada, Robert Edmund.
Florida Atlantic University, Degree grantor
Lenz, Timothy, Thesis advisor
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 1996
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 331 p.
Language(s): English
Summary: This Master's Thesis examines movies of political and social significance during Hollywood's Golden Age. Significance is here defined as belonging to those films that have been singled out by historians and critics for their social "conscience" as well as films whose significance I have found in the course of my research and after a lifetime of watching movies. The films of this era included strong social and political analysis, contrary to a tradition of film study which depicts the Golden Age as either apolitical entertainment or basically a conservative defense of the status quo. The thesis describes how the politics of the Golden Age films began with a critical, anti-establishment outlook in the 1930's but evolved as a cooperative partner of the establishment by the Second World War. This change occurred in part because of the special relationship that Hollywood (led by Warner Brothers Studios) developed with the Roosevelt Administration. I shall further examine the consequences of this evolution for the film industry in the post-war era and cold war eras.
Identifier: 15290 (digitool), FADT15290 (IID), fau:12061 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Thesis (M.A.)--Florida Atlantic University, 1996.
Subject(s): Motion pictures--Social aspects--United States
Motion pictures--Political aspects--United States
Motion picture industry--Political aspects--United States--History--20th century
Warner Bros Pictures--History
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/15290
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.