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Feminism and revolution: Ideological coalescence in Gioconda Belli's "La mujer habitada"
- Date Issued:
- 1996
- Summary:
- The feminist ideology Gioconda Belli develops in La mujer habitada is a critique of the dictatorial and/or patriarchal restrictions which oppress her women characters. In the novel, the protagonists, Itza a mythological woman warrior from the time of the Spanish Conquest, and Lavinia, a Sandinista guerillera during the Somoza regime, are revolutionary characters who transgress the limitations inherent in the traditional societal roles of "passive" females. Itza challenges the pre-Colonial and Colonial patriarchal ideology, while Lavinia seeks to undermine at once the official state discourse of the Somoza dictatorship, and the phallocentric revolutionary ideology of some of the Sandinistas. In the process, these female characters constitute themselves as subjects and challenge the male-centered canon that so often objectifies women and devalues their creativity.
Title: | Feminism and revolution: Ideological coalescence in Gioconda Belli's "La mujer habitada". |
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Name(s): |
Tepper, Sandra. Florida Atlantic University, Degree grantor Erro-Peralta, Nora, Thesis advisor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 1996 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 91 p. | |
Language(s): | English | |
Summary: | The feminist ideology Gioconda Belli develops in La mujer habitada is a critique of the dictatorial and/or patriarchal restrictions which oppress her women characters. In the novel, the protagonists, Itza a mythological woman warrior from the time of the Spanish Conquest, and Lavinia, a Sandinista guerillera during the Somoza regime, are revolutionary characters who transgress the limitations inherent in the traditional societal roles of "passive" females. Itza challenges the pre-Colonial and Colonial patriarchal ideology, while Lavinia seeks to undermine at once the official state discourse of the Somoza dictatorship, and the phallocentric revolutionary ideology of some of the Sandinistas. In the process, these female characters constitute themselves as subjects and challenge the male-centered canon that so often objectifies women and devalues their creativity. | |
Identifier: | 15265 (digitool), FADT15265 (IID), fau:12036 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Dorothy F. Schmidt College of Arts and Letters Thesis (M.A.)--Florida Atlantic University, 1996. |
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Subject(s): |
Belli, Gioconda,--1948---Criticism and interpretation Belli, Gioconda,--1948---Mujer habitada Central American literature Women in literature Feminism and literature--Central America--History and criticism Revolutionary literature, Latin American--History and criticism Literature and revolutions Feminist literary criticism Politics and literature--Central America |
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Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/15265 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |