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Black woman as an erotic being in Spanish-Caribbean narrative

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Date Issued:
1994
Summary:
Characterization of Black women as erotic beings in Spanish-Caribbean narrative has shifted significantly from 1880 to 1990. Their representation as totally submissive and erotic beings has evolved into that of socially conscious and self accepting Black women. In Villaverde's Cecilia Valdes (1882), Cecilia and Maria de la Regla are depicted as objects of male sexual desires. Diaz's Pascua in Cumboto (1948) and Asturias' Mulata de tal (1963), although eroticized, insinuate an underlying androgynous nature which makes them more assertive in their use of sexuality. However, it is contemporary women writers who dismantle the erotic stereotype: Ferre's "Cuando las mujeres quieren a los hombres" (1974) portrays a Black prostitute who, advances socially and economically. Cabrera's Nana in "La tesorera del diablo" (1971) is the bearer of ancestral knowledge and moral values, and Cartagena Portalatin's Aurora, in "La llamaban Aurora," (1978) speaks forcefully on social issues and fully accepts herself as a Black woman.
Title: Black woman as an erotic being in Spanish-Caribbean narrative.
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Name(s): Henry, Marlyn Fay.
Florida Atlantic University, Degree grantor
Erro-Peralta, Nora, Thesis advisor
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 1994
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 106 p.
Language(s): Spanish
Summary: Characterization of Black women as erotic beings in Spanish-Caribbean narrative has shifted significantly from 1880 to 1990. Their representation as totally submissive and erotic beings has evolved into that of socially conscious and self accepting Black women. In Villaverde's Cecilia Valdes (1882), Cecilia and Maria de la Regla are depicted as objects of male sexual desires. Diaz's Pascua in Cumboto (1948) and Asturias' Mulata de tal (1963), although eroticized, insinuate an underlying androgynous nature which makes them more assertive in their use of sexuality. However, it is contemporary women writers who dismantle the erotic stereotype: Ferre's "Cuando las mujeres quieren a los hombres" (1974) portrays a Black prostitute who, advances socially and economically. Cabrera's Nana in "La tesorera del diablo" (1971) is the bearer of ancestral knowledge and moral values, and Cartagena Portalatin's Aurora, in "La llamaban Aurora," (1978) speaks forcefully on social issues and fully accepts herself as a Black woman.
Identifier: 15115 (digitool), FADT15115 (IID), fau:11892 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Thesis (M.A.)--Florida Atlantic University, 1994.
Subject(s): Latin American literature--History and criticism
Caribbean literature (Spanish)
African American women in literature
Sex symbolism
Sex role in literature
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/15115
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.