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Gabriel Conroy and closure in "Dubliners"
- Date Issued:
- 1991
- Summary:
- Gabriel Conroy in "The Dead" appears to be the boy of the first three stories in adulthood. The boy's artistic mind is formed and limited by adult influences so that he dreams of escape. Gabriel has the same artistic disposition and has developed a limited outlet for his talents. He, too, envisions escape. Gabriel's epiphany and his sense of insecurity and pride are so like the boy's that the similarity suggests one character who has developed a habit of introspection. Finally, Gabriel's sexual anxiety implies that he fears women and fears his own sexuality. Joyce repeats patterns of imagery in "The Dead" that echo the boy's developing sexuality, indicating that the boy and the man suffer the same fears. Seeing Gabriel Conroy as the boy-narrator of the first three stories creates closure for Dubliners, and it gives the reader insight into the character of Gabriel.
Title: | Gabriel Conroy and closure in "Dubliners". |
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Name(s): |
Becker, Virginia Mary Florida Atlantic University, Degree Grantor Dorothy F. Schmidt College of Arts and Letters Department of English |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 1991 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 64 p. | |
Language(s): | English | |
Summary: | Gabriel Conroy in "The Dead" appears to be the boy of the first three stories in adulthood. The boy's artistic mind is formed and limited by adult influences so that he dreams of escape. Gabriel has the same artistic disposition and has developed a limited outlet for his talents. He, too, envisions escape. Gabriel's epiphany and his sense of insecurity and pride are so like the boy's that the similarity suggests one character who has developed a habit of introspection. Finally, Gabriel's sexual anxiety implies that he fears women and fears his own sexuality. Joyce repeats patterns of imagery in "The Dead" that echo the boy's developing sexuality, indicating that the boy and the man suffer the same fears. Seeing Gabriel Conroy as the boy-narrator of the first three stories creates closure for Dubliners, and it gives the reader insight into the character of Gabriel. | |
Identifier: | 14764 (digitool), FADT14764 (IID), fau:11555 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Adviser: Carol McGuirk. Thesis (M.A.)--Florida Atlantic University, 1991. |
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Subject(s): |
Literature, Modern Literature, English |
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Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/14764 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |