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Sartre's existentialist Oresteia

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Date Issued:
1990
Summary:
Les Mouches is a modern reconstruction of the ancient myth embodied in the The Oresteia of Aeschylus. Jean-Paul Sartre not only rewrote the legend of Orestes; he remodeled it. Orestes is not just a new man; he is his own man. The play, therefore, is not a mere pastiche in modern dress. Sartre infuses Orestes with an unprecendented "Existentialist" consciousness, and this transformation adds new complexities to the ancient text. This Existentialist reworking of Hellenistic images is distinguished from the classically "tragic" elements in Aeschylus as well as later modifications in Sophocles and Euripides. Sartre's early introduction into the lore of Hellenism is considered, and a discussion of Sartre's theoretical and philosophical perspective on theater suggests which Greek elements Sartre was disposed to incorporate into his script.
Title: Sartre's existentialist Oresteia.
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Name(s): Benham, Timothy Lee.
Florida Atlantic University, Degree grantor
Hokenson, Jan W., Thesis advisor
Dorothy F. Schmidt College of Arts and Letters
Department of Languages, Linguistics and Comparative Literature
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 1990
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 86 p.
Language(s): English
Summary: Les Mouches is a modern reconstruction of the ancient myth embodied in the The Oresteia of Aeschylus. Jean-Paul Sartre not only rewrote the legend of Orestes; he remodeled it. Orestes is not just a new man; he is his own man. The play, therefore, is not a mere pastiche in modern dress. Sartre infuses Orestes with an unprecendented "Existentialist" consciousness, and this transformation adds new complexities to the ancient text. This Existentialist reworking of Hellenistic images is distinguished from the classically "tragic" elements in Aeschylus as well as later modifications in Sophocles and Euripides. Sartre's early introduction into the lore of Hellenism is considered, and a discussion of Sartre's theoretical and philosophical perspective on theater suggests which Greek elements Sartre was disposed to incorporate into his script.
Identifier: 14607 (digitool), FADT14607 (IID), fau:11403 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Thesis (M.A.)--Florida Atlantic University, 1990.
Subject(s): Literature, Classical
Literature, Comparative
Literature, Romance
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/14607
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.