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morality theme in "A Room With a View": A study of E. M. Forster's novel and the film adaptation by James Ivory
- Date Issued:
- 1988
- Summary:
- In A Room With A View Forster's allusions to the "mediaeval," the pattern of chapter headings which describes the action, the particular use of names and the way the narrative follows the evolving nature of Lucy Honeychurch's soul reveal a structural similarity to a morality play. In addition, the vivid contrasting elements of Light and Darkness and of Art and Nature establish the morality's opposing framework of Good versus Evil. The overtly visual style of Forster's narrative as well as the essentially dramatic structure of the novel provides director James Ivory a means to successfully adapt Forster's thematic structure to film. Ivory does so by translating the use of literary symbols and motifs into their visual counterparts rather than by merely concentrating on the achievement of narrative fidelity to the novel.
Title: | The morality theme in "A Room With a View": A study of E. M. Forster's novel and the film adaptation by James Ivory. |
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Name(s): |
Benghiat, Monique Florida Atlantic University, Degree Grantor Dorothy F. Schmidt College of Arts and Letters Department of English |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 1988 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 71 p. | |
Language(s): | English | |
Summary: | In A Room With A View Forster's allusions to the "mediaeval," the pattern of chapter headings which describes the action, the particular use of names and the way the narrative follows the evolving nature of Lucy Honeychurch's soul reveal a structural similarity to a morality play. In addition, the vivid contrasting elements of Light and Darkness and of Art and Nature establish the morality's opposing framework of Good versus Evil. The overtly visual style of Forster's narrative as well as the essentially dramatic structure of the novel provides director James Ivory a means to successfully adapt Forster's thematic structure to film. Ivory does so by translating the use of literary symbols and motifs into their visual counterparts rather than by merely concentrating on the achievement of narrative fidelity to the novel. | |
Identifier: | 14453 (digitool), FADT14453 (IID), fau:11253 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): | Thesis (M.A.)--Florida Atlantic University, 1988. | |
Subject(s): | Literature, English | |
Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/14453 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |