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FROST'S FLOWERS. (ROBERT FROST)
- Date Issued:
- 1974
- Summary:
- This thesis, a study of approximately eighty Robert Frost poems in which the word flower or a specific flower appears, attempts to correlate botanical information with poetic technique. The thesis progresses along the lines of complexity and accumulation, dividing the poems into three interlocking groups based upon the flower's use. In the first stage, the flower is simply an emotional projection of the speaker. In the second more developed stage, the flower is a persona in the poem, exhibiting a force of its own which impels the speaker toward union with men. The flower, in the third and most complex stage blending the two previous characteristics, is both an emotional projection of the speaker's fears about survival and a persona of nature which teaches man about the futility of trying to subjugate or impede nature in her cyclical movement. In Frost, the flower is a positive symbol, usually serving as an intermediary or agent, which tends to be a means of union between man and nature, man and man, or man and himself.
Title: | FROST'S FLOWERS. (ROBERT FROST). |
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Name(s): |
CONFORTI, DIANE LYNNE. Florida Atlantic University, Degree grantor Pearce, Howard D., Thesis advisor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 1974 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 92 p. | |
Language(s): | English | |
Summary: | This thesis, a study of approximately eighty Robert Frost poems in which the word flower or a specific flower appears, attempts to correlate botanical information with poetic technique. The thesis progresses along the lines of complexity and accumulation, dividing the poems into three interlocking groups based upon the flower's use. In the first stage, the flower is simply an emotional projection of the speaker. In the second more developed stage, the flower is a persona in the poem, exhibiting a force of its own which impels the speaker toward union with men. The flower, in the third and most complex stage blending the two previous characteristics, is both an emotional projection of the speaker's fears about survival and a persona of nature which teaches man about the futility of trying to subjugate or impede nature in her cyclical movement. In Frost, the flower is a positive symbol, usually serving as an intermediary or agent, which tends to be a means of union between man and nature, man and man, or man and himself. | |
Identifier: | 13675 (digitool), FADT13675 (IID), fau:10510 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Thesis (M.A.)--Florida Atlantic University, 1974. Dorothy F. Schmidt College of Arts and Letters |
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Subject(s): |
Frost, Robert,--1874-1963--Criticism and interpretation Flowers in literature |
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Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/13675 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |