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(In)visible dimensions of identity in Virginia Woolf

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Date Issued:
2004
Summary:
This study of three novels by Virginia Woolf---Mrs. Dalloway, To the Lighthouse, and The Waves---examines the various narrative techniques Woolf employs to construct her concept of character in the modernist novel, and also considers her related assumptions about the multiple dimensions of identity. As Woolf questions whether life and reality are "very solid or very shifting," she generates a series of framing devices---such as mirrors, portraits, dinner parties, and narratives---that acknowledge a solid, visible, and structured reality within the frame amidst a shifting, invisible, and unstructured reality outside it. Woolf's attention to the operation of the frame as simultaneously facing inward and outward enables her to umbrella this contradistinction of elements in her expression of identity. This analysis of Woolf's orchestration of multiple framed perspectives and images evidences her visionary contributions to studies in narrative and human character.
Title: (In)visible dimensions of identity in Virginia Woolf.
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Name(s): Hunter, Leeann D.
Florida Atlantic University, Degree grantor
Sheehan, Thomas, Thesis advisor
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 2004
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 75 p.
Language(s): English
Summary: This study of three novels by Virginia Woolf---Mrs. Dalloway, To the Lighthouse, and The Waves---examines the various narrative techniques Woolf employs to construct her concept of character in the modernist novel, and also considers her related assumptions about the multiple dimensions of identity. As Woolf questions whether life and reality are "very solid or very shifting," she generates a series of framing devices---such as mirrors, portraits, dinner parties, and narratives---that acknowledge a solid, visible, and structured reality within the frame amidst a shifting, invisible, and unstructured reality outside it. Woolf's attention to the operation of the frame as simultaneously facing inward and outward enables her to umbrella this contradistinction of elements in her expression of identity. This analysis of Woolf's orchestration of multiple framed perspectives and images evidences her visionary contributions to studies in narrative and human character.
Identifier: 9780496264520 (isbn), 13165 (digitool), FADT13165 (IID), fau:10025 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Thesis (M.A.)--Florida Atlantic University, 2004.
Subject(s): Modernism (Literature)
Woolf, Virginia,--1882-1941--Philosophy
Knowledge, Theory of, in literature
English literature--20th century--History and criticism
Woolf, Virginia,--1882-1941--Criticism and interpretation
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/13165
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.