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Title: La (in)visibilidad de la traductora: la traducciâon del inglâes al espaänol del cuento "Spanish Winter" de Jennifer Egan.
Creator: Almeida, Gabriela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter....
Show moreThis thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter. The importance of this text lies in the quest for identity of a female character whose journey symbolizes a search for herself. This postmodern tale, which depicts cultural exchanges between Spaniards and a US American woman and presents a contemporary theme told by a female narrator traveling abroad, is extremely relevant in today's globalized world. It is a valuable text whose translation promotes a fruitful literary exchange between the United States and the Spanish-speaking countries.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342033
Subject Headings: Criticism and interpretation, Criticism and interpretation, Identity (Psychology) in literature, Americans, Translating and interpreting
Format: Document (PDF)

Title: Satire of the cuckold in the work of Francisco de Quevedo.
Creator: Averhoff, Ida Ibis, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the...
Show moreThe "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the pessimistic and sarcastic tone typical of his satire. Two important and influencing factors on his work and his way of looking at life were the family and cultural environment he was exposed to and the effect of his physical defects, which he succeeded in compensating due to his energetic personality. Quevedo used conceptism as his literary style, applying his genius to the creation of metaphors, taking the Spanish language to its maximum expression as no one else had done before him.
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Date Issued: 1992
PURL: http://purl.flvc.org/fcla/dt/14805
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: RE-IMAGINANDO UTOPÍAS: LA DESILUSIÓN PORTEÑA DE BORGES.
Creator: Baccinelli, Mitchel, Poulson, Nancy Kason, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Borges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges...
Show moreBorges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges begins with a utopic view of Buenos Aires that becomes dystopic before it is abandoned in order to imagine a new utopia.
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Date Issued: 2021
PURL: http://purl.flvc.org/fau/fd/FA00013749
Subject Headings: Borges, Jorge Luis, 1899-1986, Borges, Jorge Luis, 1899-1986--Criticism and interpretation
Format: Document (PDF)

Title: RAMON DEL VALLE-INCLAN'S "LUCES DE BOHEMIA": AN ANNOTATED EDITION WITH INTRODUCTION AND AMPLIFICATIONS. (SPANISH TEXT).
Creator: BAHAMONDE, JOSE RICARDO, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached,...
Show moreThis edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached, one chapter is devoted to the treatment of the represented in Luces de bohemia. Finally the play is annotated in English and the difficult vocabulary is glossed. Amplifications at the end of each scene give additional, valuable information. More than fifty sources were consulted and/or quoted. By using this edition the reader deals with only one volume representative of what many references had to say about Valle-Inclan, his times, his works, the esperpento, and Luces the bohemia.
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Date Issued: 1974
PURL: http://purl.flvc.org/fcla/dt/13677
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
Creator: Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
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Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/186336
Subject Headings: Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
Format: Document (PDF)

Title: La aventura del heroe: Una aproximacion critica a "Lituma en los Andes" de Mario Vargas Llosa.
Creator: Barrero, Gabriela Ovando, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Lituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the...
Show moreLituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the mythological adventure of a hero who must comply with the archetypal rites of passage: separation, initiation, and return. Lituma's trials lead him to a social and spiritual maturity and to discover the mysterious ancestral Peru, disdained by the more westernized Peruvians of the coast. The Andeans' fear of foreigners is represented by the myth of the pishtaco or throat-cutter, counterpart of the classical Minotaur. The encounter of the two scissioned worlds is only possible through love and friendship, in the framework of a pluralistic society, which is suggested by the novel's resolution.
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Date Issued: 1999
PURL: http://purl.flvc.org/fcla/dt/15667
Subject Headings: Literature, Latin American
Format: Document (PDF)

Title: VERSIFICACION EN LA OBRA POETICA DE JOSE DE ESPRONCEDA: UN EJEMPLO DE LAVARIEDAD ROMANTICA.
Creator: BERMUDEZ, ALBERTO C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Esta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo....
Show moreEsta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo. Siguiendo el resumen del movimiento romantico en Espana en el primer capitulo, el segundo trae la biografia del poeta. Los capitulos tres, cuatro, cinco y seis estan dedicados a la obra poetica de Espronceda. Termina este estudio la conclusion de que la metrica del poeta comprueba la conexion de este a los preceptos y caracteristicas del movimiento al que pertenece.
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Date Issued: 1974
PURL: http://purl.flvc.org/fcla/dt/13621
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: Los câirculos de Borges: el inglâes, la intertextualidad y la traducciâon.
Creator: Carlino, Susana Beatriz., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis analyzes the interaction of three primordial circular concepts in the formation of the literary identity of Jorge Luis Borges: the English language, intertextuality, and translation. The allegory of concentric circles facilitates the explanation of the complexity of these processes that intertwine and interact expanding to the infinite. This is not only a metaphor but also a metaphysical dilemma which Borges has utilized to explain time not as an absolute progression where a...
Show moreThis thesis analyzes the interaction of three primordial circular concepts in the formation of the literary identity of Jorge Luis Borges: the English language, intertextuality, and translation. The allegory of concentric circles facilitates the explanation of the complexity of these processes that intertwine and interact expanding to the infinite. This is not only a metaphor but also a metaphysical dilemma which Borges has utilized to explain time not as an absolute progression where a before and after are feasible but rather as a cyclical idea in which the return and the repetition are eternal. The three key concepts will be analyzed, using as an example, a short story by one of the English writers who Borges has cited and translated, Gilbert Keith Chesterton, "The Three Horsemen of Apocalypse." Borges translated Chestertons tale prior to writing "The Garden of Forking Paths," and this thesis demonstrates how we may discern Chesterton's influence on the Argentine's fiction, particularly within the genre of the detective story.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342039
Subject Headings: Criticism and interpretation, Criticism and interpretation
Format: Document (PDF)

Title: Sismología en La Fiesta del Chivo de Mario Vargas Llosa: Heteroglosia en la Narración del Trauma.
Creator: Carreño Cabrejos, Pablo Francisco José, Gosser Esquilin, Mary Ann, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Rafael Leonidas Trujillo (1891-1961), the ruthless Dominican Republic ruler dominated his island’s politics for over thirty years. In his acclaimed 2000 novel, The Feast of the Goat, Peruvian Nobel laureate Mario Vargas Llosa creates Urania Cabral, a 49-year-old émigrée who at 14 left her nation after becoming Trujillo’s sexual victim. The novel, told from many perspectives, focuses on her return, the dictator’s last day, and the story of the four conspirators waiting to ambush him the night...
Show moreRafael Leonidas Trujillo (1891-1961), the ruthless Dominican Republic ruler dominated his island’s politics for over thirty years. In his acclaimed 2000 novel, The Feast of the Goat, Peruvian Nobel laureate Mario Vargas Llosa creates Urania Cabral, a 49-year-old émigrée who at 14 left her nation after becoming Trujillo’s sexual victim. The novel, told from many perspectives, focuses on her return, the dictator’s last day, and the story of the four conspirators waiting to ambush him the night of May 30th 1961. My study analyzes the complex narrative structures of the novel as masterful “rupturing” techniques. Through these the reader pieces together the broken body politic of a traumatized nation as Urania reconstructs in painful detail how the impotent dictator digitally rapes her to ensure her body bears the mark of his brutal anger and frustration.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00003903
Subject Headings: Vargas Llosa, Mario, 1936---Criticism and interpretation., Vargas Llosa, Mario, 1936---Political and social views.
Format: Document (PDF)

Title: Defendamos nuestra civilizacion amenazada.
Creator: Castro Delgado, Enrique
PURL: http://purl.flvc.org/FCLA/DT/3360746
Subject Headings: Communism
Format: Document (PDF)

Title: Prehistoria del socialismo en México.
Creator: Chávez Orozco, Luis
Date Issued: 1936
PURL: http://purl.flvc.org/FCLA/DT/3360092
Subject Headings: Socialism -- Mexico.
Format: Document (PDF)

Title: VERDAD Y FICCIÓN EN EN EL TIEMPO DE LAS MARIPOSAS (1994) DE JULIA ÁLVAREZ Y VIVAS EN SU JARDÍN (2009) DE DEDÉ MIRABAL.
Creator: Coletti, Erin Melissa, Cañete-Quesada, Carmen, Vázquez, Miguel Ángel, Harriet L. Wilkes Honors College
Abstract/Description: This thesis investigates the case of the legendary Mirabal sisters, or the so called “Mariposas” [the “Butterflies”]: three young Dominican women who sacrificed their lives to end the tyranny of General Rafael L. Trujillo. The purpose of this thesis is to compare the portrayal of the Mirabal sisters in two different books, In the Time of the Butterflies (1994) by Dominican-American writer Julia Álvarez and Vivas en su jardín [Alive in their Garden] (2009) by Dedé Mirabal, the only sister to...
Show moreThis thesis investigates the case of the legendary Mirabal sisters, or the so called “Mariposas” [the “Butterflies”]: three young Dominican women who sacrificed their lives to end the tyranny of General Rafael L. Trujillo. The purpose of this thesis is to compare the portrayal of the Mirabal sisters in two different books, In the Time of the Butterflies (1994) by Dominican-American writer Julia Álvarez and Vivas en su jardín [Alive in their Garden] (2009) by Dedé Mirabal, the only sister to survive. Mirabal implements an important biographical component in her testimony while Álvarez utilizes the genre of historical fiction to describe the events leading to the sisters’ assassination in 1960. This thesis explores the concepts of “truth” and “fiction” in Mirabal’s memoir and Álvarez’s historical novel, arguing that the range of objectivity and subjectivity in these two genres are interchangeable in the representation of this tragic episode in the history of the Dominican Republic.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00003612
Format: Document (PDF)

Title: Y tu hijo tambien: La representacion de la masculinidad en la literature y el cine mexicanos (1915--2001).
Creator: Colhouer, John P., Florida Atlantic University, Erro-Peralta, Nora
Abstract/Description: In Mexico, fragmentation is an integral element in social, political, and literary realities expressing an inequality among its citizens. This disparity is reflected in literary and cinematic representations. The Mexican male is the agent that perpetuates the fractured society, and his representation in the arts reflects the impediments to social progress in both the heterosexual and homosexual communities. The novels Los de abajo, Pedro Paramo , and La muerte de Artemio Cruz, present the...
Show moreIn Mexico, fragmentation is an integral element in social, political, and literary realities expressing an inequality among its citizens. This disparity is reflected in literary and cinematic representations. The Mexican male is the agent that perpetuates the fractured society, and his representation in the arts reflects the impediments to social progress in both the heterosexual and homosexual communities. The novels Los de abajo, Pedro Paramo , and La muerte de Artemio Cruz, present the traditional Mexican male and images of masculinity in the heterosexual community. El vampiro de la Colonia Roma by Luis Zapata introduces the male homosexual character into Mexican discourse and implies how he is affected by fragmentation. The film Y tu mama tambien (2001) by Alfonso Cuaron proposes that inequality will be perpetuated if Mexican society does not change its views of what is to be considered "masculine."
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13229
Subject Headings: Masculinity--Mexico, Machismo--Mexico, Motion picture industry--Mexico, Motion pictures--Political aspects--Mexico
Format: Document (PDF)

Title: Balance de la Conferencia Interamericana de Chapultepec.
Creator: Confederación de Trabajadores de América Latina
Date Issued: 1945
PURL: http://purl.flvc.org/FCLA/DT/3360084
Subject Headings: Labor--Mexico., International labor activities --Mexico., Pan-Americanism.
Format: Document (PDF)

Title: La C.T.M. y la carestia de la vida.
Creator: Confederación de Trabajadores de México.
Date Issued: 1937
PURL: http://purl.flvc.org/FCLA/DT/3353719
Subject Headings: Living expenses -- Mexico.
Format: Document (PDF)

Title: La polâitica de la identidad y la universidad: el ejemplo de la literatura Hispâanica.
Creator: Currie, Caitlin., Harriet L. Wilkes Honors College
Abstract/Description: This project examines politicization of the university. Critics have long charged that politics, and specifically identity politics, has infiltrated the classroom via radical professors. Scholars who lament the decline of the western canon claim that a massive wave of new untested works - largely written by women and people of color - have replaced the works of dead white men leaving our students ill-prepared. While most of the scholarship in this area has been written in the area of English...
Show moreThis project examines politicization of the university. Critics have long charged that politics, and specifically identity politics, has infiltrated the classroom via radical professors. Scholars who lament the decline of the western canon claim that a massive wave of new untested works - largely written by women and people of color - have replaced the works of dead white men leaving our students ill-prepared. While most of the scholarship in this area has been written in the area of English literature departments, this project focuses on the field of Hispanic Literature. If identity politics has challenged the canon in the university, it is expected that within identity-based disciplines the infiltration of politics should be substantial. To test the politicization of the university, I examined 38 Hispanic Literature survey courses from a variety of American universities. I found a high degree of consistency among these syllabi and concluded that critics of the university have at best overstated their case.
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Date Issued: 2008
PURL: http://purl.flvc.org/FAU/165334
Subject Headings: Spanish literature, History and criticism, Ethnic groups in literature, Multiculturalism in literature, Interdisciplinary approach in education
Format: Document (PDF)

Title: Infectious hypodermal and hematopoietic necrosis (IHHN) virus transmission in Litopenaeus vannamei: Salinity influence in disease expression.
Creator: de Morales, M. M., Laramore, Susan E., Laramore, C. R., Morales, F., Scarpa, John
Date Issued: 2007
PURL: http://purl.flvc.org/FCLA/DT/3340516
Subject Headings: Litopenaeus vannamei, Infectious hematopoietic necrosis virus, Salinity, Communicable diseases--Transmission, Whiteleg shrimp
Format: Document (PDF)

Title: Sinfonâia en rojo: el prisma de Elisabeth Mulder.
Creator: Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
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Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3362329
Subject Headings: Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
Format: Document (PDF)

Title: Cananea; primer brote del sindicalismo en Mexico.
Creator: Díaz Cárdenas, León.
Date Issued: 1936
PURL: http://purl.flvc.org/FCLA/DT/3360088
Subject Headings: Syndicalism -- Mexico.
Format: Document (PDF)

Title: Mas alla de la palabras: La textualidad en los tejidos de Jalq'a y Tarabuco.
Creator: Duff, Maria Nuria., Florida Atlantic University, Horswell, Michael J.
Abstract/Description: The textiles of Jalq'a and Tarabuco, from Bolivia, are known worldwide for their beauty and complex designs. While most academic attention has concentrated on weaving techniques and esthetics, this thesis explores the semiotics of the designs, not only in an ethnographic context, but as an expression of ideology, cosmogony, and the indigenous groups' cultural history. In addition to reading colonial Andean sources on the pre-Inca and Inca weaving traditions, I analyze the symbolic elements of...
Show moreThe textiles of Jalq'a and Tarabuco, from Bolivia, are known worldwide for their beauty and complex designs. While most academic attention has concentrated on weaving techniques and esthetics, this thesis explores the semiotics of the designs, not only in an ethnographic context, but as an expression of ideology, cosmogony, and the indigenous groups' cultural history. In addition to reading colonial Andean sources on the pre-Inca and Inca weaving traditions, I analyze the symbolic elements of a sample of acsus, women's traditional skirts. I link the symbols still used today to depictions of pre-Inca mythology and the cultural inclusions from Hispanic culture that have created a syncretism from processes of transculturation.
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Date Issued: 2006
PURL: http://purl.flvc.org/fcla/dt/13350
Subject Headings: Textile design--Bolivia, Indians of South America--Influence, Indian textile fabrics--Bolivia, Indian philosophy--Bolivia, Tarabuco, Bolivia--Description and travel
Format: Document (PDF)

FAU Theses and Dissertations (34)	+ -
Political & Rights Issues & Social Movements Collection (28)	+ -
Honors Student Theses (9)	+ -
HBOI Faculty Contributions (2)	+ -
Manuscripts (1)	+ -

FAU College Collections (1)	+ -
Foreign Pamphlets (1)	+ -
Undergraduate Studies Honors in Major at FAU (1)	+ -

Criticism and interpretation (9)	+ -
Communism -- Mexico. (6)	+ -
History (3)	+ -
Literature, Romance (3)	+ -
Communism (2)	+ -

History and criticism (2)	+ -
Postmodernism (Literature) (2)	+ -
Sex role in literature (2)	+ -
Spanish literature (2)	+ -
Acculturation in literature (1)	+ -
African American women in literature (1)	+ -
Agriculture (1)	+ -
Aguirre, Lope de,--d 1651--History and criticism (1)	+ -
Alfonso--X,--King of Castile and Leon,--1221-1284 (1)	+ -
America--Discovery and exploration--Spanish (1)	+ -
American Revolution (1775-1783) (1)	+ -
Americans (1)	+ -
Anti-communist movements – Mexico. (1)	+ -
Architecture--Human factors (1)	+ -
Arguedas, José María--Political and social views (1)	+ -
Arguedas, José María--Ríos profundos (1)	+ -
Arniches y Barrera, Carlos,--1866-1943--Criticism and interpretation (1)	+ -
Arniches y Barrera, Carlos,--1866-1943--Señorita de Trevélez (1)	+ -
Álvarez Gardeazábal, Gustavo--Criticism and interpretation (1)	+ -
Barco, Centenera, Martín del,--b 1535 (1)	+ -
Blacks in literature (1)	+ -
Blacks--Cuba--Race identity (1)	+ -
Blacks--Haiti--Race identity (1)	+ -
Borges, Jorge Luis, 1899-1986 (1)	+ -
Borges, Jorge Luis, 1899-1986--Criticism and interpretation (1)	+ -

Spain (3)	+ -
Argentina (1)	+ -
Caribbean Area (1)	+ -
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Mexico (1)	+ -

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