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Title
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The common origin of the German contraptual organ school and the French classical organ school from the perspective of organ construction, organ music and organ technique.
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Creator
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Miller, Margaret R., Dorothy F. Schmidt College of Arts and Letters, Department of Music
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Abstract/Description
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This study examines the development of German pipe organ culture and French classical pipe organ culture from a single common origin in the Duchy of Brabant, during 1450-1850, with respect to select major attributes of organ construction, organ music and organ technique. The respective music of Dieterich Buxtehude (1637-1707), Praeludium in G Minor, BuxWV 149, for the North German contrapuntalists, and of Câesar Franck (1822- 1890), Choral No. 3 in A Minor, for the classical French symphonic...
Show moreThis study examines the development of German pipe organ culture and French classical pipe organ culture from a single common origin in the Duchy of Brabant, during 1450-1850, with respect to select major attributes of organ construction, organ music and organ technique. The respective music of Dieterich Buxtehude (1637-1707), Praeludium in G Minor, BuxWV 149, for the North German contrapuntalists, and of Câesar Franck (1822- 1890), Choral No. 3 in A Minor, for the classical French symphonic tradition, is highlighted and appended with suggested technique for each work.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/2978990
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Subject Headings
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Criticism and interpretation, Criticism and interpretation, Organs, History, Organs, History, Organ music, Technique, Organ (Musical instrument), Design and construction
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Format
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Document (PDF)
