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“COMING AT THE WONDER ITSELF”: MISCLASSIFICATION, MISUNDERSTANDING AND THE INTEGRATED VISION OF RUSSELL HOBAN’S 1967 NOVEL THE MOUSE AND HIS CHILD
"JULIA" CHARACTERIZATION IN THE PLAYS OF LILLIAN HELLMAN
“Odd Apocalyptic Panics”: Chthonic Storytelling in Margaret Atwood’s MaddAddam
"The Accidental Tourist": Novel and film
"The Battle of Maldon": Evidence of the move away from epic heroism
“THE TROUBLE BEGAN LONG BEFORE”: THE POST-APOCALYPTIC PRESENT OF OCTAVIA BUTLER’S KINDRED
“THIS LAND IS IN MY BONES”: WITCHES, MAGIC, AND ECOLOGICAL RELATIONALITY IN TERRY PRATCHETT’S TIFFANY ACHING SERIES
A Collection on Would-Be-Motherhood
A Consequence of English-First: Florida’s Separate and Unequal Writing Curricula
A Little Extra: A Collection of Personal Essays
A Materialist Critique of the Settler Occupation of Maine in Stephen King’s Pet Sematary
About Her: A Novel
Aesthetic immersion and imaginative constructs in the novels of Henry James
Aftermath: The End of the Event
AGGREGATE
All My Sins
ALL RETURN
All the place you’ve got
AMORY BLAINE AND THE "PURGATORIO" ("THIS SIDE OF PARADISE", "DIVINE COMEDY", FITZGERALD, DANTE)
AN ANALYSIS OF THE FOUCAULDIAN ELEMENTS OF POWER-KNOWLEDGE IN STANISLAW LEM’S SOLARIS AND ARTHUR C. CLARKE’S RENDEZVOUS WITH RAMA

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