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What remittances can't buy
Title
What remittances can't buy: the social costs of migration and transnational gossip on women in Jacaltenango, Guatemala.
Creator
Sabbagh, Jocelyn., Harriet L. Wilkes Honors College
Abstract/Description
The academic debate on gender and migration has missed some of the key factors that impact women's lives and communities of origin. Interviews conducted in Jacaltenango, a Mayan sending community in Guatemala, suggest that while the migration of a spouse does bring substantial financial benefits there are significant individual and social costs that result from migration. More importantly, the interviews uncovered the crucial impact of transnational gossip on women's lives, a feature that has...
Show moreThe academic debate on gender and migration has missed some of the key factors that impact women's lives and communities of origin. Interviews conducted in Jacaltenango, a Mayan sending community in Guatemala, suggest that while the migration of a spouse does bring substantial financial benefits there are significant individual and social costs that result from migration. More importantly, the interviews uncovered the crucial impact of transnational gossip on women's lives, a feature that has been absent in previous academic treatments of gender and migration. Transnational gossip has exacerbated the negative effects of migration for women in migrant-sending locations, pushing women to stay in the "private sphere" and serving as a form of social control that keeps women from actively participating in their communities. For many women, long periods of time living apart from their spouses combined with fears about transnational gossip have brought severe loneliness, anxiety, health problems and even seclusion. This phenomenon is helping define the contemporary social structures of Jacaltenango, and represents one of the most important effects of migration in terms of the lived reality of spouses and families of the predominantly male immigrants who leave Mayan communities in Guatemala to seek work in the United States.
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Date Issued
2007
PURL
http://purl.flvc.org/FAU/11603
Subject Headings
Women heads of households, Guatemalans, Family, Emigration and immigration, Social life and customs
Format
Document (PDF)
Using the visual to "see" absence
Title
Using the visual to "see" absence: the case of Thessaloniki.
Creator
Stein, Nancy Carol., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description
Thessaloniki, a city with an Ottoman, Byzantine, and Sephardic past, is located in the Balkan area of Macedonia, in northern Greece. Its history is the story of people who have come from someplace else. For several hundred years, the majority population of the city was comprised of Spanish speaking Sephardic Jews who contributed to all aspects of the development of the city. This significant presence is no longer visible unless one specifically knows where to look for its traces. It is not a...
Show moreThessaloniki, a city with an Ottoman, Byzantine, and Sephardic past, is located in the Balkan area of Macedonia, in northern Greece. Its history is the story of people who have come from someplace else. For several hundred years, the majority population of the city was comprised of Spanish speaking Sephardic Jews who contributed to all aspects of the development of the city. This significant presence is no longer visible unless one specifically knows where to look for its traces. It is not a history that has been silenced or erased, but rather obliterated. In this dissertation, I present the documented presence and transformations of the Jewish population in Thessaloniki from the earliest contributions to present day. This work on absence uses visual anthropology to explore the present day urban environment through an ethnographic account of the city of Thessaloniki. . This is a work about what happens when intentionally omitted histories remain absent from the public sphere. What remains physically present but unrepresented proves equally important in creating and reinforcing memory. Our relationship to our environment also may be compromised by what is absent. This project examines absence through the circumstances by which the past is represented in the present, and looks at how the past is experienced in ways that may be used to invoke, challenge, or re-direct the way a community is remembered.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3361054
Subject Headings
Jews, History, Sephardim, History, Ethnic relations, Social life and customs, History, Ethnic relations, History
Format
Document (PDF)
Tracing feminism in Brazil
Title
Tracing feminism in Brazil: locating gender, race and global power relations in Revista Estudos Feministas.
Creator
Bozzetto, Renata Rodrigues, Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description
Women's movements and feminisms in Brazil have taken various forms throughout the years, contributing significantly to socio-political actions that favor gender justice. However, Brazilian feminisms remain on the margins of American academic discourse. In the United States, conceptualizations of feminism are often complicated by epistemological practices that treat certain political actions as feminist while dismissing others. The invisibility of Brazilian feminisms within feminist...
Show moreWomen's movements and feminisms in Brazil have taken various forms throughout the years, contributing significantly to socio-political actions that favor gender justice. However, Brazilian feminisms remain on the margins of American academic discourse. In the United States, conceptualizations of feminism are often complicated by epistemological practices that treat certain political actions as feminist while dismissing others. The invisibility of Brazilian feminisms within feminist scholarship in the United States, therefore, justifies the need for further research on the topic. My research focuses on feminist articles published by Revista Estudos Feministas, one of the oldest and most well known feminist journals in Brazil. Using postcolonial, postmodern, and critical race feminist theories as a framework of analysis, my thesis investigates the theories and works utilized by feminists in Brazil. I argue that Brazilian feminisms both challenge and emulate the social, economic, and geopolitical orders that divide the world into Global North and South.
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Date Issued
2013
PURL
http://purl.flvc.org/fcla/dt/3362338
Subject Headings
Feminism, Popular culture, Women and democracy, Postmodernism (Litearture), Social life and customs
Format
Document (PDF)
Matters of life and death: a comparative analysis of content in Maori traditional and contemporary art and dance as a reflection of fundamental Maori cultural issues and the formation and perpetuation of Maori and non-Maori cultural identity in New Zealan
Title
Matters of life and death: a comparative analysis of content in Maori traditional and contemporary art and dance as a reflection of fundamental Maori cultural issues and the formation and perpetuation of Maori and non-Maori cultural identity in New Zealand.
Creator
Zaitz, Cynthia Louise., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
Abstract/Description
Maori art forms are replete with symbolism entrenched in Maori cosmogony, as well as with political issues arising from the relationship of colonizer to colonized. This interdisciplinary project examined the core symbols, issues and stories present in Maori traditional and contemporary art and dance to determine the way in which the content present in these art forms acts as an active agent in the formation and perpetuation of Maori cultural identity in New Zealand. A secondary aim of the...
Show moreMaori art forms are replete with symbolism entrenched in Maori cosmogony, as well as with political issues arising from the relationship of colonizer to colonized. This interdisciplinary project examined the core symbols, issues and stories present in Maori traditional and contemporary art and dance to determine the way in which the content present in these art forms acts as an active agent in the formation and perpetuation of Maori cultural identity in New Zealand. A secondary aim of the project was to examine the relationship of Maori to the greater Aotearoa/New Zealand culture thereby identifying common and contrasting themes and issues present within both cultures. Aotearoa/New Zealand is unique in that the indigenous society has equal rights with the British, now New Zealanders, who colonized them and, through the arts, Maori have gained tremendous ground in becoming a vital partner in the ongoing creation of New Zealand's cultural identity. One of the central issues that repeatedly appeared in all the art forms analyzed was the push and pull that exists for Maori struggling to retain a Maori identity and compete in the non-Maori world. Identity for Aotearoa/New Zealand Maori and Pakeha, or non-Maori, alike is created in response to, in conflict with, in tandem with, and in spite of their respective cultures, thus creating yet another aspect of push and pull dynamics in New Zealand., Within the context of dance ethnology and visuals arts methodologies several methods were employed including: archival reviews; in situ examination and visual analysis of the meaning and value of these Maori art forms; information exchange sessions, which have been presented individually within the text, with Maori elders, educators, traditional and contemporary choreographers and performers, traditional and contemporary visual artists, and other knowledgeable individuals; the identification of recurrent themes and symbolism, which provide the basis for the synthesis of the information collected. The project involved nine years of research prior to a two-month in situ examination of Maori art, dance and culture.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/210449
Subject Headings
Maori (New Zealand people), Ethnic identity, Folk art, Art, Modern, Primitive influences, Social life and customs
Format
Document (PDF)
From weekend retreat to commuter's paradise
Title
From weekend retreat to commuter's paradise: the intrusion of suburbanization into dacha territory in post-Soviet Russia.
Creator
Clark, Sean., Harriet L. Wilkes Honors College
Abstract/Description
From the time of Peter the Great the dacha has fulfilled various roles in the environs of Russia's cities : in the 18th century it was the palatial mansions of the aristocratic elite outside of St. Petersburgand Moscow ; in the 19th century the dacha became a summer rental property for urbanites to escape the cramped and dirty cities ; in the Soviet dominated 20th century the dacha was organized into garden plot communities for subsistence farming. However, the privatization of land following...
Show moreFrom the time of Peter the Great the dacha has fulfilled various roles in the environs of Russia's cities : in the 18th century it was the palatial mansions of the aristocratic elite outside of St. Petersburgand Moscow ; in the 19th century the dacha became a summer rental property for urbanites to escape the cramped and dirty cities ; in the Soviet dominated 20th century the dacha was organized into garden plot communities for subsistence farming. However, the privatization of land following the collapse of the Soviet Union signaled a shift in the dacha's existence. Lamp-lined streets and perfectly pruned lawns began to fill the territory beyond the belt of gray, generic apartment structures where the dacha was once king. In light of the dacha's decline, this thesis explores the origins and development of suburbanization in post-Soviet Russia and discusses its shared and dissenting characteristics with that of the West.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3359292
Subject Headings
Country homes, Social change, Cities and towns, Growth, Social life and customs
Format
Document (PDF)
final del tango Perâonista
Title
El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
Creator
Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3175015
Subject Headings
Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
Format
Document (PDF)
Fearing the youth
Title
Fearing the youth: economic turmoil, adult anxiety and the Japanese Battle Royale controversy.
Creator
Pagel, Caren., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
In December 2000, Japanese lawmakers took unprecedented steps to ban Fukasaku Kinji's Battle Royale from theaters prior to its scheduled release. The film was deemed "crude and tasteless" for its portrayal of teen violence in a state run game of kill or be-killed and attempts to ban the film were pursued through the film certification process all the way to the floor of Japanese parliament. This thesis investigates the controversy surrounding the release of Battle Royale and the socioeconomic...
Show moreIn December 2000, Japanese lawmakers took unprecedented steps to ban Fukasaku Kinji's Battle Royale from theaters prior to its scheduled release. The film was deemed "crude and tasteless" for its portrayal of teen violence in a state run game of kill or be-killed and attempts to ban the film were pursued through the film certification process all the way to the floor of Japanese parliament. This thesis investigates the controversy surrounding the release of Battle Royale and the socioeconomic and cultural factors - in particular, the Japanese recession and widening generation gap of the 1990s - that influenced both the film's message and the extraordinary political reaction in Japan. This thesis argues that the objections to the film were not based solely on the violent content as is often reported, but rather were the combination of adult economic and cultural anxiety regarding themselves and the youth, the anti-authority message of the film that encouraged the youth to reject adult systems, and a political campaign that exploited the adult fears by using Battle Royale as a scapegoat for youth problems.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3172429
Subject Headings
Criticism and interpretation, Influence, Motion pictures, Censorship, Violence in motion pictures, Sensationalism in motion pictures, Politics and government, Social life and customs
Format
Document (PDF)
Employing cultural landscapes in community preservation
Title
Employing cultural landscapes in community preservation: the case of Druid Hills, Atlanta.
Creator
Blythe, Rachel, Harriet L. Wilkes Honors College
Abstract/Description
Druid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities...
Show moreDruid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities organized Citizens Against Unnecessary Thoroughfares In Older Neighborhoods (CAUTION). The strategic rhetoric of CAUTION's campaign emphasized Druid Hills' significance as "Olmsted's Vision of Atlanta," yet their use of this iconic figure did not capture the complete cultural landscape of Druid Hills. Although Olmsted designed the initial layout of the suburb, the suburb's form departed from his design during its development. I argue that preserving the community requires a comprehensive portrait of its varied history.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3359291
Subject Headings
Criticism and interpretation, Ethnic neighborhoods, History, Historic preservation, Social life and customs, History and criticism
Format
Document (PDF)
Cultural and spatial perceptions of Miami's Little Havana
Title
Cultural and spatial perceptions of Miami's Little Havana.
Creator
Cordoba, Hilton A., Charles E. Schmidt College of Science, Department of Geosciences
Abstract/Description
Miami's "Little Havana" is known by many for its famous Southwest 8th Street, the Calle Ocho festival, and for the many Latin people, particularly Cubans, that live in the area. However, the current name of the neighborhood hides all of the dynamics of neighborhood change and creates the notion that Little Havana is a static monoculture neighborhood. This study measured people's perception of Little Havana by surveying 153 residents to identify the cultural associations and to capture the...
Show moreMiami's "Little Havana" is known by many for its famous Southwest 8th Street, the Calle Ocho festival, and for the many Latin people, particularly Cubans, that live in the area. However, the current name of the neighborhood hides all of the dynamics of neighborhood change and creates the notion that Little Havana is a static monoculture neighborhood. This study measured people's perception of Little Havana by surveying 153 residents to identify the cultural associations and to capture the participant's spatial perceptions of Little Havana. This study found that survey participants from inside the study area associated Little Havana more with Cuban culture and had more positive things to say about the neighborhood. Finally, this study suggests that the core of Little Havana was encompassed by West Flagler Street on the north, Southwest 8th Street on the south, Southwest 27th Avenue on the west, and Southwest 4th Avenue on the east.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3174508
Subject Headings
Cuban Americans, Social life and customs, History, Description and travel, Social life and customs
Format
Document (PDF)
"Viens a la maison"
Title
"Viens a la maison": Moroccan hospitality, a contemporary view.
Creator
Schwartz, Anita., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
As a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by...
Show moreAs a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by welcoming guests into their homes to visit and share meals. The vessels are ornately painted and decorated so that meals served will feast the eyes as well as the palate. The porcelain is decorated with ornate finials, underglazes and china painting. The subject of the imagery is a combination of visual anthropology in which random images of people from today's society are contrasted with my own interpretation of ancient geometric design details that are found in North African Zillij cut mosaic tiles. This infuses the work with an imagined sense of time and place. The attempt to harmonize seemingly incongruent elements results in vessels that feel both familiar and eccentric. The layers of color areused to symbolize nature, purity, depth of life and spiritual abundance. The colors are placed randomly in contrast to the symmetry of the geometric designs. The work is displayed in a dining room setting where guests are always welcome to enter. My work as an artist enhances the experience I bring to my students in the classroom.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3172699
Subject Headings
Symbolism in art, Ceramic sculpture, Jews, History, Ethnicity in art, Identity (Psychology) in art, Social life and customs
Format
Document (PDF)