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Title
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El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
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Creator
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Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
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Abstract/Description
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This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
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Date Issued
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2011
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PURL
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http://purl.flvc.org/FAU/3175015
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Subject Headings
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Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
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Format
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Document (PDF)
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Title
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Sinfonâia en rojo: el prisma de Elisabeth Mulder.
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Creator
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Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
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Abstract/Description
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This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
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Date Issued
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2013
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PURL
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http://purl.flvc.org/fcla/dt/3362329
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Subject Headings
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Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
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Format
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Document (PDF)
