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- Title
- La (in)visibilidad de la traductora: la traducciâon del inglâes al espaänol del cuento "Spanish Winter" de Jennifer Egan.
- Creator
- Almeida, Gabriela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter....
Show moreThis thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter. The importance of this text lies in the quest for identity of a female character whose journey symbolizes a search for herself. This postmodern tale, which depicts cultural exchanges between Spaniards and a US American woman and presents a contemporary theme told by a female narrator traveling abroad, is extremely relevant in today's globalized world. It is a valuable text whose translation promotes a fruitful literary exchange between the United States and the Spanish-speaking countries.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342033
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Identity (Psychology) in literature, Americans, Translating and interpreting
- Format
- Document (PDF)
- Title
- ?Una nacion afro-ecuatoriana? Un estudio de "Juyungo" y "El ultimo rio" de Adalberto Ortiz y Nelson Estupinan Bass.
- Creator
- Ramirez, Cyntia A., Florida Atlantic University, Horswell, Michael J.
- Abstract/Description
-
Ecuador is characterized by its variety of ethnic groups, including mestizos, Indians and African descendents that have formed a rich heritage of multiple cultures. Whereas much attention has been given to indigenous and indigenista literature, there is a large gap in Ecuador's literary criticism on its afro-Ecuadorian literature. This thesis examines two afro-Ecuadorian novels, Juyungo (1942) and El ultimo rio (1966). I explore the social and economic environment in which afro-Ecuadorians...
Show moreEcuador is characterized by its variety of ethnic groups, including mestizos, Indians and African descendents that have formed a rich heritage of multiple cultures. Whereas much attention has been given to indigenous and indigenista literature, there is a large gap in Ecuador's literary criticism on its afro-Ecuadorian literature. This thesis examines two afro-Ecuadorian novels, Juyungo (1942) and El ultimo rio (1966). I explore the social and economic environment in which afro-Ecuadorians had to live during the beginning of the 20 th century. Whereas Ecuador's contemporary racial ideology and the social construction of the individual dates from the colonial times, the authors of these afro-Ecuadorian novels contest that discrimination and racism and propose a radically different conception of the nation, one more inclusive of its diverse cultures.
Show less - Date Issued
- 2004
- PURL
- http://purl.flvc.org/fcla/dt/13149
- Subject Headings
- Ecuadorian literature--Criticism and interpretation, Ecuador--20th century--Social aspects, Ecuador--20th century--Economic aspects, Spanish American literature--Black authors, Ortiz, Adalberto--Juynungo, Estupiñán Bass, Nelson--El ultimo río, Multiculturalism--Ecuador
- Format
- Document (PDF)
- Title
- AN ANNOTATED EDITION OF THE COMEDY "EL GENIO ALEGRE" BY SERAFIN AND JOAQUIN ALVAREZ QUINTERO.
- Creator
- GAZTELU, JOSE M., Florida Atlantic University, Rangel, Vicente H.
- Abstract/Description
-
This edition was prepared in order to help the student decipher the complex dialectical language of this most characteristic play of the Quintero brothers, which is riddled with the popular speech of southern Spain. The introduction has four chapters. It begins with an explanation of the social circumstances in Spain at that time. Followed by a short biography of the authors ; and then, a third chapter dealing with the characteristics of their works in relation to the literary mainstream of...
Show moreThis edition was prepared in order to help the student decipher the complex dialectical language of this most characteristic play of the Quintero brothers, which is riddled with the popular speech of southern Spain. The introduction has four chapters. It begins with an explanation of the social circumstances in Spain at that time. Followed by a short biography of the authors ; and then, a third chapter dealing with the characteristics of their works in relation to the literary mainstream of Spain. The last chapter is a summary and analysis of the play and its characters. Finally, the annotation in English, in which special care was taken to identify all difficult passages; translate them and place them on the same page in which they occur, in such a way as to achieve a balance between the footnotes and the glossary, to make it easier and more enjoyable to read the work.
Show less - Date Issued
- 1977
- PURL
- http://purl.flvc.org/fcla/dt/13834
- Subject Headings
- Álvarez Quintero, Serafín,--1871-1938--Criticism and interpretation., Álvarez Quintero, Joaquín,--1873-1944--Criticism and interpretation.
- Format
- Document (PDF)
- Title
- AN ANNOTATED EDITION OF: CARLOS ARNICHES' "LA SENORITA DE TREVELEZ.".
- Creator
- MANDIOLA, ANA., Florida Atlantic University, Rangel, Vicente H.
- Abstract/Description
-
This edition was prepared as a study aide for the students of Spanish Literature at the college level. The work consists of two chapters. Chapter I presents the author, Carlos Arniches, the man and the playwright, while it offers relevant information on the language techniques and the characters he chooses. A section is also dedicated to the brief presentation of Arniches' sainetes followed by a study of the grotesque tragedy, in particular of La senorita de Trevelez. Chapter II covers...
Show moreThis edition was prepared as a study aide for the students of Spanish Literature at the college level. The work consists of two chapters. Chapter I presents the author, Carlos Arniches, the man and the playwright, while it offers relevant information on the language techniques and the characters he chooses. A section is also dedicated to the brief presentation of Arniches' sainetes followed by a study of the grotesque tragedy, in particular of La senorita de Trevelez. Chapter II covers exclusively the annotated edition of La senorita de Trevelez. The annotations are in English; all difficult expressions are explained with the necessary background for the best comprehension of the text. A bibliography of all the sources consulted is included. The student of the Spanish language will find in this edition a tool for a better mastery of the language, the culture of the time and the colloquial Spanish idiom.
Show less - Date Issued
- 1978
- PURL
- http://purl.flvc.org/fcla/dt/13906
- Subject Headings
- Arniches y Barrera, Carlos,--1866-1943--Criticism and interpretation, Arniches y Barrera, Carlos,--1866-1943--Señorita de Trevélez
- Format
- Document (PDF)
- Title
- La Argentina y el desengano desde sus comienzos.
- Creator
- Lanza, Silva Patricia., Florida Atlantic University, Horswell, Michael J.
- Abstract/Description
-
In his testimonial epic poem Argentina y la conquista del Rio de la Plata con otros acaecimientos de los Reynos del Peru, Tucuman, y estados del Brasil, the archdeacon Martin del Barco Centenera manifests a distinct point of view than that evidenced by the participants in the conquista. The concept of "otherness" developed by the author throughout the epic poem, acts as a coordinating nexus between the conquered subject and the conqueror. This alterity tinges the work with a disappointment...
Show moreIn his testimonial epic poem Argentina y la conquista del Rio de la Plata con otros acaecimientos de los Reynos del Peru, Tucuman, y estados del Brasil, the archdeacon Martin del Barco Centenera manifests a distinct point of view than that evidenced by the participants in the conquista. The concept of "otherness" developed by the author throughout the epic poem, acts as a coordinating nexus between the conquered subject and the conqueror. This alterity tinges the work with a disappointment that is more appropriate of the posterior baroque period, product of the disillusion engendered by the conquista.
Show less - Date Issued
- 2002
- PURL
- http://purl.flvc.org/fcla/dt/12923
- Subject Headings
- Barco, Centenera, Martín del,--b 1535, Rio de la Plata Region (Argentina and Uruguay)--In literature, Epic poetry
- Format
- Document (PDF)
- Title
- Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
- Creator
- Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fcla/dt/186336
- Subject Headings
- Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
- Format
- Document (PDF)
- Title
- La aventura del heroe: Una aproximacion critica a "Lituma en los Andes" de Mario Vargas Llosa.
- Creator
- Barrero, Gabriela Ovando, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Lituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the...
Show moreLituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the mythological adventure of a hero who must comply with the archetypal rites of passage: separation, initiation, and return. Lituma's trials lead him to a social and spiritual maturity and to discover the mysterious ancestral Peru, disdained by the more westernized Peruvians of the coast. The Andeans' fear of foreigners is represented by the myth of the pishtaco or throat-cutter, counterpart of the classical Minotaur. The encounter of the two scissioned worlds is only possible through love and friendship, in the framework of a pluralistic society, which is suggested by the novel's resolution.
Show less - Date Issued
- 1999
- PURL
- http://purl.flvc.org/fcla/dt/15667
- Subject Headings
- Literature, Latin American
- Format
- Document (PDF)
- Title
- Black woman as an erotic being in Spanish-Caribbean narrative.
- Creator
- Henry, Marlyn Fay., Florida Atlantic University, Erro-Peralta, Nora
- Abstract/Description
-
Characterization of Black women as erotic beings in Spanish-Caribbean narrative has shifted significantly from 1880 to 1990. Their representation as totally submissive and erotic beings has evolved into that of socially conscious and self accepting Black women. In Villaverde's Cecilia Valdes (1882), Cecilia and Maria de la Regla are depicted as objects of male sexual desires. Diaz's Pascua in Cumboto (1948) and Asturias' Mulata de tal (1963), although eroticized, insinuate an underlying...
Show moreCharacterization of Black women as erotic beings in Spanish-Caribbean narrative has shifted significantly from 1880 to 1990. Their representation as totally submissive and erotic beings has evolved into that of socially conscious and self accepting Black women. In Villaverde's Cecilia Valdes (1882), Cecilia and Maria de la Regla are depicted as objects of male sexual desires. Diaz's Pascua in Cumboto (1948) and Asturias' Mulata de tal (1963), although eroticized, insinuate an underlying androgynous nature which makes them more assertive in their use of sexuality. However, it is contemporary women writers who dismantle the erotic stereotype: Ferre's "Cuando las mujeres quieren a los hombres" (1974) portrays a Black prostitute who, advances socially and economically. Cabrera's Nana in "La tesorera del diablo" (1971) is the bearer of ancestral knowledge and moral values, and Cartagena Portalatin's Aurora, in "La llamaban Aurora," (1978) speaks forcefully on social issues and fully accepts herself as a Black woman.
Show less - Date Issued
- 1994
- PURL
- http://purl.flvc.org/fcla/dt/15115
- Subject Headings
- Latin American literature--History and criticism, Caribbean literature (Spanish), African American women in literature, Sex symbolism, Sex role in literature
- Format
- Document (PDF)
- Title
- Los câirculos de Borges: el inglâes, la intertextualidad y la traducciâon.
- Creator
- Carlino, Susana Beatriz., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis analyzes the interaction of three primordial circular concepts in the formation of the literary identity of Jorge Luis Borges: the English language, intertextuality, and translation. The allegory of concentric circles facilitates the explanation of the complexity of these processes that intertwine and interact expanding to the infinite. This is not only a metaphor but also a metaphysical dilemma which Borges has utilized to explain time not as an absolute progression where a...
Show moreThis thesis analyzes the interaction of three primordial circular concepts in the formation of the literary identity of Jorge Luis Borges: the English language, intertextuality, and translation. The allegory of concentric circles facilitates the explanation of the complexity of these processes that intertwine and interact expanding to the infinite. This is not only a metaphor but also a metaphysical dilemma which Borges has utilized to explain time not as an absolute progression where a before and after are feasible but rather as a cyclical idea in which the return and the repetition are eternal. The three key concepts will be analyzed, using as an example, a short story by one of the English writers who Borges has cited and translated, Gilbert Keith Chesterton, "The Three Horsemen of Apocalypse." Borges translated Chestertons tale prior to writing "The Garden of Forking Paths," and this thesis demonstrates how we may discern Chesterton's influence on the Argentine's fiction, particularly within the genre of the detective story.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3342039
- Subject Headings
- Criticism and interpretation, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Como Me Lo Contraron Te Lo Cuento: Estudio Critico Y Traduccion De "Vivir Del Cuento" De Manuel Ramos Otero.
- Creator
- Gregor, Patricia., Florida Atlantic University, Gamboa, Yolanda
- Abstract/Description
-
There are characters whose existence depends upon their stories being told, and the same may be said of authors. The Puerto Rican author Manuel Ramos Otero died on October 7, 1990, leaving a body of work that includes four collections of short stories, two books of poetry, and a novel. At present, his work is not well-known outside of Puerto Rico. His readership is limited to Spanish speakers since he wrote exclusively in Spanish and his works have not been translated. This study introduces...
Show moreThere are characters whose existence depends upon their stories being told, and the same may be said of authors. The Puerto Rican author Manuel Ramos Otero died on October 7, 1990, leaving a body of work that includes four collections of short stories, two books of poetry, and a novel. At present, his work is not well-known outside of Puerto Rico. His readership is limited to Spanish speakers since he wrote exclusively in Spanish and his works have not been translated. This study introduces the author to the English-speaking reader, locating the work in its literary context, and presents a critical analysis and, to my knowledge, the first English translation of his short story "Vivir del cuento." It includes a discussion of the controversy regarding the appropriateness of English in Puerto Rican literature.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/13327
- Subject Headings
- Ramos Otero, Manuel.--Vivir del cuento., Ramos Otero, Manuel--Criticism and interpretation., Puerto Rican literature--20th century--Criticism and interpretation.
- Format
- Document (PDF)
- Title
- El discurso andino en Los rios profundos.
- Creator
- Mantilla, Mario I., Horswell, Michael J., Florida Atlantic University
- Abstract/Description
-
This thesis examines the arduous and controversial attempt of literary critics to classify appropriately the novel Los rfos profundos (Deep Rivers) by the Peruvian novelist and ethnographer, Jose Marfa Arguedas and reviews the main theories that were applied to decipher its meaning. But more than a task of classifying, the thesis itself is a work of interpretation, which required broadening the research boundaries previously employed. Confronting the dominance of Western discourse that has...
Show moreThis thesis examines the arduous and controversial attempt of literary critics to classify appropriately the novel Los rfos profundos (Deep Rivers) by the Peruvian novelist and ethnographer, Jose Marfa Arguedas and reviews the main theories that were applied to decipher its meaning. But more than a task of classifying, the thesis itself is a work of interpretation, which required broadening the research boundaries previously employed. Confronting the dominance of Western discourse that has shaped how we understand Andean literature, I identify the elements of indigenous Andean discourse that are deeply embedded in the novel. This perspective may decisively influence the way we read Latin American Literature and hopes to more rigorously draw attention to the presence of ancestral indigenous civilization in the cultural identity of Latin America.
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/fau/fd/FA00000937
- Subject Headings
- Arguedas, José María--Ríos profundos, Latin American literature--Peru--20th century, Arguedas, José María--Political and social views, Acculturation in literature
- Format
- Document (PDF)
- Title
- El estado, el bandido y La Violencia en Gustavo Alvarez Gardeazabal.
- Creator
- Rojas, Maria Eugenia., Florida Atlantic University, Duno-Gottberg, Luis
- Abstract/Description
-
The period of Colombian history known as La Violencia (The Violence 1948-1963) was characterized by widespread terror and crime. Liberals and Conservatives faced off in a battle to win control over the state, more specifically, to achieve hegemony. Peasants and urban dwellers were in the middle of such confrontation. And eventually, were co-opted by the rhetoric of each fraction, thereby becoming murderers, victims, or both. Colombian writer Gustavo Alvarez Gardeazabal recreated this time in...
Show moreThe period of Colombian history known as La Violencia (The Violence 1948-1963) was characterized by widespread terror and crime. Liberals and Conservatives faced off in a battle to win control over the state, more specifically, to achieve hegemony. Peasants and urban dwellers were in the middle of such confrontation. And eventually, were co-opted by the rhetoric of each fraction, thereby becoming murderers, victims, or both. Colombian writer Gustavo Alvarez Gardeazabal recreated this time in two of his novels, Condores no entierran todos los dias y El ultimo gamonal. His historical narrative accounts the events and succeeds in recreating the languages and practices of La Violencia. This study will address these themes and explain how Gardeazabal portrays the role of the conservative State and its connections with criminal practices.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/fcla/dt/13403
- Subject Headings
- Álvarez Gardeazábal, Gustavo--Criticism and interpretation, Colombia--Politics and government--1946-1974, Violence--Colombia--History--20th century
- Format
- Document (PDF)
- Title
- Estudio Semantico de los Neologismos Introducidos en la Lengua Castellana por el Rey Alfonso X en la Cuarta y Quinta Partida de su Libro Las Siete Partidas.
- Creator
- Revilla, Maria G., Arango, D., Florida Atlantic University
- Date Issued
- 1970
- PURL
- http://purl.flvc.org/fau/fd/FA00000955
- Subject Headings
- Alfonso--X,--King of Castile and Leon,--1221-1284, Siete partidas (Spanish law code), Spanish language--To 1500, Spanish language--Semantics, Historical
- Format
- Document (PDF)
- Title
- El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
- Creator
- Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3175015
- Subject Headings
- Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
- Format
- Document (PDF)
- Title
- La fuerza de la tradiciâon: representaciones del estudiante en la novela picaresque.
- Creator
- Fernandez del Paramo, Javier., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
The genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El...
Show moreThe genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El donoso hablador, and Francisco de Quevedo's El Buscâon, in order to contrast the social reality of the student and its literary representation. The literary character of the "student" does not depart only from its reality. Its characteristics are based on the student stories from the oral medieval tradition, a residual cultural elements, as described by Maxime Chevalier, as well as the emerging picaresque narratives.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fcla/dt/172672
- Subject Headings
- Picaresque literature, Spanish, History and criticism, Spanish fiction, Criticism and interpretation, Point of view (Literature), Characters and characteristics in literature
- Format
- Document (PDF)
- Title
- La generacion de cuentistas cubanos de entre guerras y su contribucion al desarrollo del cuento en Cuba e Hispanoamerica. (Spanish text).
- Creator
- Mesa, Adrian Victor., Florida Atlantic University, Schwaller, John F.
- Abstract/Description
-
Proponemos demostrar en este trabajo que la generacion de cuentistas cubanos de entre guerras, es la que consolida el cuento como genero literario independiente de la novela. Influye en el proceso de formacion de la nacionalidad cubana, haciendo una gran contribucion a las corrientes literarias que predominan en este periodo. Hemos hecho un estudio de los mas importantes autores, analizando sus obras, mostrando como han contribuido al desarrollo del cuento.
- Date Issued
- 1991
- PURL
- http://purl.flvc.org/fcla/dt/14689
- Subject Headings
- Short stories, Cuban--20th century--History and criticism, Cuban literature--20th century--History and criticism
- Format
- Document (PDF)
- Title
- La identidad fronteriza a travâes de las experiencias generacionales en Sirena Selena vestida de pena.
- Creator
- Magdaleno, Ariana Heydi., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Afro-Puerto Rican Mayra Santos-Febres's novel Sirena Selena vestida de pena (2000) demonstrates the intrinsic social relationship that exists between generations in Puerto Rico and Dominican Republic. The historical similarity between these regions permits a comparison in life stories of marginalized peoples. Puerto Rican godmothers and transvestites Martha Divine and Valentina Frenesâi prepare goddaughter, quinceänera and bolerista Sirena Selena in her performance in order to launch a career...
Show moreAfro-Puerto Rican Mayra Santos-Febres's novel Sirena Selena vestida de pena (2000) demonstrates the intrinsic social relationship that exists between generations in Puerto Rico and Dominican Republic. The historical similarity between these regions permits a comparison in life stories of marginalized peoples. Puerto Rican godmothers and transvestites Martha Divine and Valentina Frenesâi prepare goddaughter, quinceänera and bolerista Sirena Selena in her performance in order to launch a career and conquer the strategies of survival. Meanwhile, Dominican millionaire Hugo Graubel manages his life publicly as a heterosexual husband and privately as a gay man and strongly attempts to capture enigmatic Sirena Selena. Whereas the Dominican, pre-adolescent, poor, and mulatto Leocadio discovers the veiled world of tourism that offers alternate possibilities of economic survival. The previous generations' transgression of society's binary definitions created alternate spaces that continue to pave the way for future generations that will refuse and resist conforming to static patriarchal and heterosexual mainstream classifications.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/369190
- Subject Headings
- Criticism and interpretation, Identity in literature, Sex role in literature, Literature and society, Homosexuality and literature
- Format
- Document (PDF)
- Title
- LA REPRESENTACIÓN DEL TRAUMA PERMANENTE EN COLOMBIA SECUNDARIO AL CONFLICTO ARMADO EN LOS EJÉRCITOS DE EVELIO ROSERO.
- Creator
- Morrison, Claudia, Poulson, Nancy, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
-
The Colombian armed conflict has affected Colombia’s civil population of all walks of life and has been a long-term problem. Within these, the most affected are people from the rural areas, minorities such as women, adolescents, children, and the indigenous communities. This work analyses the literary representation of trauma and the internal displacement in Colombia in Los ejércitos (2007) by Evelio Rosero. The introduction provides historical context and definitions of trauma. The analysis...
Show moreThe Colombian armed conflict has affected Colombia’s civil population of all walks of life and has been a long-term problem. Within these, the most affected are people from the rural areas, minorities such as women, adolescents, children, and the indigenous communities. This work analyses the literary representation of trauma and the internal displacement in Colombia in Los ejércitos (2007) by Evelio Rosero. The introduction provides historical context and definitions of trauma. The analysis of the impact of trauma on the collective and the minorities follows. For theoretical and historical references, this thesis draws concepts mostly from psychoanalysis, Irene Visser’s modified Grid Theory of social thought, and official Colombian documents. The thesis examines how the structure of Los ejércitos and some of its characters provide the representation of trauma in relation to the armed conflict in Colombia and the internal displacement that ensued.
Show less - Date Issued
- 2020
- PURL
- http://purl.flvc.org/fau/fd/FA00013597
- Subject Headings
- Rosero Diago, Evelio, 1958-, Comparative literature, Latin American studies
- Format
- Document (PDF)
- Title
- La transformacion de Ia bruja en las obras de Maria de Zayas.
- Creator
- Petersen, Elizabeth Marie, Gamboa, Yolanda, Florida Atlantic University
- Abstract/Description
-
In my thesis, I argue that the 1 ih -century Spanish writer, Maria de Zayas y Sotomayor, in a unique form of 'mimesis,' uses elements of magic to transform the popular concept of the Spanish witch. Drawing on theories from Jacques Lacan's mirror phase, Homi Bhabha and Barbara Fuchs's notion of mimesis, and Judith Butler's idea of gender performitivity, I demonstrate how Zayas frees the witch from the subjugated language constructed by the Catholic Church and society of her time. I examine six...
Show moreIn my thesis, I argue that the 1 ih -century Spanish writer, Maria de Zayas y Sotomayor, in a unique form of 'mimesis,' uses elements of magic to transform the popular concept of the Spanish witch. Drawing on theories from Jacques Lacan's mirror phase, Homi Bhabha and Barbara Fuchs's notion of mimesis, and Judith Butler's idea of gender performitivity, I demonstrate how Zayas frees the witch from the subjugated language constructed by the Catholic Church and society of her time. I examine six of the short stories in her two novels to show how the author alters the role of the witch associated with the devil, transforming her to a saint associated with "lo magico de los cielos, " assigning the diabolical role to the man.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/fau/fd/FA00000948
- Subject Headings
- Zayas y Sotomayor, María de,--1590-1650--Criticism and interpretation, Mimesis in literature, Spanish literature--Classical period, 1500-1700--Criticism and interpretation, Postmodernism (LIterature), Witches--Fiction
- Format
- Document (PDF)
- Title
- MANIFESTACIONES AMBIENTALES Y LITERARIAS DEL EROTISM EN "CIEN ANOS DE SOLEDAD." (SPANISH TEXT) (GABRIEL GARCIA MARQUEZ, COLOMBIA).
- Creator
- OSSORIO, BIANCA., Florida Atlantic University, Rangel, Vicente H.
- Abstract/Description
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Esta tesis es el estudio del amor en la novela Cien anos de soledad del autor Gabriel Garcia Marquez, estudio compuesto de los siguientes capltulos: I) El autor y su obra; II) Incidencias de la realidad socioeconomica, III) Particularidades del tropico y de las costas latinoamericanas; IV) El erotismo a la luz del psicoanalisis; V) Influencia surrealista; VI) Las multiples caras del amor, y los personajes; VII) La soledad y el amor. Siguiendo la biografia del escritor en el primer capltulo,...
Show moreEsta tesis es el estudio del amor en la novela Cien anos de soledad del autor Gabriel Garcia Marquez, estudio compuesto de los siguientes capltulos: I) El autor y su obra; II) Incidencias de la realidad socioeconomica, III) Particularidades del tropico y de las costas latinoamericanas; IV) El erotismo a la luz del psicoanalisis; V) Influencia surrealista; VI) Las multiples caras del amor, y los personajes; VII) La soledad y el amor. Siguiendo la biografia del escritor en el primer capltulo, el segundo y tercero enfatizan los factores ambientales que influencian el amor. El cuarto y quinto analizan el amor de acuerdo con las teorias psicoanaliticas y la modalidad literaria del surrealismo. El sexto y septimo complementan el tema y conducen a La conclusion de que el despliegue de erotismo que revela la obra, es--contrario a lo que parece--un mensaje moralizador de su autor.
Show less - Date Issued
- 1971
- PURL
- http://purl.flvc.org/fcla/dt/13461
- Subject Headings
- García Márquez, Gabriel,--1927-2014--Cien años de soledad, Love in literature
- Format
- Document (PDF)