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Title
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Dissipating hostility through feminine rhetorical style: Barbara Bush and the petitioners of Wellesley College.
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Creator
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Doran, Bethany Lynne., Gorbacheva, Raisa Maksimovna, Wellesley College, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
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Abstract/Description
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This study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine...
Show moreThis study uses Karlyn Campbell's concept of feminine rhetorical style as a theoretical framework for analyzing the rhetoric of Barbara Bush's 1990 Wellesley College commencement address. Through a systematic evaluation of Barbara Bush's speech, this study reveals that her rhetoric exemplifies feminine rhetorical style. The analysis also concludes that Barbara Bush's personal tone, specifically her use of narrative and humor, is the most useful and effective characteristic of her feminine rhetorical style. Using feminine rhetorical style, Barbara Bush successfully dissipates some of the tension she faced prior to the graduation ceremony at Wellesley College. Therefore, this study reveals that feminine rhetorical style is an attractive alternative for speakers seeking to build identification in hostile situations when identification is, or appears to be, lacking.
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Date Issued
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2010
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PURL
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http://purl.flvc.org/FAU/2100573
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Subject Headings
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Influence, Criticism and interpretation, Feminist theory, Narration (Rhetoric), Psychological aspects, Persuasion (Rhetoric)
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Format
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Document (PDF)
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Title
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Traduzione di una metafora: un ponte a Mostar come il processo di traduzione tra lingue e culture in Erri De Luca.
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Creator
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O'Neill, Jonathan., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
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Abstract/Description
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This thesis shall produce the translation of six essays from Italian author Erri De Luca's collection PIanoterra (1995). De Luca's work often defies traditional attempts at translation due to its philosophical and polysemantic nature ; more than mere essays or accounts of, for instance, his involvement with humanitarian missions in Bosnia, his work consists of reflections on life and language itself. De Luca, himself a prolific translator from Ancient Hebrew, Russian and Yiddish, oftentimes...
Show moreThis thesis shall produce the translation of six essays from Italian author Erri De Luca's collection PIanoterra (1995). De Luca's work often defies traditional attempts at translation due to its philosophical and polysemantic nature ; more than mere essays or accounts of, for instance, his involvement with humanitarian missions in Bosnia, his work consists of reflections on life and language itself. De Luca, himself a prolific translator from Ancient Hebrew, Russian and Yiddish, oftentimes emphasizes the origins of specific words, making carefully studied choices in his own writing. Therefore, in addition to the six carefully produced translations with special attention paid to De Luca's word choices and an awareness of the etymological weight each one carries, this thesis shall also provide a theoretical framework emphasizing a sense-based translation which will allow the freedom necessary to explore De Luca's polysemy as well as commentary highlighting the challenges encountered in translating his work.
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Date Issued
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2012
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PURL
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http://purl.flvc.org/FAU/3358751
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Subject Headings
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Criticism and interpretation, Conduct of life, Narration (Rhetoric), Persuasion (Rhetoric)
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Format
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Document (PDF)