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CHANGING THE PORTRAYAL OF BLACK FEMALE BODIES IN WESTERN ART: AN ANTHROPOLOGICAL PERSPECTIVE
Title
CHANGING THE PORTRAYAL OF BLACK FEMALE BODIES IN WESTERN ART: AN ANTHROPOLOGICAL PERSPECTIVE.
Creator
Lundy, Ashley Briana, Brown, Susan Love, Fradkin, Arlene, Florida Atlantic University, Department of Anthropology, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
This thesis analyzes the creative strategies of African American female artists used to recreate the visual narrative of black female bodies in Western Art. Four artists are examined: Emma Amos, Adrian Piper, Alison Saar, and Simone Leigh. Emma Amos uses acrylics and textiles to address the strategies used by white male artists in the portrayal of black female bodies. Adrian Piper centers her performance piece on stereotypes to question racial stereotypes directed at black women. Alison Saar...
Show moreThis thesis analyzes the creative strategies of African American female artists used to recreate the visual narrative of black female bodies in Western Art. Four artists are examined: Emma Amos, Adrian Piper, Alison Saar, and Simone Leigh. Emma Amos uses acrylics and textiles to address the strategies used by white male artists in the portrayal of black female bodies. Adrian Piper centers her performance piece on stereotypes to question racial stereotypes directed at black women. Alison Saar examines Topsy, a character from Harriet Beecher Stowe’s novel, Uncle Tom’s Cabin, who regains agency from slavery tropes. Simone Leigh interprets Harriet Jacobs autobiographical experience by using utilitarian objects and architecture to contest the ideologies of slavery. The perspectives of these artists are critical to understanding how they view themselves through their own lenses as opposed to those of the dominant white culture, addressing the origins of ideologies surrounding black female bodies. Examination of each artist's work shows that the black women’s lived experiences are not monolithic or stereotypical.
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Date Issued
2021
PURL
http://purl.flvc.org/fau/fd/FA00013850
Subject Headings
Women, Black., African American women artists, Art
Format
Document (PDF)
DECONSTRUCTED CARTOGRAPHY: REFLECTING ON THE TEMPORALITY OF LOCATION THROUGH PERSONAL EXPERIENCES
Title
DECONSTRUCTED CARTOGRAPHY: REFLECTING ON THE TEMPORALITY OF LOCATION THROUGH PERSONAL EXPERIENCES.
Creator
Rutherford, Kaila, Broderick, Amy S., Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
Deconstructed Cartography is comprised of two related and complementary sections that use mapping structures to explore the temporality of location through the lens of personal experience within places. This body of work uses both collage and a light-shadow installation to develop a narrative of place and time. My artwork focuses on deconstructing classical modes of representation through the lens of cartography and places an emphasis on personal experiences, narratives, and storytelling of...
Show moreDeconstructed Cartography is comprised of two related and complementary sections that use mapping structures to explore the temporality of location through the lens of personal experience within places. This body of work uses both collage and a light-shadow installation to develop a narrative of place and time. My artwork focuses on deconstructing classical modes of representation through the lens of cartography and places an emphasis on personal experiences, narratives, and storytelling of place or locale. I am interested in road maps, water bodies, topography, shadows, and the various ways humans attempt to navigate or make sense of the natural world through lines and different mapping structures.
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Date Issued
2021
PURL
http://purl.flvc.org/fau/fd/FA00013746
Subject Headings
Art, Collage, Storytelling
Format
Document (PDF)
DIRT, RUST, AND NON-GIRL STUFF
Title
DIRT, RUST, AND NON-GIRL STUFF.
Creator
Carballo, Victoria, Stollar, Thomas, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
Dirt, Rust, and Non-Girl Stuff explores identity, mental health, and tradition. Considering the customs of my Cuban heritage, I choose materials and processes that reflect conventions related to gender identity, expression, and craft. These subjects are represented via assemblages that exist as stand-alone sculptures and installations. Each piece is composed of materials and objects chosen based on their physical characteristics and associations to craft or notions of traditional gender norms...
Show moreDirt, Rust, and Non-Girl Stuff explores identity, mental health, and tradition. Considering the customs of my Cuban heritage, I choose materials and processes that reflect conventions related to gender identity, expression, and craft. These subjects are represented via assemblages that exist as stand-alone sculptures and installations. Each piece is composed of materials and objects chosen based on their physical characteristics and associations to craft or notions of traditional gender norms. The work hints to the viewer through metaphors created by material choice, found object associations, and the placement of each element. Each fragment of material represents a part of my identity. The porcelain acts as a metaphor for my body, often breaking, cracking, and shattering. Its fragility requires mending, stitching, and repair to become something or someone else. The crochet elements reference the women's gender roles and femininity that my parents yearned for me to exhibit. The metal tools and rusted objects are representative of the more masculine roles I took on to fulfill my father's need for a son. The work often exhibits the precarity, the needed repairs, or additions of femininity to the otherwise masculine materials to turn a too masculine body into a more feminine one. The arrangements are not motivated by order or beauty but by the tension caused by the divide between who I am and whom I am expected to be.
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Date Issued
2022
PURL
http://purl.flvc.org/fau/fd/FA00013960
Subject Headings
Art, Sculptures, Installations (Art)
Format
Document (PDF)
Mercury Express
Title
Mercury Express.
Creator
Gran, Cangshu, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
My thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This body of work is comprised of fourteen oil glaze paintings on canvas, ranging in size from 16x 16 inches to 36 x 48 inches. These paintings demonstrate, through subjective color and the application of misty layers of luminous paint, my residence on the edge of moving to the future and looking to the past. Through imagination my paintings...
Show moreMy thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This body of work is comprised of fourteen oil glaze paintings on canvas, ranging in size from 16x 16 inches to 36 x 48 inches. These paintings demonstrate, through subjective color and the application of misty layers of luminous paint, my residence on the edge of moving to the future and looking to the past. Through imagination my paintings express a longing for connections and offer glimpses of happiness tinted with a pervasive overcast of melancholy. Mercury Express is a visual expression of what I consider to be ‘Kitsch’, ‘Sentimental’ and ‘Adventurous’. Through this work I salvage and renew the child-like wonder that managed to survive into my adulthood. Through the positioning of remembered objects in imaginary landscapes, Mercury Express recalls and explores my childhood memories, ideas and aspirations to reclaim the wonder I have lost as an adult.
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Date Issued
2019
PURL
http://purl.flvc.org/fau/fd/FA00013211
Subject Headings
Painting, Art
Format
Document (PDF)
Reckoning
Title
Reckoning.
Creator
LeVan, Jason, Ward, Julie Anne, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
Reckoning is a body of sculptural work that explores the emotional resonance contained within memory through a combination of personal ephemera and handcrafted objects. The physical presence of this work underscores the importance of its materiality, in both the handmade and collected objects, in emphasizing their ability to conjure a memory. Reckoning evokes the intangible emotions and overwhelming sensations that accompany the act of remembering, and an inability to forget.
Date Issued
2020
PURL
http://purl.flvc.org/fau/fd/FA00013480
Subject Headings
Art, Sculpture, Ephemera, Handicraft
Format
Document (PDF)
Tomorrow is Saint Valentine’s Day: Ophelia Visualized
Title
Tomorrow is Saint Valentine’s Day: Ophelia Visualized.
Creator
Rutt, Otto J., McConnell, Brian, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
“Tomorrow is Saint Valentine’s Day” is a manic line of dialogue spoken by Ophelia in Shakespeare’s Hamlet. I have chosen that line as the title of my thesis and exhibition. Much of my graduate work has emanated from scenes in Shakespeare’s plays. I make dimensional paintings, prints, and sculptures that leverage a wide variety of media, material, and processes. I have chosen the intense drama of Ophelia’s final appearance on stage to inspire this body of work. The drama and imagery of...
Show more“Tomorrow is Saint Valentine’s Day” is a manic line of dialogue spoken by Ophelia in Shakespeare’s Hamlet. I have chosen that line as the title of my thesis and exhibition. Much of my graduate work has emanated from scenes in Shakespeare’s plays. I make dimensional paintings, prints, and sculptures that leverage a wide variety of media, material, and processes. I have chosen the intense drama of Ophelia’s final appearance on stage to inspire this body of work. The drama and imagery of Shakespeare’s plays has been a profound source of ideas for me. They motivate me to connect with all available resources in an energetic way to create visually captivating pieces of art. My objective is not to illustrate any given scene but to leverage the text for a personal artistic experience. The result is an abstraction that captures the energy of a dramatic moment. The art I produce is an expressive record of my relationship with the literature.
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Date Issued
2020
PURL
http://purl.flvc.org/fau/fd/FA00013585
Subject Headings
Art, Visual art, Ophelia (Fictitious character)
Format
Document (PDF)
WHISPERS FROM THE GHOST HOUSE
Title
WHISPERS FROM THE GHOST HOUSE.
Creator
Jones, Symantha, Ward, Julie Anne, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
Whispers from the Ghost House is the concrete manifestation of the mutable nature of childhood memory held within the nebulous forms of home. In all of its many incarnations home exists as a construction out of time and space that absorbs the accumulation of life performed around and within its walls. Home is idealized and sought after, both sanctuary and snare. The iterations of home I created are primarily constructed from repurposed materials with inherent histories; unstable and malleable...
Show moreWhispers from the Ghost House is the concrete manifestation of the mutable nature of childhood memory held within the nebulous forms of home. In all of its many incarnations home exists as a construction out of time and space that absorbs the accumulation of life performed around and within its walls. Home is idealized and sought after, both sanctuary and snare. The iterations of home I created are primarily constructed from repurposed materials with inherent histories; unstable and malleable. Cardboard and paper holds the plastic veneer of various mediums to shape, color, and mar surfaces. The home develops an identity as it absorbs each action and material, gradually becoming an entity as well as a receptacle, to both display and obfuscate the nostalgic and the unattainable. Each hardened home becomes a haunted being in which memories interlace and fade away as they transform into the wild twisted houses of reverie.
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Date Issued
2020
PURL
http://purl.flvc.org/fau/fd/FA00013477
Subject Headings
Visual arts, Art, Mixed media works
Format
Document (PDF)