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"See the conquering hero comes" : principles of Stephen A. Douglas illustrated in his speeches.
“See You in Yasukuni”: Western Perceptions of the Imperial Japanese Before and During the War in the Pacific
"SEHNSUCHT" AND THE ISLAND MOTIF IN C. S. LEWIS' "OUT OF THE SILENT PLANET" AND "PERELANDRA."
"Starvation taught me art": Tree poaching, gender and cultural shifts in wood curio carving in Zimbabwe
"Stonewall" Jackson Memorial Hall
"Stonewall" Jackson Memorial Hall
"Stop-It anti-fidgeting device
"Strange Snow" and other stories
"Tempting providence": The absurd humor of Eudora Welty's "Losing Battles"
"The Accidental Tourist": Novel and film
"The angel at the centre of this rind" and Stevens behind subject and object
"The Battle of Maldon": Evidence of the move away from epic heroism
"THE FAITHLESS, MONEY-DRIVEN WORLD": COMMUNICATION AND EXCHANGE IN THOMAS PYNCHON’S INHERENT VICE
"The higher law" in its application to the Fugitive slave bill. A sermon on the duties men owe to God and to governments.
"The Manhattan Project," 1992: An analysis of rhetorical changes in the strategic modification of the Clinton campaign for the presidency
“The Neurological Effects of Domoic Acid Toxicosis on Marine Mammals and Its Implications on Florida Wildlife”
“THE POETIC GROUND OF PHYSIOLOGY”: AESTHETIC AND BIOLOGICAL UNITY IN BRITISH ROMANTIC POETRY
"The powers that be." : a sermon, preached in St. Paul's Church, Centerville, Queen Anne County, Maryland, the fourth Sunday after the Epiphany, February 2, A.D. 1862.
"The show must go on": A caring inquiry into the meaning of widowhood and health for older Indian widows
“THE TROUBLE BEGAN LONG BEFORE”: THE POST-APOCALYPTIC PRESENT OF OCTAVIA BUTLER’S KINDRED

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