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- Title
- Bleeding roots: the absence and evidence of the lynched black female body.
- Creator
- Williams, Tinea., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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Scholars of the literary depictions of lynching have given the majority of their attention to the emasculation of the black male, but the representation of the black female lynch victim has been overlooked. My thesis examines the deaths of black women that had the same effect as lynching practices used against men. This specific literary form of lynching will concentrate on two plays: Mary P. Burrill's They That Sit in Darkness (1919) and Marita Bonner's Exit: An Illusion (1929) and two...
Show moreScholars of the literary depictions of lynching have given the majority of their attention to the emasculation of the black male, but the representation of the black female lynch victim has been overlooked. My thesis examines the deaths of black women that had the same effect as lynching practices used against men. This specific literary form of lynching will concentrate on two plays: Mary P. Burrill's They That Sit in Darkness (1919) and Marita Bonner's Exit: An Illusion (1929) and two novels by Toni Morrison, Beloved and Sula. Considering the contours of these black female deaths we can expand the traditional definition of lynching to include the black female lynch victim. The aspects that make her death a lynching are encased in more subtleties than a traditional definition of lynching allows for, and less visible.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/199329
- Subject Headings
- African Americans, Crimes against, Lynching in literature, African Americans in literature, Race relations, History and criticism
- Format
- Document (PDF)
- Title
- Deep-fried harmony: the impact of pro-Judaic rhetoric in fostering Protestant-Jewish amity in the ante-bellum South.
- Creator
- Lebowitz, Scott H., Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
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Scholars of southern Jewish history maintain that ante-bellum southerners displayed genuine philo-Semitism towards their Jewish neighbors. Historians attribute this to the southern Jews "effort to assimilate into southern society and to the presence of other, more preferred, targets of the southerners" animus, namely blacks and Catholics. This analysis, however, is not sufficiently broad to explain the South's Protestant-Jewish dynamic. It neither appraises the relationship from the...
Show moreScholars of southern Jewish history maintain that ante-bellum southerners displayed genuine philo-Semitism towards their Jewish neighbors. Historians attribute this to the southern Jews "effort to assimilate into southern society and to the presence of other, more preferred, targets of the southerners" animus, namely blacks and Catholics. This analysis, however, is not sufficiently broad to explain the South's Protestant-Jewish dynamic. It neither appraises the relationship from the perspective of the Protestants, nor accounts for the intellectual inconsistencies such a conclusion presents regarding both Protestants and southerners, generally. This thesis identifies and responds to these shortcomings by examining southern philo-Semitism through the eyes of the Protestants and thesis argues that pro-Judaic rhetoric of southern evangelical clergy inundated southerners with favorable references and images of the biblical Jews, causing southerners to develop a high degree of reverence and respect for Jews, whom they saw as their spiritual kinfolk.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3332718
- Subject Headings
- Jews, Identity, Philosemitism, Protestants, Relations with Jews, Jews, Relations with Protestants, Evangelicalism
- Format
- Document (PDF)
- Title
- Judge, jury, and executioner: the fate of the insane in Tennessee Williams' Suddenly Last Summer.
- Creator
- Rush, Kathleen., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Much of Tennessee Williams' work features mentally ill characters; his devotion to and interest in the subject has led to the composition of many plays that highlight the humanity of the insane, rather that caricaturize them with the usual stereotypes. In Suddenly Last Summer, Williams challenges the social stigmas most "normal" people attach to madness. Throughout the course of the action, the lines dividing sane and insane, normate and non-normate, gradually blur disrupting the audience's...
Show moreMuch of Tennessee Williams' work features mentally ill characters; his devotion to and interest in the subject has led to the composition of many plays that highlight the humanity of the insane, rather that caricaturize them with the usual stereotypes. In Suddenly Last Summer, Williams challenges the social stigmas most "normal" people attach to madness. Throughout the course of the action, the lines dividing sane and insane, normate and non-normate, gradually blur disrupting the audience's social equilibrium. By undermining presumed viewer prejudices toward the mentally ill, Williams creates the opportunity for redrawing the social boundaries of exclusion and inclusion.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/221952
- Subject Headings
- Criticism and interpretation, Mental illness in literature, Literature and mental illness
- Format
- Document (PDF)