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- Title
- Women, film, and oceans a/part: the critical humor of Tracey Moffatt, Monica Pellizzari, and Clara Law.
- Creator
- Senzani, Alessandra., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
The politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a...
Show moreThe politicized use of humor in accented cinema is a tool for negotiating particular formations of identity, such as sexuality, gender, ethnicity, and class. The body of work produced by contemporary women filmmakers working in Australia, specifically Tracey Moffatt, Monica Pellizzari, and Clara Law, illustrates how these directors have employed critical humor as a response to their multiple marginalization as women, Australian, and accented filmmakers. In their works, humor functions as a critical tool to deconstruct the contradictions in dominant discourses as they relate to (neo)colonial, racist, globalized, patriarchal, and displaced pasts and presents. Produced within Australian national cinema, but emerging from experiences of geographical displacements that defy territorial borders, their films illuminate how critical humor can inflect such accepted categories as the national constitution of a cinema, film genre, and questions of exile and diaspora. Critical humor thus consti tutes a cinematic signifying practice able, following Luigi Pirandello's description of umorismo, to decompose the filmic text, and as a tool for an ideological critique of cinema and its role in (re)producing discourses of the nation predicated on the dominant categories of whiteness and masculinity. The study offers a theoretical framework for decoding humor in a film text, focusing on the manipulation of cinematic language, and it provides a model for a criticism that wishes to heighten the counter-hegemonic potential of cinematic texts, by picking up on the humorous, contradictory openings of the text and widening them through a parallel dissociating process., Finally, critical humor in the accented cinema of women filmmakers like Moffatt, Pellizzari, and Law is shown to constitute a form of translation and negotiation performed between the national, monologic constraints of film production and cinematic language, the heteroglossia of the global imaginaries that have traveled since the beginning with film technology, and the local and diasporic accents informing a filmmaker's unique style and perspective.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/186293
- Subject Headings
- Women motion picture producers and directors, Feminism and motion pictures, Criticism and interpretation, Local color in motion pictures, Intercultural communication in motion pictures
- Format
- Document (PDF)
- Title
- William Shakespeare and Herman Melville: emotional manipulation through verbal performance.
- Creator
- Murphy, Nicole E., Harriet L. Wilkes Honors College
- Abstract/Description
-
This thesis considers the role of two rhetoricians, Petruchio from William Shakespeare's The Taming of the Shrew and Captain Ahab from Herman Melville's Moby-DIck, and analyzes their use of verbal performances. BOth Petruchio and Captain Ahab use pathologically manipulative rhetoric to manipulate others emotionally. Through this manipulation, they attempt to gain control, power, and authority. While both Petrucio and Ahab appear to succeed in manipulating others, they actually fail. Petruchio...
Show moreThis thesis considers the role of two rhetoricians, Petruchio from William Shakespeare's The Taming of the Shrew and Captain Ahab from Herman Melville's Moby-DIck, and analyzes their use of verbal performances. BOth Petruchio and Captain Ahab use pathologically manipulative rhetoric to manipulate others emotionally. Through this manipulation, they attempt to gain control, power, and authority. While both Petrucio and Ahab appear to succeed in manipulating others, they actually fail. Petruchio attempts to manipulate Katherine, but fails to attain mental submission from her, and Captain Ahab attempts to manipulate the crew to pursue hunting the whale, but as the narrative progresses, the crew becomes too disillusioned with the hunt to be persuaded by Ahab's rhetoric. In conclusion, both Petruchio and Captain Ahab are unable to sustain rhetorical control, and they both fall into demagoguery, therby suggesting that while they are alike as rhetoricians, they both fail similarly as rhetoricians.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359309
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Rhetoric, Oral communication
- Format
- Document (PDF)
- Title
- Who is Paule Maurice?: her relative anonymity and its consequences.
- Creator
- Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/367763
- Subject Headings
- Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
- Format
- Document (PDF)
- Title
- What are words worth?: Thomas Malthus and political economy in William Wordsworth's poetry and prose.
- Creator
- Kirchner, Christina R., Harriet L. Wilkes Honors College
- Abstract/Description
-
The works of Romantic poet William Wordsworth are generally regarded as idealistic nature poems. However, Wordsworth was writing in a turbulent era, between the French Revolution and the Industrial Revolution. Contrary to conventional labels, Wordsworth's prose and poetry of the late eighteenth and early nineteenth centuries strongly critiques social and economic affairs, similar to the ways Thomas Malthus comments on the same subjects. In 1798, political and economic theorist Thomas Robert...
Show moreThe works of Romantic poet William Wordsworth are generally regarded as idealistic nature poems. However, Wordsworth was writing in a turbulent era, between the French Revolution and the Industrial Revolution. Contrary to conventional labels, Wordsworth's prose and poetry of the late eighteenth and early nineteenth centuries strongly critiques social and economic affairs, similar to the ways Thomas Malthus comments on the same subjects. In 1798, political and economic theorist Thomas Robert Malthus published his infamous Essay on the Principle of Population, in which he devotes considerable thought to the subjects of poverty and England's Old Poor Law system. This thesis explores the connections between Wordsworth and Malthus, establishing Wordsworth as an amateur political economic theorist, who was concerned with the contemporary treatment of poverty and the morals of the legislators of the Poor Laws. I further claim that Wordsworth was a parable-poet, who sought to provide moral guidance regarding poor relief through affective poetry.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359307
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Poetry, Psychological aspects, Economics
- Format
- Document (PDF)
- Title
- "The Voice of society": Dickens' surprising lesson in diplomacy spoken by the "innocent" table in Our Mutual Friend.
- Creator
- Hernandez, Patricia., Harriet L. Wilkes Honors College
- Abstract/Description
-
In Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a "feeble" character into a strong, morally authoritative voice. Dickens concludes his novel with a debate concerning who is, or should be, "the voice of society" and...
Show moreIn Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a "feeble" character into a strong, morally authoritative voice. Dickens concludes his novel with a debate concerning who is, or should be, "the voice of society" and the last word of the debate is given to the mysterious table-man character. Rather than allowing a central protagonist to champion his thoughts, Dickens surprises his readers by making an exemplary moral figure of a mild, minor character from among the ranks of the pompous aristocracy. Twemlow's speech makes a familiar Dickensian point about the need for social reform in a strange, politically incorrect way.
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/40950
- Subject Headings
- Criticism and interpretation, English fiction, Criticism and interpretation, Literature and society, History, Class consciousness in literature
- Format
- Document (PDF)
- Title
- The voice of nationalism in Moniuszko's opera.
- Creator
- Niewczas, Marlena., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Stanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his...
Show moreStanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his operas. The national elements portrayed in his compositions include Polish dances, such as the polonaise, mazurka, and krakowiak, as well as folk tunes, and most importantly, the libretto with social and patriotic stances. This thesis intends to enlighten English speakers about the development of Polish national opera, its innovator, and his techniques.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1930489
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Nationalism in literature, Music, History and criticism, Nationalism, History, Politics and government
- Format
- Document (PDF)
- Title
- The use of the bastard identity: from Victorian subverters to superheroes in the twenty-first century and beyond.
- Creator
- Dessler, Ryan., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of...
Show moreThis project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of illegitimacy being used as a literary device in novels by Victorian authors Charles Dickens and Wilkie Collins. In the second chapter, I examine the role illegitimacy plays in the origin stories of canonical comic book superheroes Batman and Superman. Lastly, in the third chapter, I scrutinize the role illegitimacy plays in defining the human condition within science fiction as human culture continues to advance technologically towards a post human world.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3355567
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Literature and society, History, Literature and society, History, Comic books, strips, etc, Criticism and interpretation, Illegitimacy in literature, Sex role in literature, Sensationalism in literature
- Format
- Document (PDF)
- Title
- Under construction: positive-negative space in Faulkner and beyond.
- Creator
- Puleo, Simone Maria., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This thesis probes the materiality of a text by focusing on elliptical matters. In The Culture of Time and Space, Stephen Kern introduces the term "positive-negative space" to describe the primacy of empty space as a formal subject matter in sculptures of the early twentieth century. With some caveats and distinctions, the thesis argues that Kern's theory of positive-negative space is crucial for reading Faulkner's crytic and polyvalent production of space. Using a smorgasbord of approaches...
Show moreThis thesis probes the materiality of a text by focusing on elliptical matters. In The Culture of Time and Space, Stephen Kern introduces the term "positive-negative space" to describe the primacy of empty space as a formal subject matter in sculptures of the early twentieth century. With some caveats and distinctions, the thesis argues that Kern's theory of positive-negative space is crucial for reading Faulkner's crytic and polyvalent production of space. Using a smorgasbord of approaches including psychoanalytic and reader-response criticism, feminist and critical race theories, post-structuralist and formalist notions of space, theories of the "hole" in fine arts sculpture, and the New Southern studies, my thesis reinvents the conception of positive-negative space, and asserts that positive-negative space as an artistic principle" is the modus operandi of William Faulkner's The Sound and the Fury and Sanctuary.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3358961
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Symbolism in literature, Space in literature, Place (Philosophy) in literature
- Format
- Document (PDF)
- Title
- Two tone poems.
- Creator
- Rivera, Raul., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
The two orchestral pieces, written in the period of 2009-2010, are tone poems that demonstrate the development and combination of tonal melodies along with a coherent and effective use of orchestration to express different emotions inspired by two imaginary places. This thesis analyzes different aspects of the pieces based on their melodic construction and the use of the orchestra as the main instrument. This document also discusses the influence of specific composers and orchestral pieces,...
Show moreThe two orchestral pieces, written in the period of 2009-2010, are tone poems that demonstrate the development and combination of tonal melodies along with a coherent and effective use of orchestration to express different emotions inspired by two imaginary places. This thesis analyzes different aspects of the pieces based on their melodic construction and the use of the orchestra as the main instrument. This document also discusses the influence of specific composers and orchestral pieces, and the main historical style of the compositions.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2138105
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Symphonic poems, Criticism and interpretation, Variations (Orchestra), Orchestra music
- Format
- Document (PDF)
- Title
- Transcending political party constraints: an ideographic analysis of the rhetoric of Charlie Crist and Joe Lieberman as independent candidates.
- Creator
- Poplak, Cara., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
This thesis analyzes how the American political system presents specific rhetorical constraints for independent and third party candidates who are "othered" by the system. To better understand how independent candidates overcome these constraints, the rhetoric of two such recent candidates, Charlie Crist and Joe Lieberman, is analyzed using ideographic criticism. These two candidates were originally affiliated with one of the two major political parties, but changed their party affiliation to...
Show moreThis thesis analyzes how the American political system presents specific rhetorical constraints for independent and third party candidates who are "othered" by the system. To better understand how independent candidates overcome these constraints, the rhetoric of two such recent candidates, Charlie Crist and Joe Lieberman, is analyzed using ideographic criticism. These two candidates were originally affiliated with one of the two major political parties, but changed their party affiliation to run as Independent candidates. To facilitate their transition to independent candidates, both politicians used popular American political ideographs such as "the people," "freedom," and "unity" to maintain their allegiance to America and their constituencies, while separating their political ideology from their prior party affiliation. The ideographic analysis reveals that independent candidates can create nuanced changes in the meanings of popular ideographs to transcend partisan interpretations and create a positive perception of political "otherness."
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3333312
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Communication in politics, Political oratory, Political candidates, Third parties (United States politics), Politics and government
- Format
- Document (PDF)
- Title
- Traduzione di una metafora: un ponte a Mostar come il processo di traduzione tra lingue e culture in Erri De Luca.
- Creator
- O'Neill, Jonathan., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis shall produce the translation of six essays from Italian author Erri De Luca's collection PIanoterra (1995). De Luca's work often defies traditional attempts at translation due to its philosophical and polysemantic nature ; more than mere essays or accounts of, for instance, his involvement with humanitarian missions in Bosnia, his work consists of reflections on life and language itself. De Luca, himself a prolific translator from Ancient Hebrew, Russian and Yiddish, oftentimes...
Show moreThis thesis shall produce the translation of six essays from Italian author Erri De Luca's collection PIanoterra (1995). De Luca's work often defies traditional attempts at translation due to its philosophical and polysemantic nature ; more than mere essays or accounts of, for instance, his involvement with humanitarian missions in Bosnia, his work consists of reflections on life and language itself. De Luca, himself a prolific translator from Ancient Hebrew, Russian and Yiddish, oftentimes emphasizes the origins of specific words, making carefully studied choices in his own writing. Therefore, in addition to the six carefully produced translations with special attention paid to De Luca's word choices and an awareness of the etymological weight each one carries, this thesis shall also provide a theoretical framework emphasizing a sense-based translation which will allow the freedom necessary to explore De Luca's polysemy as well as commentary highlighting the challenges encountered in translating his work.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3358751
- Subject Headings
- Criticism and interpretation, Conduct of life, Narration (Rhetoric), Persuasion (Rhetoric)
- Format
- Document (PDF)
- Title
- Towards a feminist funny: exploring myth, power and postfeminism in the work of Chelsea Handler.
- Creator
- Walleser, Lauren., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
-
Chelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a...
Show moreChelsea Handler is a comedian and host of the TV show Chelsea Lately. She has been successful in the late night comedy talk show genre to a degree that no woman has before. While she represents the most significant advancement for women in the genre, she also plays to patriarchal themes in order to maintain her foothold. In my thesis, I locate Handler within the history of women's stand-up comedy, analyzing her appeal via the figure of "The Unruly Woman" and other image types. I apply a mythic analysis as I look for Handler's manifestation of mythic types, including archetypal Goddess representations. I analyze her treatment of violence against women, exploring how Handler approaches these themes in ways that allow her into the "old boys club." I use textual and audience analysis to assess Handler's ability to be a transformative and empowering figure for women in comedy and beyond.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3322513
- Subject Headings
- Criticism and interpretation, Women in popular culture, Feminist theory, Performance art, Social aspects, Mass media and women
- Format
- Document (PDF)
- Title
- Tolkien's The Silmarillion: a reexamination of providence.
- Creator
- Powell, David C., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Christian providence in the primary (real) world operates as the model for the spiritual movement of Eru/Illuvatar in Tolkien's secondary (imaginative) world. Paralleling the Christian God, Illuvatar maintains a relationship with his creation through a three-fold activity: preservation, concurrence, and government. Preservation affirms Eru's sovereignty as Creator, and concurrence guarantees creaturely freedom, while paradoxically, government controls, guides, and determines those wills in...
Show moreChristian providence in the primary (real) world operates as the model for the spiritual movement of Eru/Illuvatar in Tolkien's secondary (imaginative) world. Paralleling the Christian God, Illuvatar maintains a relationship with his creation through a three-fold activity: preservation, concurrence, and government. Preservation affirms Eru's sovereignty as Creator, and concurrence guarantees creaturely freedom, while paradoxically, government controls, guides, and determines those wills in Time. The union of these three activities comprises the providential relationship of Illuvatar in Tolkien's imaginary world. The following thesis endeavors to carry the argument for providence into The Silmarillion with a declarative and analytical detail that distinguishes Illuvatar's providence from other temporal manifestations. Finally, the analysis reveals not only the author's authentic orthodox perspective, but Illuvatar's role in the imaginative world emerges as a reflection of Tolkien's authorial role in the real world.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/228766
- Subject Headings
- Criticism and interpretation, Symbolism in literature, Middle Earth (Imaginary place), Fantasy literature, English, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Three suites: a celebration of klezmer.
- Creator
- Weiner, Alison, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Three original suites, composed during 2008-2009, are presented and discussed with respect to form, style, and compositional techniques. The subjects are Suite No. 1 (clarinet and piano), Suite No. 2: For Paul, A Master of Music (clarinet, piano, double bass and drums), and Suite No. 3: L'Chaim (two clarinets, flugelhorn, French horn, bandoneon, piano, violin, and cello). Common to all three pieces is the inspiration of klezmer, a Jewish music genre that, during its reemergence over the past...
Show moreThree original suites, composed during 2008-2009, are presented and discussed with respect to form, style, and compositional techniques. The subjects are Suite No. 1 (clarinet and piano), Suite No. 2: For Paul, A Master of Music (clarinet, piano, double bass and drums), and Suite No. 3: L'Chaim (two clarinets, flugelhorn, French horn, bandoneon, piano, violin, and cello). Common to all three pieces is the inspiration of klezmer, a Jewish music genre that, during its reemergence over the past thirty-five years, has welcomed the influence of other musical styles. In keeping with the eclectic nature of klezmer, each suite builds upon the previous one with regard to instrumentation, style and technique, and embraces additional genres (jazz and tango). Brief reviews regarding the history and musical characteristics (including modes, ornamentation and improvisation, song types and instrumentation) for all the included genres are also presented for the benefit of compositional context.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2100575
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Klezmer music, History and criticism, Jews, Music, History and criticism
- Format
- Document (PDF)
- Title
- Three chamber pieces.
- Creator
- Frederick, Rochelle M., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Three original chamber pieces are discussed from numerous points of view. They were composed for string quartet (Escape and String quartet in Four Movements), and string quartet with flute (Forward Motion). Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic techniques. Each piece draws influences from different genres. Escape was influenced by minimalism and jazz and is based on the Locrian scale. Forward Motion is in a modified...
Show moreThree original chamber pieces are discussed from numerous points of view. They were composed for string quartet (Escape and String quartet in Four Movements), and string quartet with flute (Forward Motion). Each piece is analyzed in terms of its historical background, compositional techniques, and formal and stylistic techniques. Each piece draws influences from different genres. Escape was influenced by minimalism and jazz and is based on the Locrian scale. Forward Motion is in a modified classical form (Sonata) but draws influences from modern music and employs much dissonance. String quartet in Four Movements combines elements of expressionism, minimalism and jazz. Each piece is discussed in regards to its musical characteristics and historical influences including scales, harmony, rhythmic structure and form.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927861
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Avant-garde (Music), Criticism and interpretation, Composition (Music), Musical analysis
- Format
- Document (PDF)
- Title
- The moral authority of the child in two fairy tales: Perrault's Le Petit Chaperon rouge and the Grimms' Rotkèappchen and Aschenputtel.
- Creator
- Cedeno, Alyssa., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Although many studies focus specifically on the child's reception of fairy tales, few have considered whether the (step)child in the tales is more aware or more equipped with a knowledge of "moral authority" and "correct" conduct than the (step)parent. This thesis will consider the (step)parent/ (step)child relationship motif in two French and German fairy tales by Perrault and the Brothers Grimm: Perrault's Cendrillon ou la petite pantoufle de verre and Le Petit Chaperon rouge; and the...
Show moreAlthough many studies focus specifically on the child's reception of fairy tales, few have considered whether the (step)child in the tales is more aware or more equipped with a knowledge of "moral authority" and "correct" conduct than the (step)parent. This thesis will consider the (step)parent/ (step)child relationship motif in two French and German fairy tales by Perrault and the Brothers Grimm: Perrault's Cendrillon ou la petite pantoufle de verre and Le Petit Chaperon rouge; and the Grimms' Aschenputtel and Rotkèappchen. In analyzing the genre's depiction of children, the thesis will examine the ways in which the narrative voice constructs the moral authority of the child (both as intradiegetic character and as extradiegetic reader), while simultaneously diminishing the moral authority of the parent as intradiegetic character.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2974435
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Symbolism in literature, Narration (Rhetoric)
- Format
- Document (PDF)
- Title
- Thai nurses' lived experience of caring for persons who had a peaceful death in intensive care units.
- Creator
- Kongsuwan, Waraporn., Christine E. Lynn College of Nursing
- Abstract/Description
-
The objective of this study was to describe the lived experience of caring for persons who had a peaceful death in the intensive care units in Thailand. A qualitative research design informed by hermeneutic phenomenology was used to analyze data. Participants were 10 intensive care nurses working at adult intensive care units in south Thailand. A snowball purposive sampling method was used to select the participants. Participant inclusion criteria were at least six months' critical care...
Show moreThe objective of this study was to describe the lived experience of caring for persons who had a peaceful death in the intensive care units in Thailand. A qualitative research design informed by hermeneutic phenomenology was used to analyze data. Participants were 10 intensive care nurses working at adult intensive care units in south Thailand. A snowball purposive sampling method was used to select the participants. Participant inclusion criteria were at least six months' critical care nursing experience, experience in caring for a person who had peaceful death, able to describe peaceful death, and willing to participate in this study. Participants who met the inclusion criteria were interviewed. Face-to-face individual verbal interviews were conducted in the Thai language. These interviews were audiotape recorded. Descriptions were transcribed and translated for data analysis. Van Manen's (1990) hermeneutic phenomenological approach was used to analyze and interpret the data. The findings of this study were presented in each of 4 categories of the lived world of temporality, of spatiality, of corporeality, and of relationality. The description of the lived experience of caring for persons who had a peaceful death in ICU was, "understanding the other through the valuing of experience and enhancing relations with others by recognizing time is short and is a priority." This study may contribute to nursing knowledge of the end-of-life care to enhance a peaceful death in intensive care units congruently with Thai culture and society. In addition, this study directs the translations of its knowledge into implications that will benefit in helping Thai nursing to move forward. The implications of this study in advance will benefit terminally ill persons and family members regarding receiving good quality end-of-life care.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186331
- Subject Headings
- Criticism and interpretation, Intensive care nursing, Nurse and patient, Terminal care, Psychological aspects, Nursing, Practice
- Format
- Document (PDF)
- Title
- Telling the truth: creative nonfiction in Capote's In Cold Blood & Mailer's The Executioner's Song.
- Creator
- Capp, James R., Harriet L. Wilkes Honors College
- Abstract/Description
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In the American creative nonfiction genre, the line between fact and fiction is ever-blurring. Two novels which strive for realness and are thematically related in their focus on a cause célèbre and the death penalty, Truman Capote's In cold blood and Norman Mailer's The executioner's song, offer clues that might help approach the question of what makes a specific work fall under the category of creative nonfiction. I analyze the creative techniques that the authors use in their novels, and I...
Show moreIn the American creative nonfiction genre, the line between fact and fiction is ever-blurring. Two novels which strive for realness and are thematically related in their focus on a cause célèbre and the death penalty, Truman Capote's In cold blood and Norman Mailer's The executioner's song, offer clues that might help approach the question of what makes a specific work fall under the category of creative nonfiction. I analyze the creative techniques that the authors use in their novels, and I consider details from the texts about the activeness and reliability of the narrators in the two books, as well as consequent political implications. Additionally, I ground my examination of these novels in a discussion of the progress from the early novel's drive for realism to twentieth-century literary journalism.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77661
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, American prose literature, Reportage literature, Technique
- Format
- Document (PDF)
- Title
- Teaching Night in the secondary classroom.
- Creator
- Loput, Dyanne K., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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As a secondary-level educator of literature and writing, I have observed the fundamental need for a sensitive, well-developed curriculum in the art of teaching Eliezer Wiesel's Night to high school students. This thesis contextualizes Wiesel's memoir by examining the history of Jewish persecution, the Holocaust itself, and Wiesel's background. Educational strategies and activities that use both literary analysis and creative writing to engender a comprehensive and thorough realization of the...
Show moreAs a secondary-level educator of literature and writing, I have observed the fundamental need for a sensitive, well-developed curriculum in the art of teaching Eliezer Wiesel's Night to high school students. This thesis contextualizes Wiesel's memoir by examining the history of Jewish persecution, the Holocaust itself, and Wiesel's background. Educational strategies and activities that use both literary analysis and creative writing to engender a comprehensive and thorough realization of the history as expressed through the literature are elucidated. Additionally, several ways in which teachers may lead students to examine the effects, implications, and ramifications of Wiesel's legacy are supplied.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2705075
- Subject Headings
- Criticism and interpretation, Holocaust, Jewish (1939-1945), Study and teaching, Holocaust, Jewish (1939-1945), Study and teaching
- Format
- Document (PDF)
- Title
- The symbiosis between the individual and society in Ralph Waldo Emerson's "The American Scholar," "History," and "Politics".
- Creator
- Gillespie, Elizabeth., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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This thesis will reveal a political dimension to Emerson's work, situating itself in the current scholarly movement to analyze Emerson from a different angle. Scholars have long heralded Emerson as a staunch individualist or transcendentalist, yet there has been a recent shift in literary studies to consider him from a social or political perspective. Emerson's emphasis on the individual does not diminish in any of the three essays that I have selected; however, he strongly urges every...
Show moreThis thesis will reveal a political dimension to Emerson's work, situating itself in the current scholarly movement to analyze Emerson from a different angle. Scholars have long heralded Emerson as a staunch individualist or transcendentalist, yet there has been a recent shift in literary studies to consider him from a social or political perspective. Emerson's emphasis on the individual does not diminish in any of the three essays that I have selected; however, he strongly urges every individual to contribute towards the amelioration of society. He also believes that an individual person has enormous potential to cause both great improvement and great harm, which is why a wise man or scholar is a paramount component to any society. Moreover, this thesis addresses topics that are particularly useful today, as Emerson's words are just as relevant to the political situation in the world now as they were in the 19th century.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2684307
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Political and social views, Criticism and interpretation, Symbolism in literature
- Format
- Document (PDF)