Current Search: Department of History (x) » Johnson, Lyndon B. -- (Lyndon Baines) -- 1908 (x) » Macbeth. (x)
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Title
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The gentle gender?: Shakespeare's Tamora and Lady Macbeth as models of revenge.
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Creator
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Fitzgerald, Jenna., Harriet L. Wilkes Honors College
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Abstract/Description
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Twelve years separate the plays Titus Andronicus and Macbeth and yet the similarities between Tamora and Lady Macbeth seem to indicate that the former served as a model for the latter female revenge character. Despite the many characteristics that connect the two powerful women, Shakespeare not only intensifies Tamora but questions her maternal traits, exaggerates her competition with the male characters, and replaces her motives for madness in order to create Lady Macbeth. While it is often...
Show moreTwelve years separate the plays Titus Andronicus and Macbeth and yet the similarities between Tamora and Lady Macbeth seem to indicate that the former served as a model for the latter female revenge character. Despite the many characteristics that connect the two powerful women, Shakespeare not only intensifies Tamora but questions her maternal traits, exaggerates her competition with the male characters, and replaces her motives for madness in order to create Lady Macbeth. While it is often assumed that a female's identity is defined through her male counterpart, the opposite is true of the male characters in Titus Andronicus and Macbeth who are defined through the strength and personality of Tamora and Lady Macbeth, respectively. Analyzing the characteristics of these two women offers a new perspective on the characters, challenging the traditional observation that they are cruel and evil. Rather than viewing them as supernatural, controlling beings, my analysis allows the characters to simply be considered as driven, yet flawed women equal to the tragic heroes they encounter in the plays.
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Date Issued
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2008
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PURL
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http://purl.flvc.org/FAU/77665
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Subject Headings
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Characters, Tragedies, Literary style, Women in literature
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Format
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Document (PDF)
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Title
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" Hover through the fog and filthy air": weather witching in Macbeth.
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Creator
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Clifford, Brooke., Harriet L. Wilkes Honors College
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Abstract/Description
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This paper examines early modern climatology in order to analyze a correlation between weather, witchcraft, and their combined effects on Shakespeare's Macbeth. Contemporary climactic patterns including hailstorms, tempests, and other unusual phenomena drastically affected not only England but much of Europe. Religious and scientific texts of the period examined links between weather phenomena and witchcraft, suggesting that the weather afflictions were caused by witchcraft. Shakespeare...
Show moreThis paper examines early modern climatology in order to analyze a correlation between weather, witchcraft, and their combined effects on Shakespeare's Macbeth. Contemporary climactic patterns including hailstorms, tempests, and other unusual phenomena drastically affected not only England but much of Europe. Religious and scientific texts of the period examined links between weather phenomena and witchcraft, suggesting that the weather afflictions were caused by witchcraft. Shakespeare incorporates this suggestion into Macbeth, as well, but takes the connection even further ; the witches in the play not only use their weather magic to afflict Scotland but also control the events of the play.
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Date Issued
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2012
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PURL
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http://purl.flvc.org/FAU/3359303
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Subject Headings
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Criticism and literature, Symbolism in literature, Witchcraft in literature, Witchcraft, History
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Format
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Document (PDF)
