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Title: "A spirit of benevolence": Manchester and the origins of modern public health, 1790-1834.
Creator: Boxen, Jennifer L., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: This thesis argues that the British Public Health movement did not begin in 1842 with Edwin Chadwick's publication, Report on the Sanitary Conditions of the Labouring Population of Great Britain (1842), or in 1848, with the subsequent passage of the Public Health Act. The beginning of the public health movement was instead the product of local initiatives such as the Manchester Board of Health, administered not by central government, but by members of the local community supported by...
Show moreThis thesis argues that the British Public Health movement did not begin in 1842 with Edwin Chadwick's publication, Report on the Sanitary Conditions of the Labouring Population of Great Britain (1842), or in 1848, with the subsequent passage of the Public Health Act. The beginning of the public health movement was instead the product of local initiatives such as the Manchester Board of Health, administered not by central government, but by members of the local community supported by predominantly philanthropic funding. The Manchester movement predated Chadwick's efforts by at least half a century and bore a greater resemblance to the modern idea of an organized public health system than that advanced by Chadwick and his contemporaries. This is because the Manchester movement emphasized not only those sanitary ideas ascribed to Chadwick but also included a broader spectrum of public health measures, including but not limited to ; preventative medicine, occupational health, and the reduction of contagious diseases.
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Date Issued: 2013
PURL: http://purl.flvc.org/FAU/3360766
Subject Headings: Public health, History, History, Social conditions
Format: Document (PDF)

Title: "How does one remember thirst?": phallic and matrixial memory in Chris Marker's La Jetâee and Sans Soleil.
Creator: Barr, Jeremy., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description: This thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze....
Show moreThis thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze. Bazin's work is used to address aesthetic issues, as well as providing a method for exploring how the phallic and matrixial frameworks impact the formal construction of the films. Ultimately, La jetâees model of phallic memory is shown to sever past from present in a manner corresponding to Lacanian notions of desire, castration, and loss, whereas Sans soleil demonstrates the potential of matrixial memory to establish a liminal relationship between past and present.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3166838
Subject Headings: Criticism and interpretation, Criticism and interpretation, Psychoanalysis and art, Psychoanalysis and motion pictures
Format: Document (PDF)

Title: "Room for you and me": an ethical critique of noncanonical labor literature.
Creator: McDermott, Rachel., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Labor literature is in popular and academic neglect. I argue that labor literature's neglect is unjust, and I provide a way of examining labor literature that can rescue it from neglect. I shall be concerned with labor literature's academic decline due to its apparent lack of value according to traditional standards of literary criticism. I will argue that ethical criticism - criticism of literature that considers the ethics of a work as a part of its literary value - can reveal new...
Show moreLabor literature is in popular and academic neglect. I argue that labor literature's neglect is unjust, and I provide a way of examining labor literature that can rescue it from neglect. I shall be concerned with labor literature's academic decline due to its apparent lack of value according to traditional standards of literary criticism. I will argue that ethical criticism - criticism of literature that considers the ethics of a work as a part of its literary value - can reveal new complexities in labor literature. An ethical critical analysis of the representation of American labor movements and workers in noncanonical texts will show the distinctive ethical value such texts hold. I will argue that labor texts possess ethical value insofar as they help readers develop awareness of complex ethical issues posed by labor and community, and that the ethical value of labor literature provides a new reason to value such works.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342209
Subject Headings: Narration (Rhetoric), Authenticity (Philosophy) in literature, Criticism and interpretation, Labor in literature, Criticism and interpretation
Format: Document (PDF)

Title: "Viens a la maison": Moroccan hospitality, a contemporary view.
Creator: Schwartz, Anita., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: As a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by...
Show moreAs a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by welcoming guests into their homes to visit and share meals. The vessels are ornately painted and decorated so that meals served will feast the eyes as well as the palate. The porcelain is decorated with ornate finials, underglazes and china painting. The subject of the imagery is a combination of visual anthropology in which random images of people from today's society are contrasted with my own interpretation of ancient geometric design details that are found in North African Zillij cut mosaic tiles. This infuses the work with an imagined sense of time and place. The attempt to harmonize seemingly incongruent elements results in vessels that feel both familiar and eccentric. The layers of color areused to symbolize nature, purity, depth of life and spiritual abundance. The colors are placed randomly in contrast to the symmetry of the geometric designs. The work is displayed in a dining room setting where guests are always welcome to enter. My work as an artist enhances the experience I bring to my students in the classroom.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172699
Subject Headings: Symbolism in art, Ceramic sculpture, Jews, History, Ethnicity in art, Identity (Psychology) in art, Social life and customs
Format: Document (PDF)

Title: La (in)visibilidad de la traductora: la traducciâon del inglâes al espaänol del cuento "Spanish Winter" de Jennifer Egan.
Creator: Almeida, Gabriela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter....
Show moreThis thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter. The importance of this text lies in the quest for identity of a female character whose journey symbolizes a search for herself. This postmodern tale, which depicts cultural exchanges between Spaniards and a US American woman and presents a contemporary theme told by a female narrator traveling abroad, is extremely relevant in today's globalized world. It is a valuable text whose translation promotes a fruitful literary exchange between the United States and the Spanish-speaking countries.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342033
Subject Headings: Criticism and interpretation, Criticism and interpretation, Identity (Psychology) in literature, Americans, Translating and interpreting
Format: Document (PDF)

Title: (Re)making men, representing the Caribbean Nation: authorialIndividuation in works by Fred D’Aguiar, Robert Antoni, andMarlon James.
Creator: Gifford, Sheryl C., Machado, Elena, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This dissertation proposes that West Indian contemporary male writers develop literary authority, or a voice that represents the nation, via a process of individuation. This process enables the contemporary male writer to unite the disparities of the matriarchal and patriarchal authorial traditions that inform his development of a distinctive creative identity. I outline three stages of authorial individuation that are inspired by Jung’s theory of individuation. The first is the contemporary...
Show moreThis dissertation proposes that West Indian contemporary male writers develop literary authority, or a voice that represents the nation, via a process of individuation. This process enables the contemporary male writer to unite the disparities of the matriarchal and patriarchal authorial traditions that inform his development of a distinctive creative identity. I outline three stages of authorial individuation that are inspired by Jung’s theory of individuation. The first is the contemporary male writer’s return to his nationalist forebears’ tradition to dissolve his persona, or identification with patriarchal authority; Fred D’Aguiar’s “The Last Essay About Slavery” and Feeding the Ghosts illustrate this stage. The second is his reconciliation of matriarchal (present) and patriarchal (past) traditions of literary authority via his encounter with his forebears’ feminized, raced shadow; Robert Antoni’s Blessed Is the Fruit evidences this process. The third is the contemporary male writer’s renunciation of authority defined by masculinity, which emerges as his incorporation of the anima, or unconscious feminine; Marlon James’s The Book of Night Women exemplifies this final phase of his individuation.
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Date Issued: 2013
PURL: http://purl.flvc.org/fau/fd/FA0004021
Subject Headings: Antoni, Robert -- 1958- -- Blessed is the fruit -- Criticism and interpretation, D'Aguiar, Fred -- 1960- -- Feeding the ghosts -- Criticism and interpretation, D'Aguiar, Fred -- 1960- -- Last essay about slavery -- Criticism and interpretation, James, Marlon -- 1970- -- Book of night women -- Criticism and interpretation, Jungian psychology
Format: Document (PDF)

Title: *granted*.
Creator: Khourshid, Kally, Dorothy F. Schmidt College of Arts and Letters, Brooks, Clarence, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2012
PURL: http://purl.flvc.org/fau/fd/FAdwd12gran
Subject Headings: Dance performance
Format: Set of related objects

Title: [worthy].
Creator: Khourshid, Kally, Dorothy F. Schmidt College of Arts and Letters, Brooks, Clarence, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2012
PURL: http://purl.flvc.org/fau/fd/FAdwd12wort
Subject Headings: Dance performance
Format: Set of related objects

Title: A Change Entered My Mind.
Creator: Brooks, Clarence, Dorothy F. Schmidt College of Arts and Letters, Trimboli, Mike, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FAdwdchng
Subject Headings: Dance performance
Format: Set of related objects

Title: A Change is Gonna Come.
Creator: Konrad, Maria [Choreographer], Cooke, Sam [Music], Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
Abstract/Description: The FAU Repertory Dance Theatre Ensemble, the University’s professional dance company, was founded to exhibit works by established and emerging artist, to offer a forum for collaborations using dance as the common medium and to showcase the wide range, scope and diversity of dance.
Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FAde2014change
Subject Headings: Dance performance
Format: Set of related objects

Title: A Hero's Journey.
Creator: Kahan, Deborah [Choreographer], Mothersbaugh, Mark [Music], Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
Abstract/Description: The FAU Repertory Dance Theatre Ensemble, the University’s professional dance company, was founded to exhibit works by established and emerging artist, to offer a forum for collaborations using dance as the common medium and to showcase the wide range, scope and diversity of dance.
Date Issued: 2011
PURL: http://purl.flvc.org/fau/fd/FAde2011hero
Subject Headings: Dance performance
Format: Set of related objects

Title: A long way to go.
Creator: Drouin, Roger Real, Bucak, Ayse Papatya, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: As Samuel and Thomas take up a fight that no one else will to protect the wild lands they love, they are forced further from the quiet lives they have built. These are the two main characters in the novel A Long Way to Go. Samuel photographs the elusive and rare birds that most people never get a chance to see. As he seeks out the most elusive, possibly-extinct Northern Stilted Curlew, he struggles with the memory of his wife, who died a year earlier after a battle with cancer, and the...
Show moreAs Samuel and Thomas take up a fight that no one else will to protect the wild lands they love, they are forced further from the quiet lives they have built. These are the two main characters in the novel A Long Way to Go. Samuel photographs the elusive and rare birds that most people never get a chance to see. As he seeks out the most elusive, possibly-extinct Northern Stilted Curlew, he struggles with the memory of his wife, who died a year earlier after a battle with cancer, and the scarred relationship with his son Ryan, a young artist. Ryan meets the mysterious Karia, and as he gets to know her, he too begins his own kind of search.
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Date Issued: 2012
PURL: http://purl.flvc.org/fau/fd/FA00004245
Format: Document (PDF)

Title: A Nation of Outsiders: Industrialists, African Americans, and Veterans in East Tennesee During Reconstruction.
Creator: Dahlstrand, Katharine, Engle, Stephen D., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: With the end of the American Civil War, the nation created entire populations of outsiders seeking acceptance and participation in the rebuilding of the country. Northern industrialists, African Americans, and veterans returning from military service demonstrated the failures of Reconstruction in their efforts to reconcile their position with the white southern inhabitants of East Tennessee. This region represents a unique place to explore Reconstruction and exclusionary citizenship because...
Show moreWith the end of the American Civil War, the nation created entire populations of outsiders seeking acceptance and participation in the rebuilding of the country. Northern industrialists, African Americans, and veterans returning from military service demonstrated the failures of Reconstruction in their efforts to reconcile their position with the white southern inhabitants of East Tennessee. This region represents a unique place to explore Reconstruction and exclusionary citizenship because of its distinct relationship with both the Union and the Confederacy during the war. This thesis examines the people who lived the life of an outsider because of their background, skin color, or military service. By focusing on those who failed at successfully entering, or reentering, society, this thesis illustrates the informal fight for acceptance that began when the formal battles of the Civil War ceased.
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Date Issued: 2013
PURL: http://purl.flvc.org/fau/fd/FA00004047
Format: Document (PDF)

Title: A Necessary End.
Creator: Harris, Kelsey [Choreographer], Saltillo [Music], Department of Theatre and Dance, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FAdwdnecess
Subject Headings: Dance performance
Format: Set of related objects

Title: A Night Before X-Mas.
Creator: Edwards, Akeem [Choreographer], Angel, Criss [Music], Dorothy F. Schmidt College of Arts and Letters, Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2011
PURL: http://purl.flvc.org/fau/fd/FAdwd2011nigh
Subject Headings: Dance performance
Format: Set of related objects

Title: A Night In Alcazar.
Creator: Gonzalez, Jessica [Choreographer], Kuzbyt, Lauren [Choreographer], Dorothy F. Schmidt College of Arts and Letters, Hakim, Adam Bassama [Music], Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2008
PURL: http://purl.flvc.org/fau/fd/FAdwdnight
Subject Headings: Dance performance
Format: Set of related objects

Title: A Second Chance.
Creator: Paramonov, Natalie [Choreographer], Paramonov, Andre [Choreographer], Dorothy F. Schmidt College of Arts and Letters, Adele and Ursula (Music), Department of Theatre and Dance
Abstract/Description: The Dances We Dance Performance Showcase is a capstone experience for students enrolled in all levels of the Department of Theatre and Dance performance course offerings.
Date Issued: 2011
PURL: http://purl.flvc.org/fau/fd/FAdwd2011seco
Subject Headings: Dance performance
Format: Set of related objects

Title: A SPIRITUAL FRAMEWORK OF ORGANIC ONENESS: THE ECO-THEOLOGICAL SHIFT TOWARDS A COLLECTIVE ECOLOGICAL CONSCIOUSNESS.
Creator: Durand, Kjirsten, Banchetti, Marina P., Department of Philosophy, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Earth’s environment has been undergoing unprecedented rates of degradation during the Anthropocene paradigm. Current projections for the near future show climate change producing grim outcomes for most habitable parts of the world. This thesis defends the argument that in order to adequately address the state of the environment, humanity must experience a shift in collective consciousness away from the current philosophical paradigm, and instead adopt a paradigm that enables a common mindset...
Show moreEarth’s environment has been undergoing unprecedented rates of degradation during the Anthropocene paradigm. Current projections for the near future show climate change producing grim outcomes for most habitable parts of the world. This thesis defends the argument that in order to adequately address the state of the environment, humanity must experience a shift in collective consciousness away from the current philosophical paradigm, and instead adopt a paradigm that enables a common mindset regarding the place of humans within the natural environment. Various forms of spiritual ecology are explored: deep ecology, biblical eco-theology, and eco-feminist theology. These positions are explored in order to introduce a framework necessary to achieve the collective shift in consciousness required to address environmental issues: a Spiritual Framework of Organic Oneness, which includes components of spiritual ecology and earth-centered religious traditions.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FAUIR000229
Format: Document (PDF)

Title: A troubled past: reconfiguring postwar suburban American identity in revolutionary road, 1961 and mad men, 2007-2012.
Creator: Kiley, Erin M, Ulin, Julieann V., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: This thesis takes a cultural studies approach to representations of post-war U.S. suburbia in Richard Yates’ 1961 novel Revolutionary Road, as well as in the contemporary AMC television series Mad Men. These texts explore the postwar time period, which holds a persistently prominent and idealized space in the collective cultural imagination of America, despite the fact that it was a period troubled by isolationism, containment culture, rampant consumerism, and extreme pressure to conform to...
Show moreThis thesis takes a cultural studies approach to representations of post-war U.S. suburbia in Richard Yates’ 1961 novel Revolutionary Road, as well as in the contemporary AMC television series Mad Men. These texts explore the postwar time period, which holds a persistently prominent and idealized space in the collective cultural imagination of America, despite the fact that it was a period troubled by isolationism, containment culture, rampant consumerism, and extreme pressure to conform to social roles. This project disrupts the romantic narrative of postwar America by focusing on the latent anxiety within the suburban landscape—by interrogating the performative nature of the planned communities of the 1950s and 1960s and exposing the tensions that were borne out of the rise of domesticity and consumerism. This project explores the descent into a society obsessed with consumerism and conformity, and seeks to interrogate the culture’s false nostalgia for the time period.
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Date Issued: 2013
PURL: http://purl.flvc.org/fau/fd/FA0004031
Subject Headings: Families -- United States -- History -- 20th century, Mad Men (Television program) -- Criticism and interpretation, Nostalgia, Suburban life -- 20th century -- Criticism and interpretation, Suburban life -- 20th century -- Social aspects, Television programs -- Social aspects
Format: Document (PDF)

Title: Abjection and social transformation in John Fowles's Mantissa and A Maggot.
Creator: Skolnick, Jenifer A., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: In John Fowles's last two novels, he alters his authorial project of discovering freedom for an individual from a social system to how a social system can be changed from within. Using Julia Kristeva's theory of abjection and her interpretation of the semiotic versus symbolic processes of signification, readers can determine how an imbalance in the human signifying process has become corrupted by power. Through Fowles's heroines and semiotic irruptions of the symbolic order in both Mantissa...
Show moreIn John Fowles's last two novels, he alters his authorial project of discovering freedom for an individual from a social system to how a social system can be changed from within. Using Julia Kristeva's theory of abjection and her interpretation of the semiotic versus symbolic processes of signification, readers can determine how an imbalance in the human signifying process has become corrupted by power. Through Fowles's heroines and semiotic irruptions of the symbolic order in both Mantissa and A Maggot, Fowles reveals weaknesses in the symbolic, and consequently, moments where transformation of a patriarchal, symbolic system can be recognized. These moments of strain on the symbolic are significant because they cause a disruption of the rules and borders that define a social system like patriarchy. By calling attention to these moments, the categorical imperatives that have been imposed on women and perpetuated for the purpose of maintaining power relations can thus be subverted. In Mantissa and A Maggot, Fowles accomplishes a breaking of the boundaries, both within and of the text, by providing a literary space where readers can glimpse the power of the semiotic, the corruption of social conditioning, and gain a new perspective of their own symbolic/social system in the real world.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2979382
Subject Headings: Criticism and interpretation, Criticism and interpretation, Creation (Literary, artistic, etc.), Culture, Semiotic models, Symbolic interactionism, Symbolism in literature, Postmodernism (Literature)
Format: Document (PDF)

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