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Title: Program Review Visual Arts & Art History, 2009-2010.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2009-2010
PURL: http://purl.flvc.org/fau/fd/FA00007658
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Program Review Visual Arts & Art History, 2013-2014.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2013-2014
PURL: http://purl.flvc.org/fau/fd/FA00007661
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Program Review Visual Arts & Art History, 2014-2015.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2014-2015
PURL: http://purl.flvc.org/fau/fd/FA00007662
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Program Review Visual Arts & Art History, 2010-2011.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2010-2011
PURL: http://purl.flvc.org/fau/fd/FA00007659
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Program Review Visual Arts & Art History, 2012-2013.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2012-2013
PURL: http://purl.flvc.org/fau/fd/FA00007660
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Program Review Visual Arts & Art History, 2015-2016.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2015-2016
PURL: http://purl.flvc.org/fau/fd/FA00007663
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Program Review Visual Arts & Art History, 2016-2017.
Creator: Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Florida Atlantic University Departmental Dashboard Indicators. Department program reviews for Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University.
Date Issued: 2016-2017
PURL: http://purl.flvc.org/fau/fd/FA00007664
Subject Headings: Florida Atlantic University -- History
Format: Document (PDF)

Title: Among Figures in Multiple Worlds.
Creator: Cervetti, Talia, Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis exhibition will manifest a visual language I developed to express things I sense but cannot explain. I will create a sacred space, people by paper silhouettes, to communicate what it feels like to be alive while acknowledging different realities. Each silhouette figure I make has its own character and expresses specific things, including care, confusion, excitement, play, and wonder. These are all facets of my own experiences in life. The white silhouettes are anchored to a physical...
Show moreMy thesis exhibition will manifest a visual language I developed to express things I sense but cannot explain. I will create a sacred space, people by paper silhouettes, to communicate what it feels like to be alive while acknowledging different realities. Each silhouette figure I make has its own character and expresses specific things, including care, confusion, excitement, play, and wonder. These are all facets of my own experiences in life. The white silhouettes are anchored to a physical reality. The chromatic silhouettes are complicated by color. They are more difficult to make out – they are more vulnerable and ambiguous. I am peopling the installation with many silhouettes. This expresses the range of experiences I have had with people, as well as the many possibilities that exist for human interaction. I will create a translucent cylindrical environment that is specifically lit, with two layers of fabric. I will embed over two thousand hand-cut paper figures within this environment. One plane will represent the physical world that we all access and experience via our five senses. The other plane will express another realm – one that references spiritual or otherwise non-physical realities. In addition, I will exhibit a series of framed collages and a compilation of video clips that have informed the development and process of my work.
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Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004576, http://purl.flvc.org/fau/fd/FA00004576
Subject Headings: Symbolism in literature., Creation (Literary, artistic, etc.), Conduct of life., Semiotics--Philosophy.
Format: Document (PDF)

Title: Allusions.
Creator: Nuruddin, Khaulah Naima, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Allusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical...
Show moreAllusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical planes, referencing the complexity of memory and the subjectivity of experience. Discordant color, texture, and layered information are used to heighten the drama of the moment. These painted panels and ceramic structures are a manifestation of my mental processing of interpersonal exchanges and remembered experiences through the development of a unique visual vocabulary in paint.
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Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004617
Subject Headings: Affect (Psychology), Visual perception., Optical art., Pictures--Psychological aspects., Color--Psychological aspects., Symbolism in art., Interpersonal relationships., Signs and symbols.
Format: Document (PDF)

Title: Ardent Dwellings: Contemplating Identity through Drawing and Arrangement.
Creator: Smatrakaleva, Kristina, Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Ardent Dwellings is a work about longing, self-exploration, and construction of identity through the arrangement of meticulously drawn and cut paper elements. Mainly consisting of drawn dried flower forms and expressive female hands, these elements come together in deliberate arrangements of spaces and relations. The moments of sensuality resulting from these exploratory touches signify moments created through traversing bodies and identities. To achieve this exploration visually, I created a...
Show moreArdent Dwellings is a work about longing, self-exploration, and construction of identity through the arrangement of meticulously drawn and cut paper elements. Mainly consisting of drawn dried flower forms and expressive female hands, these elements come together in deliberate arrangements of spaces and relations. The moments of sensuality resulting from these exploratory touches signify moments created through traversing bodies and identities. To achieve this exploration visually, I created a collection of eight drawing collages and a large paper installation with mixed media components. The elements in this work are carefully placed in relation to one another with the intent of constructing an abstract narrative exploring the who, how, and the why of the self—specifically the queer self and the search for belonging that accompanies the discovery of this identity.
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Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013038
Subject Headings: Installations (Art), Cut-paper work, Drawing, Collage
Format: Document (PDF)

Title: Belongings.
Creator: McLean, Samantha, Hart, Sharon, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Belongings hybridizes photography, sculpture, and printmaking through new laser technology. The exhibited work communicates a lingering sense of homesickness and maps a path through the objects discovered in my father’s wallet shortly after his passing.
Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004870
Subject Headings: McLean, Sammi--Personal narratives., Symbolism in art., Time and art., Fathers and daughters--Personal narratives., Photography, Artistic., Digital media--Social aspects., Discourse analysis, Narrative.
Format: Document (PDF)

Title: Backtalk: Visual Language and the Representation of Black Women.
Creator: Charles, Cathy, Cunningham, Stephanie, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: For years, black women have endured the mainstream stereotypes of the Mammy, the Jezebel, and the Sapphire. Backtalk is a conversation about black women using their own language translated into a graphic visual language. It examines ways in which black women are active agents in the social scripting of their own identities. Their complexity is visualized using a formal semiotic system based on their individual descriptions. This new visual language allows black women to deconstruct the...
Show moreFor years, black women have endured the mainstream stereotypes of the Mammy, the Jezebel, and the Sapphire. Backtalk is a conversation about black women using their own language translated into a graphic visual language. It examines ways in which black women are active agents in the social scripting of their own identities. Their complexity is visualized using a formal semiotic system based on their individual descriptions. This new visual language allows black women to deconstruct the limiting categorizations mainstream culture allows them, freeing participants from category-based expectations.
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Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013002
Subject Headings: Women, Black, Backtalk
Format: Document (PDF)

Title: Average (arithmetic mean) of women’s bodies.
Creator: Behar, Linda, Valdes, Juana, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Between 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a...
Show moreBetween 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a visual examination, which illustrates the preconceived notion that Western Society portrays the female body as a commodity and exports those views to different cultures and societies. This calls to question: “who makes those standards endorsed by society and why women follow them?”. From the standardized measurements conducted by the United States Government, I generated a 2-D computer model of an outline of the generic female figure. Based on the 2-D representation, I constructed a series of ten 27”x36” inkjet prints and a 3-Dimensional prototype of the figurative form. The project consist on the manufacture of 14,698 molds base on the 3- Dimensional prototype -- 10% reduction of the size of the average female.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004079
Subject Headings: Advertising -- Psychological aspects, Body image in women, Feminine beauty (Aesthetics), Feminist theory, Human body -- Social aspects, Self esteem in women
Format: Document (PDF)

Title: An empathetic approach to information design.
Creator: McCawley, Frederick J., Landes, Eric, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: This thesis will explore the vital importance of empathy on the part of graphic designers when creating information graphics. Today’s over-mediated public expects a rich user experience that is emotionally engaging, and multi-sensory by nature. To meet the public’s need, graphic designers must accept the cognitive responsibility to be empathetic to the viewers’ relationship to the information, and not just the surface issues of form, media, and content.
Date Issued: 2015
PURL: http://purl.flvc.org/fau/fd/FA00004451
Subject Headings: Communication -- Graphic methods, Graphic arts -- Social aspects, Graphic design (Typography), Information visualization, Sustainable design, Visual communication
Format: Document (PDF)

Title: Bodily knowledge in dance transferred to the creation of sculpture.
Creator: Feliciano, Nazare, McConnell, Brian E., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The main focus of this dissertation is a discussion of how an artist uses her dance bodily knowledge to develop in a static art form a more bodily sense of movement. For this purpose this dissertation examines four clay sculptures by contemporary artist Mary Frank. The analysis suggests that the uncharacteristic sense of movement displayed in these works derives from her experiential knowledge of dance. This sense of movement is achieved through the considered assemblage and inextricable...
Show moreThe main focus of this dissertation is a discussion of how an artist uses her dance bodily knowledge to develop in a static art form a more bodily sense of movement. For this purpose this dissertation examines four clay sculptures by contemporary artist Mary Frank. The analysis suggests that the uncharacteristic sense of movement displayed in these works derives from her experiential knowledge of dance. This sense of movement is achieved through the considered assemblage and inextricable relationship between Frank’s dance bodily knowledge (body knowledge a dancer acquires through years of dance practice) and the manipulation of clay, the plastic medium she uses to create these forms. The study reveals that Frank’s ceramic assemblages of organic shapes resembling a figure could be related to somatic awareness of arms, legs, torso, hips, and head that dancers experience while dancing. Similarly, the fluid quality of her ceramic assemblages and their seamless coexistence with the environment can be correlated to the proprioceptic sensibilities (the reception of stimuli produced within the organism by movement or tension) that a dancer’s body senses as it navigates through the air and across the ground managing the pull of gravity. These findings are developed through a discussion of the philosophic theories on bodily knowledge (knowing in and through the body) by Maurice Merleau-Ponty, Michael Polanyi, Edward Casey, Pierre Bourdieu, and Richard Shusterman, as well as the philosophic theories on dance bodily knowledge (my own term) developed by Barbara Mettler, Maxine Sheets-Johnstone, and Jaana Parviainen. In addition, Mary’s sculptures are compared to traditionally built sculptures to illustrate the bodily sensory quality of the sense of movement of her structures. Although the scope of this study is limited to the application of dance bodily knowledge onto sculpture, perceived through the clay sculptures of Mary Frank, this research adds to the debate on the interrelationships between dance education and the arts, the body and institutions of learning, and the body and society. It suggests that dance practice and introspection of one’s body movement affects how one perceives the world around us and therefore how one reacts and expresses oneself on to the world.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004106, http://purl.flvc.org/fau/fd/FA00004106
Subject Headings: Aesthetics -- Psychological aspects, Dance -- Philosophy, Human body (Philosophy), Phenomenology, Sculpture -- Philosophy
Format: Document (PDF)

Title: Deconstructing my universal marginalization.
Creator: Nazim, Fathima Asma., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: This thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ;...
Show moreThis thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ; I seem to not fit in completely in this country as well as in my own. In the US I am considered 'eastern' or 'exotic', whereas in my own country, I am considered 'westernized', no longer looked at as a typical Sri Lankan woman. This thesis examines and explores marginalization, orientalism, deconstruction theories, semiotic studies, dialect as well as attire, in the specific context of Graphic Design.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2138108
Subject Headings: Marginality, Social, Marginality, Social, Identity (Psychology), Pluralism (Social sciences), International relations and culture, Culture and globalization, Visual communication in art, Graphic design (Typography)
Format: Document (PDF)

Title: Emotion and the designed object.
Creator: Schade, Brittany Diane., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: This thesis explores the expression of emotion through designed objects. Objects act as vehicles of memory in the same way language is the visible form of thought. In graphic design, the sensory qualities of an object provide a material surface on which information is communicated. The goal is to expose the autonomy of materials and form available to designers in the physical world while expressing emotional meaning beyond original form. By recasting the temporary fragments and observations...
Show moreThis thesis explores the expression of emotion through designed objects. Objects act as vehicles of memory in the same way language is the visible form of thought. In graphic design, the sensory qualities of an object provide a material surface on which information is communicated. The goal is to expose the autonomy of materials and form available to designers in the physical world while expressing emotional meaning beyond original form. By recasting the temporary fragments and observations of life into designed objects imbued with personal and cultural importance, the audience gains insight into others' personal and emotional experiences. Through our connections with the physical world, I investigate how form and the material qualities of designed objects can elicit an emotional response from the audience.
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Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3361060
Subject Headings: Emotions and cognition, Design, Psychological aspects, Industrial design, Psychological aspects, Human engineering
Format: Document (PDF)

Title: Evoking meaning: from tangible objects to digital experience.
Creator: Moreno, Lenny C. Salas., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more...
Show moreThe intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more time being spent on-line, there is a growing emphasis on exchanging digital content and the network of self-projections shared virtually. As we continue towards an increasing digital environment, understanding emerging socio-cultural practices can provide insight into new directions for graphic design.
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Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3360947
Subject Headings: Digital art, Cultural property, Digitization, Graphic arts, Computer-aided design, Meaning (Psychology), Postmodernism, Popular culture, Effect of technological innovations on
Format: Document (PDF)

Title: Consumed: simple choices, complex problems.
Creator: Shimpeno, Peter David., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The intention of this exhibition is to educate the viewer about the hidden impacts that result from simple choices of consumption. This is a critique of the materials economy and the responsibilities of the designers, consumers and industries that contributed to its success. The critique is expressed through four dominant and unsustainable consumer products: water bottles, plastic shopping bags, cigarette filters and farm chemicals, as each has its own specific story of consumption. The form...
Show moreThe intention of this exhibition is to educate the viewer about the hidden impacts that result from simple choices of consumption. This is a critique of the materials economy and the responsibilities of the designers, consumers and industries that contributed to its success. The critique is expressed through four dominant and unsustainable consumer products: water bottles, plastic shopping bags, cigarette filters and farm chemicals, as each has its own specific story of consumption. The form is derived from manufacturing history, statistical data, and profiles of consumer behaviors. Graphic design is utilized in both formal and non-formal methods with the goal of communicating specific messages to the viewer as they progress through the exhibition space.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2979381
Subject Headings: Consumption (Economics), Moral and ethical aspects, Consumption (Economics), Social aspects, Environmental ethics
Format: Document (PDF)

Title: Components of self.
Creator: Major, Christina Maya., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis exhibition is comprised of approximately eleven large-scale portrait paintings done primarily in oil paint on canvas. This body of work investigates the ways the identity of both artist and subject can coexist in a portrait and evolved from my desire to combine portrait painting with writing as well as to develop methods of using paint to express a merging of myself with the individual depicted in the portrait. My creative research has focused on the traditional form of the portrait...
Show moreMy thesis exhibition is comprised of approximately eleven large-scale portrait paintings done primarily in oil paint on canvas. This body of work investigates the ways the identity of both artist and subject can coexist in a portrait and evolved from my desire to combine portrait painting with writing as well as to develop methods of using paint to express a merging of myself with the individual depicted in the portrait. My creative research has focused on the traditional form of the portrait as a powerful form of representing an individual and how meaning can be expanded through scale, brushstroke, color, texture, composition and the many variables that portraiture deals with. I expanded on the traditional portrait painting by cataloguing my memories and thoughts along with the thoughts of the subject by painting under, into and over the subject in my own handwriting. My "hand" is visible both in the brushstroke and in the cursive writing, preserving my identity in a "readable" way both literally and through graphology, or handwriting analysis.
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Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2100583
Subject Headings: Self (Philosophy) in art, Subjectivity in art, Visual communication in art, Visual perception in art
Format: Document (PDF)

FAU Theses and Dissertations (58)	+ -
FAU College Collections (7)	+ -

Florida Atlantic University -- History (7)	+ -
Installations (Art) (7)	+ -
Art (6)	+ -
Psychological aspects (4)	+ -
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Symbolism in literature (4)	+ -
Conduct of life (3)	+ -
Drawing (3)	+ -
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Popular culture (3)	+ -
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Creation (Literary, artistic, etc.) (2)	+ -
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Symbolism in literature. (2)	+ -

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