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- Title
- Building a character: a somaesthetics approach to Comedias and women of the stage.
- Creator
- Cruz Peterson, Elizabeth Marie., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This dissertation focuses on the elements of performance that contribute to the actress's development of somatic practices. By mastering the art of articulation and vocalization, by transforming their bodies and their environment, these actors created their own agency. The female actors lived the life of the characters they portrayed, which were full of multicultural models from various social and economic classes. Somaesthetics, as a focus of sensory-aesthetic appreciation and somatic...
Show moreThis dissertation focuses on the elements of performance that contribute to the actress's development of somatic practices. By mastering the art of articulation and vocalization, by transforming their bodies and their environment, these actors created their own agency. The female actors lived the life of the characters they portrayed, which were full of multicultural models from various social and economic classes. Somaesthetics, as a focus of sensory-aesthetic appreciation and somatic awareness, provides a pragmatic approach to understanding the unique way in which the woman of the early modern Spanish stage, while dedicating herself to the art of acting, challenged the negative cultural and social constructs imposed on her. Drawing from early modern plays and treatises on the precepts and practices of the acting process, I use somaesthetics to shed light on how the actor might have prepared for a role in a comedia, selfconsciously cultivating her body in order to meet the challenges of the stage.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3360968
- Subject Headings
- Women in the performing arts, Criticism and interpretation, Comic, The, Criticism and interpretation, European drama, Criticism and interpretation, Feminist drama, Criticism and interpretation, Spanish drama, Criticism and interpretation, Aesthetics, Physiological aspects, Body, Human (Philosophy), Mind and body
- Format
- Document (PDF)
- Title
- Divine alchemy in Paradise Lost.
- Creator
- Rutherford, Andrea J., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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This study examines the themes of alchemy and transformation in Paradise Lost and seventeenth-century thought. Beginning with an overvieiw of the historical roots of alchemy, this study analyzes the ancient, underlying philosophical concepts that marital union produces the birth of the soul and that destruction is necessary for this birth. Alchemical references identified in Paradise Lost include animal lore and direct alchemical images, which demonstrate Milton's knowledge of alchemy and his...
Show moreThis study examines the themes of alchemy and transformation in Paradise Lost and seventeenth-century thought. Beginning with an overvieiw of the historical roots of alchemy, this study analyzes the ancient, underlying philosophical concepts that marital union produces the birth of the soul and that destruction is necessary for this birth. Alchemical references identified in Paradise Lost include animal lore and direct alchemical images, which demonstrate Milton's knowledge of alchemy and his deliberate use of the alchemical metaphor. These themes support the proposal that Milton, a Christian humanist, uses alchemy as a metaphor described in this study as "divine alchemy," which begins with his belief that Christians, inheriting original sin, must submit themselves to a transformative process similar to transmutation to restore right reason and, ultimately, achieve salvation.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3358963
- Subject Headings
- Criticism and interpretation, Influence, Knowledge, Science, Symbolism in literature, Science in literature, Literature and science, History
- Format
- Document (PDF)
- Title
- Religious faith within the scientific revolution: a struggle throughout Baconian literature.
- Creator
- D'Arrigo, Amanda Noelle, Harriet L. Wilkes Honors College
- Abstract/Description
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This project considers the dual nature of early English thinker Francis Bacon as both a man of science and a devout Christian, through the texts Advancement of Learning, A Confession of Faith, and Of Gardens. Regardless of Bacon's preaching that the progression of scientific knowledge brings one closer to God, in fact human dominance over the natural world undermines religious faith. In particular, Bacon's own interest in early English gardening is used to illustrate the degradation of...
Show moreThis project considers the dual nature of early English thinker Francis Bacon as both a man of science and a devout Christian, through the texts Advancement of Learning, A Confession of Faith, and Of Gardens. Regardless of Bacon's preaching that the progression of scientific knowledge brings one closer to God, in fact human dominance over the natural world undermines religious faith. In particular, Bacon's own interest in early English gardening is used to illustrate the degradation of religious mysticism due to the rise of scientific discovery. Historically, Bacon has been credited as the catalyst of the scientific revolution due to his proposition of a new system of scientific inquiry based on empirical and inductive principles and the development of new arts and inventions. However, Bacon's embrace of the physical sciences and support for human advancement contradicts his alignment with religion. This tension is at the heart of the paper.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/209989
- Subject Headings
- Criticism and interpretation, Influence, Religion and science, Nature (Aesthetics), Intellectual life
- Format
- Document (PDF)
- Title
- The amorous doctor: the French seventeenth-century text in modern translation.
- Creator
- Cantor, Elsa., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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The anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on...
Show moreThe anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on the text and the period, the genres of stage performance, and the challenges involved in translating historical texts, this first translation of le Docteur Amoureux is intended to serve contemporary theater research into this rich and prolific period in the history of the French theater under Louis XIV.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/187207
- Subject Headings
- Translation into English, French literature, Criticism and interpretation, French drama, Translations into English
- Format
- Document (PDF)
- Title
- "...At the ear of Eve": hearing, gender, and the physiology of the fall in John Milton's Paradise lost.
- Creator
- Pollari, Niina., Harriet L. Wilkes Honors College
- Abstract/Description
-
The organ of hearing, in John Milton's Paradise Lost, is inextricably connected with both the physical and the spiritual; it is the point of entry through which Satan's words enter Eve's brain, subsequently process, and lead eventually to the fall of mankind. Its symbolic importance is also indisputable, as it is a metaphor for the feminine passivity and penetrability that make Milton's Eve a particularly vulnerable target. There is, however, already a pre-existing connection between the ear...
Show moreThe organ of hearing, in John Milton's Paradise Lost, is inextricably connected with both the physical and the spiritual; it is the point of entry through which Satan's words enter Eve's brain, subsequently process, and lead eventually to the fall of mankind. Its symbolic importance is also indisputable, as it is a metaphor for the feminine passivity and penetrability that make Milton's Eve a particularly vulnerable target. There is, however, already a pre-existing connection between the ear and its role in Paradise Lost. The seventeenth-century medical texts of Milton's contemporaries gender the physiology of the ear and the process of hearing and therefore contribute to its importance in the pivotal temptation scene; that is, the rhetoric surrounding the physiology of the ear is the down fall of humankind in the epic poem. As a result of the dangerous connection between science and language, Milton's characters are already predestined to sin.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/FAU/11583
- Subject Headings
- Symbolism in communication, Fall of man, Body, Human, in literature, Literature and science, History
- Format
- Document (PDF)
