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- Title
- America's flawed dream: F. Scott Fitzgerald's view of the American dream in the roaring twenties and the Great Depression.
- Creator
- Stetson, Natalie C., Harriet L. Wilkes Honors College
- Abstract/Description
-
F. Scott Fitzgerald's work is intrinsically connected to the American dream, which is the belief that through hard work and determination one can achieve success. The lives of the male protagonists in The Great Gatsby and Tender Is the Night, however, reveal the many flaws of the American dream. The most significant flaw, as Fitzgerald demonstrates, is that although a certain level of success is possible, a dreamer is never satisfied. Despite the passage of nine years between the publication...
Show moreF. Scott Fitzgerald's work is intrinsically connected to the American dream, which is the belief that through hard work and determination one can achieve success. The lives of the male protagonists in The Great Gatsby and Tender Is the Night, however, reveal the many flaws of the American dream. The most significant flaw, as Fitzgerald demonstrates, is that although a certain level of success is possible, a dreamer is never satisfied. Despite the passage of nine years between the publication of the two novels and the changes the nation underwent between 1925 and 1934, Fitzgerald's opinion is not altered; he remains pessimistic. He concludes in both novels that [the] American dream cannot be attained.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77695
- Subject Headings
- Great Gatsby, Tender is the Night, Criticism and interpretation, Depressions, Economic conditions
- Format
- Document (PDF)
- Title
- "The depths of an English heart": Wittgenstinian private language in Ford Madox Ford's The Good Soldier.
- Creator
- Simundich, Joel., Harriet L. Wilkes Honors College
- Abstract/Description
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In Ford Madox Ford's 1915 novel The Good Soldier, John Dowell comments "I had never sounded the depths of an English heart," as he painstakingly reconstructs his "extreme intimacy" with his late wife and their two closest friends. Throughout his narrative, Dowell approaches the limits of language, struggling to connect with lost companions by bringing language into scenes of miscommunication and silence. By translating emotional impasses and wordless exchanges from memory into narrative,...
Show moreIn Ford Madox Ford's 1915 novel The Good Soldier, John Dowell comments "I had never sounded the depths of an English heart," as he painstakingly reconstructs his "extreme intimacy" with his late wife and their two closest friends. Throughout his narrative, Dowell approaches the limits of language, struggling to connect with lost companions by bringing language into scenes of miscommunication and silence. By translating emotional impasses and wordless exchanges from memory into narrative, Dowell seems to make these wordless interactions wordful. Ludwig Wittgenstein's investigation into "private language" helps elucidate Dowell's realization that he cannot fill wordlessness with words to reconstruct his memories. If Dowell can't fill wordlessness with words, his failure to "sound the depths of an English heart" isn't a failure at all, but rather an exposition on "private language" as public language, demonstrating that misunderstandings can be our best attempts at understanding each other.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77691
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Psychology, Philosophy
- Format
- Document (PDF)
- Title
- A fistful of facts: reconsidering Dziga Vertov's cinematic truth.
- Creator
- Salomone, Peter., Harriet L. Wilkes Honors College
- Abstract/Description
-
In 1919, the Soviet filmmaker Dziga Vertov declared a "death sentence" on fictional films. Vertov championed his own unique method of non-fiction filmmaking, called Kino-Eye, which is based on Vertov's ideas regarding truth in cinema. Although he does not write specifically about Vertov or film, the philosopher Nelson Goodman offers a contrasting view of truth in general. By comparing the Kino-Eye method to Goodman's philosophy, we can better understand Vertov's radical ideas and see more...
Show moreIn 1919, the Soviet filmmaker Dziga Vertov declared a "death sentence" on fictional films. Vertov championed his own unique method of non-fiction filmmaking, called Kino-Eye, which is based on Vertov's ideas regarding truth in cinema. Although he does not write specifically about Vertov or film, the philosopher Nelson Goodman offers a contrasting view of truth in general. By comparing the Kino-Eye method to Goodman's philosophy, we can better understand Vertov's radical ideas and see more clearly how the concept of cinematic truth has changed over time.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77687
- Subject Headings
- Criticism and interpretation, Documentary films, Sources, Motion pictures, Philosophy, Film criticism
- Format
- Document (PDF)
- Title
- A search for self in the postmodern novel: Don DeLillo's Americana, Mao II, and Falling Man.
- Creator
- Neudecker, Jaime Frances., Harriet L. Wilkes Honors College
- Abstract/Description
-
In my thesis I look at three novels by Don DeLillo: Americana, Mao II, and Falling Man. These three novels, published in 1971, 1991, and 2007 respectively, represent the full range of DeLillo's body of work, and demonstrate a clear progression of the major themes in his writings. Each of these novels presents a protagonist who is on a journey of self-discovery, effectively seeking what many critics have identified as an outdated form of self--a Modernist notion of self. The problematic nature...
Show moreIn my thesis I look at three novels by Don DeLillo: Americana, Mao II, and Falling Man. These three novels, published in 1971, 1991, and 2007 respectively, represent the full range of DeLillo's body of work, and demonstrate a clear progression of the major themes in his writings. Each of these novels presents a protagonist who is on a journey of self-discovery, effectively seeking what many critics have identified as an outdated form of self--a Modernist notion of self. The problematic nature of identity in these novels is exacerbated by changes in representation and warfare, particularly the perceived loss of originality and the rise of terrorism. Thus, I not only trace the continuation of the search for self in these novels, but also DeLillo's inclusion of terrorism in the novel. The changes in warfare give rise to an anxiety that further complicates the search for self in America.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77681
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Psychology in literature, Self-actualization (Psychology)
- Format
- Document (PDF)
- Title
- Telling the truth: creative nonfiction in Capote's In Cold Blood & Mailer's The Executioner's Song.
- Creator
- Capp, James R., Harriet L. Wilkes Honors College
- Abstract/Description
-
In the American creative nonfiction genre, the line between fact and fiction is ever-blurring. Two novels which strive for realness and are thematically related in their focus on a cause célèbre and the death penalty, Truman Capote's In cold blood and Norman Mailer's The executioner's song, offer clues that might help approach the question of what makes a specific work fall under the category of creative nonfiction. I analyze the creative techniques that the authors use in their novels, and I...
Show moreIn the American creative nonfiction genre, the line between fact and fiction is ever-blurring. Two novels which strive for realness and are thematically related in their focus on a cause célèbre and the death penalty, Truman Capote's In cold blood and Norman Mailer's The executioner's song, offer clues that might help approach the question of what makes a specific work fall under the category of creative nonfiction. I analyze the creative techniques that the authors use in their novels, and I consider details from the texts about the activeness and reliability of the narrators in the two books, as well as consequent political implications. Additionally, I ground my examination of these novels in a discussion of the progress from the early novel's drive for realism to twentieth-century literary journalism.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77661
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, American prose literature, Reportage literature, Technique
- Format
- Document (PDF)
- Title
- The cities, crowds, and masks of James Ensor: a critique of urbanization and modern city space.
- Creator
- Carney, Jeanette., Harriet L. Wilkes Honors College
- Abstract/Description
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James Ensor's depictions of Belgian cities and their inhabitants offer a derisive critique of modern urban space, and the resulting societal transformations, that developed during the nineteenth century. His illustrations of the contemporary urban societies of Brussels and Ostend generally always include images of crowds and masks, elements which represent the horror and emptiness of the modern city.
- Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/41006
- Subject Headings
- Criticism and interpretation, Modernism (Literature), Sociology, Urban, Cities and towns, Effect of technological innovations on
- Format
- Document (PDF)
- Title
- The search for order in the face of impermanence: movement and meaning in Woolf.
- Creator
- Hall, Maria., Harriet L. Wilkes Honors College
- Abstract/Description
-
The two main characters of Virginia Woolf's To the Lighthouse interpret and find meaning in the world around them in two different ways. Mrs. Ramsey seeks a form of meaning that exists independent of her in the world. Lily, on the other hand, won't rely on meaning that is predetermined or inherent in the world outside of her own perception of it. Both of these positions are problematic because neither one of them actually allows the characters to establish a way in which to understand their...
Show moreThe two main characters of Virginia Woolf's To the Lighthouse interpret and find meaning in the world around them in two different ways. Mrs. Ramsey seeks a form of meaning that exists independent of her in the world. Lily, on the other hand, won't rely on meaning that is predetermined or inherent in the world outside of her own perception of it. Both of these positions are problematic because neither one of them actually allows the characters to establish a way in which to understand their world. It is only when Lily gains insight from Mrs. Ramsey's position that she is finally able to form a new, third strategy, represented in the act of painting, which allows her to create a kind of meaning that succeeds where her and Mrs. Ramsey's original strategies had failed. In the completion of her work of art she has both represented her vision and established her own way of relating to and understanding her world.
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/41005
- Subject Headings
- Criticism and interpretation, Impressionism in literature, Modernism (Literature)
- Format
- Document (PDF)
- Title
- Media voyeurs in Vladimir Nabokov's Lolita.
- Creator
- Krupski, Maureen P., Harriet L. Wilkes Honors College
- Abstract/Description
-
Vladimir Nabokov's novel Lolita, most often noted for its critique on consumerism in post-war America and the conflict between Old World European values with New World American ones, contains an equally strong critique on consumerism of media. Lolita's narrative style, the memoir of a pedophile and murderer simultaneously seeking absolution and applause, investigates the relationship between a seductive mass media and its prurient and Puritanical audience. Implicit in the narrative technique...
Show moreVladimir Nabokov's novel Lolita, most often noted for its critique on consumerism in post-war America and the conflict between Old World European values with New World American ones, contains an equally strong critique on consumerism of media. Lolita's narrative style, the memoir of a pedophile and murderer simultaneously seeking absolution and applause, investigates the relationship between a seductive mass media and its prurient and Puritanical audience. Implicit in the narrative technique is the audience's own participation in the mediation of reality.
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/40971
- Subject Headings
- Criticism and interpretation, Mass media and culture, Postmodernism
- Format
- Document (PDF)
- Title
- "The Voice of society": Dickens' surprising lesson in diplomacy spoken by the "innocent" table in Our Mutual Friend.
- Creator
- Hernandez, Patricia., Harriet L. Wilkes Honors College
- Abstract/Description
-
In Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a "feeble" character into a strong, morally authoritative voice. Dickens concludes his novel with a debate concerning who is, or should be, "the voice of society" and...
Show moreIn Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a "feeble" character into a strong, morally authoritative voice. Dickens concludes his novel with a debate concerning who is, or should be, "the voice of society" and the last word of the debate is given to the mysterious table-man character. Rather than allowing a central protagonist to champion his thoughts, Dickens surprises his readers by making an exemplary moral figure of a mild, minor character from among the ranks of the pompous aristocracy. Twemlow's speech makes a familiar Dickensian point about the need for social reform in a strange, politically incorrect way.
Show less - Date Issued
- 2007
- PURL
- http://purl.flvc.org/FAU/40950
- Subject Headings
- Criticism and interpretation, English fiction, Criticism and interpretation, Literature and society, History, Class consciousness in literature
- Format
- Document (PDF)
- Title
- William Shakespeare and Herman Melville: emotional manipulation through verbal performance.
- Creator
- Murphy, Nicole E., Harriet L. Wilkes Honors College
- Abstract/Description
-
This thesis considers the role of two rhetoricians, Petruchio from William Shakespeare's The Taming of the Shrew and Captain Ahab from Herman Melville's Moby-DIck, and analyzes their use of verbal performances. BOth Petruchio and Captain Ahab use pathologically manipulative rhetoric to manipulate others emotionally. Through this manipulation, they attempt to gain control, power, and authority. While both Petrucio and Ahab appear to succeed in manipulating others, they actually fail. Petruchio...
Show moreThis thesis considers the role of two rhetoricians, Petruchio from William Shakespeare's The Taming of the Shrew and Captain Ahab from Herman Melville's Moby-DIck, and analyzes their use of verbal performances. BOth Petruchio and Captain Ahab use pathologically manipulative rhetoric to manipulate others emotionally. Through this manipulation, they attempt to gain control, power, and authority. While both Petrucio and Ahab appear to succeed in manipulating others, they actually fail. Petruchio attempts to manipulate Katherine, but fails to attain mental submission from her, and Captain Ahab attempts to manipulate the crew to pursue hunting the whale, but as the narrative progresses, the crew becomes too disillusioned with the hunt to be persuaded by Ahab's rhetoric. In conclusion, both Petruchio and Captain Ahab are unable to sustain rhetorical control, and they both fall into demagoguery, therby suggesting that while they are alike as rhetoricians, they both fail similarly as rhetoricians.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359309
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Rhetoric, Oral communication
- Format
- Document (PDF)
- Title
- What are words worth?: Thomas Malthus and political economy in William Wordsworth's poetry and prose.
- Creator
- Kirchner, Christina R., Harriet L. Wilkes Honors College
- Abstract/Description
-
The works of Romantic poet William Wordsworth are generally regarded as idealistic nature poems. However, Wordsworth was writing in a turbulent era, between the French Revolution and the Industrial Revolution. Contrary to conventional labels, Wordsworth's prose and poetry of the late eighteenth and early nineteenth centuries strongly critiques social and economic affairs, similar to the ways Thomas Malthus comments on the same subjects. In 1798, political and economic theorist Thomas Robert...
Show moreThe works of Romantic poet William Wordsworth are generally regarded as idealistic nature poems. However, Wordsworth was writing in a turbulent era, between the French Revolution and the Industrial Revolution. Contrary to conventional labels, Wordsworth's prose and poetry of the late eighteenth and early nineteenth centuries strongly critiques social and economic affairs, similar to the ways Thomas Malthus comments on the same subjects. In 1798, political and economic theorist Thomas Robert Malthus published his infamous Essay on the Principle of Population, in which he devotes considerable thought to the subjects of poverty and England's Old Poor Law system. This thesis explores the connections between Wordsworth and Malthus, establishing Wordsworth as an amateur political economic theorist, who was concerned with the contemporary treatment of poverty and the morals of the legislators of the Poor Laws. I further claim that Wordsworth was a parable-poet, who sought to provide moral guidance regarding poor relief through affective poetry.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359307
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Poetry, Psychological aspects, Economics
- Format
- Document (PDF)
- Title
- Establishing Hyrule: analyzing the construction of the world and levels in Shigeru Miyamoto's Ocarina of Time.
- Creator
- Hollingsworth, Douglas A., Harriet L. Wilkes Honors College
- Abstract/Description
-
Shigeru Miyamoto's The Legend of Zelda : Ocarina of Time pushed the boundaries of video game design in 1998 by introducting players to one of the first virtual worlds fully-rendered in three-dimensions. The shift from rendering game worlds in two-dimensions to rendering them in three-dimensions required the development of new techniques for constructing virtual worlds. This thesis focuses on the construction of the virtual realm in Ocarina of Time, particularly the ways by which players are...
Show moreShigeru Miyamoto's The Legend of Zelda : Ocarina of Time pushed the boundaries of video game design in 1998 by introducting players to one of the first virtual worlds fully-rendered in three-dimensions. The shift from rendering game worlds in two-dimensions to rendering them in three-dimensions required the development of new techniques for constructing virtual worlds. This thesis focuses on the construction of the virtual realm in Ocarina of Time, particularly the ways by which players are presented with cosmology of the virtual world and the divine ordering of the races that dwell there. In addition, this thesis explores how the process of building the virtual worldof Hyrule is mimicked in the design of the game's individual levels, in terms of the spaces that players explore, the rules they are bound by, and the goals that they must reach while progressing through the central plot.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359295
- Subject Headings
- Criticism and interpretation, Video games (Philosophy), Legend of Zelda (Game), Computer games, Psychological aspects
- Format
- Document (PDF)
- Title
- Employing cultural landscapes in community preservation: the case of Druid Hills, Atlanta.
- Creator
- Blythe, Rachel, Harriet L. Wilkes Honors College
- Abstract/Description
-
Druid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities...
Show moreDruid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities organized Citizens Against Unnecessary Thoroughfares In Older Neighborhoods (CAUTION). The strategic rhetoric of CAUTION's campaign emphasized Druid Hills' significance as "Olmsted's Vision of Atlanta," yet their use of this iconic figure did not capture the complete cultural landscape of Druid Hills. Although Olmsted designed the initial layout of the suburb, the suburb's form departed from his design during its development. I argue that preserving the community requires a comprehensive portrait of its varied history.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359291
- Subject Headings
- Criticism and interpretation, Ethnic neighborhoods, History, Historic preservation, Social life and customs, History and criticism
- Format
- Document (PDF)
- Title
- "One face, one voice, one habit, and two persons!": twinship and doubling in Twelfth Night.
- Creator
- Puehn, Amanda M., Harriet L. Wilkes Honors College
- Abstract/Description
-
This thesis considers the relationship between scientific advances, identity formation, and literature in an early modern print culture. As medical theorists made their discoveries and defended their work they did so within the literary world; turning to the printed word to cultivate their personal identity and rebut dissenting colleagues. Subsequently, playwright William Shakespeare employed common medical knowledge within his plays. Twelfth Night presents male and female twins within the...
Show moreThis thesis considers the relationship between scientific advances, identity formation, and literature in an early modern print culture. As medical theorists made their discoveries and defended their work they did so within the literary world; turning to the printed word to cultivate their personal identity and rebut dissenting colleagues. Subsequently, playwright William Shakespeare employed common medical knowledge within his plays. Twelfth Night presents male and female twins within the scope of a comedy that plays upon the issues of cross-dressing and mistaken sexual identity. During the Renaissance, it was believed that male and female seed was co-present in every person and through dominance a distinct sexual identity was developed. This thesis argues that while Shakespeare initially convoluted this by allowing one of the twins to cross-dress; he resolved the anatomical doubling by presenting both characters together on stage at the close of the play.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3335455
- Subject Headings
- Criticism and interpretation, Symbolism in literature, Identity (Psychology) in literature, Sex role in literature, Literature and medicine, History
- Format
- Document (PDF)
- Title
- Entre Nebrija y Valdâes: un diâalogo gramatical sobre el castellano renacentista.
- Creator
- Lewis, Ron., Harriet L. Wilkes Honors College
- Abstract/Description
-
The two earliest grammars of the Castilian language are the Grammar of the Castilian Language by Antonio de Nebrija and the Dialogue of the Language by Juan de Valdâes. The former was published in 1492, a historically paramount year for Spain, while the latter was completed in 1535 but not published until two centuries later. Working with edited texts of both grammars, secondary sources regarding the lives of Nebrija and Valdâes, and information about the history of Spain, this thesis...
Show moreThe two earliest grammars of the Castilian language are the Grammar of the Castilian Language by Antonio de Nebrija and the Dialogue of the Language by Juan de Valdâes. The former was published in 1492, a historically paramount year for Spain, while the latter was completed in 1535 but not published until two centuries later. Working with edited texts of both grammars, secondary sources regarding the lives of Nebrija and Valdâes, and information about the history of Spain, this thesis explores the linguistic substance of both works, evidence of the authors' personal attitudes and dispositions that influenced their works, and the political and social context surrounding all of these factors. The purpose of this investigation is to gain further insight into the Grammar and the Dialogue, as well as the history of Spain and the historical development of Castilian.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3335108
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Spanish literature, Criticism and interpretation, Language and culture, History
- Format
- Document (PDF)
- Title
- Quine and Peirce on counterfactual conditionals.
- Creator
- Bailey, Mary Allison., Harriet L. Wilkes Honors College
- Abstract/Description
-
Willard Van Orman Quine and Charles Sanders Peirce each create systems in which counterfactual conditionals can be meaningful. A counterfactual conditional is a statement whose antecedent is known to be contrary to fact. Counterfactual conditionals are important in making predictions. It would be irresponsible to implement any major change in the current state of affairs without first assessing the consequences. Quine's work seems to undermine the use of counterfactual conditionals, but I...
Show moreWillard Van Orman Quine and Charles Sanders Peirce each create systems in which counterfactual conditionals can be meaningful. A counterfactual conditional is a statement whose antecedent is known to be contrary to fact. Counterfactual conditionals are important in making predictions. It would be irresponsible to implement any major change in the current state of affairs without first assessing the consequences. Quine's work seems to undermine the use of counterfactual conditionals, but I show that his system does allow for certain types of counterfactual conditionals to be meaningful. I conclude that counterfactual conditionals are more meaningful in Peirce's system because the ability to make predictions is a primary concern for him. Although Peirce's system gets more meaning out of counterfactual conditionals than Quine's system, Quine's system aids in the understanding of science.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3334257
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Metaphysics, Philosophy, Modern, Conditionals (Logic)
- Format
- Document (PDF)
- Title
- The Alspach norm in classifying complemented subspaces of L[p], p > 2.
- Creator
- DeFrain, Isaac., Harriet L. Wilkes Honors College
- Abstract/Description
-
Identifying and classifying the complemented subspaces of L p , p > 2, has provided much insight into the geometric structure of Lp . In 1981, Bourgain, Rosenthal, and Schechtman proved the existence of uncountably many isomorphically distinct complemented subspaces of L p , p > 2. In 1999, Dale Alspach introduced a systematic method of studying the complemented subspaces of Lp , p > 2. In this thesis, the theory of Lp spaces is developed with a concentration on techniques used to study the...
Show moreIdentifying and classifying the complemented subspaces of L p , p > 2, has provided much insight into the geometric structure of Lp . In 1981, Bourgain, Rosenthal, and Schechtman proved the existence of uncountably many isomorphically distinct complemented subspaces of L p , p > 2. In 1999, Dale Alspach introduced a systematic method of studying the complemented subspaces of Lp , p > 2. In this thesis, the theory of Lp spaces is developed with a concentration on techniques used to study the complemented subspaces. We define the Alspach norm and show that the possible complemented subspaces of Lp , p > 2, generated by two compatible partitions and weights are £2, £p, £2 EB £p, and(2.:EfJ £2)ep ' We have not discovered any previously unknown complemented subspaces of Lp , but this method has reduced the study and classification of these subspaces to a study of partitions of N.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3334256, http://purl.flvc.org/fau/fd/FADT3334256
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, L[p] spaces, Banach spaces, Multipliers (Mathematical analysis), Functional analysis
- Format
- Document (PDF)
- Title
- "You are the one fixed point in a changing age": the immortality of Sherlock Holmes in Japan.
- Creator
- Chick, Amanda., Harriet L. Wilkes Honors College
- Abstract/Description
-
Sherlock Holmes has been popular in Japan since the Meiji Restoration (1868-1912), but no critic has yet connected Holmes and the protagonist of the recent graphic novel Death Note (2003-2006). While American detective fiction has defined itself somewhat in opposition to Arthur Conan Doyle, Japan embraced Sherlock Holmes and created a series of detectives modeled on the English icon. These characters live and work in Japan, but they are never more than Japanese versions of an English original...
Show moreSherlock Holmes has been popular in Japan since the Meiji Restoration (1868-1912), but no critic has yet connected Holmes and the protagonist of the recent graphic novel Death Note (2003-2006). While American detective fiction has defined itself somewhat in opposition to Arthur Conan Doyle, Japan embraced Sherlock Holmes and created a series of detectives modeled on the English icon. These characters live and work in Japan, but they are never more than Japanese versions of an English original. Although Japan has a long history of adaptations and translations of Doyle's writings, no Japanese character has exemplified Holmes as fully as L, the protagonist of Death Note. While L is clearly similar to Holmes, he also blends English and Japanese characteristics in a way that no Japanese detective figure before him managed to do, and thus becomes the first quintessentially Japanese Sherlock Holmes.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3334249
- Subject Headings
- Criticism and interpretation, Immortality in literature, Detective and mystery stories, Japanese, Criticism and interpretation, Detective and mystery stories, English, Appreciation, Holmes, Sherlock (Fictitious character), Appreciation
- Format
- Document (PDF)
- Title
- "Our fellows in mortality": kindness to animals in Thomas Hardy's Jude the Obscure.
- Creator
- Brockway, Jessica L., Harriet L. Wilkes Honors College
- Abstract/Description
-
In Jude the Obscure, Thomas Hardy depicts characters who are especially sensitive to the suffering of all living creatures and thus engages his novel in the topic of animal rights. In this project I examine the human-animal relationships in Hardy's novel in terms of the ideas of two different philosophers: Peter Singer and Cora Diamond. I argue that, while Singer at first seems to provide a useful model for understanding these relationships in Jude, Diamond's account of these relationships is...
Show moreIn Jude the Obscure, Thomas Hardy depicts characters who are especially sensitive to the suffering of all living creatures and thus engages his novel in the topic of animal rights. In this project I examine the human-animal relationships in Hardy's novel in terms of the ideas of two different philosophers: Peter Singer and Cora Diamond. I argue that, while Singer at first seems to provide a useful model for understanding these relationships in Jude, Diamond's account of these relationships is ultimately a more helpful tool for understanding Hardy's ideas about animals. Diamond helps us see that Hardy believes people should help all living creatures in pain, no matter the cost to themselves, not because they recognize their suffering, but because they recognize a shared commonality with all sentient creatures.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3334248
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Animal rights (Philosophy), Human-animal relationships in literature, Symbolism in literature, Animals and civilization
- Format
- Document (PDF)
- Title
- The " living presence" and the "ideal character": sex, fantasy, and photographs in Thomas Hardy's Jude the Obscure.
- Creator
- Taylor, Margaret, Harriet L. Wilkes Honors College
- Abstract/Description
-
In my thesis I will argue that the source of the major conflict in Jude the Obscure - the traumatic relationship between Sue and Jude - is Jude's viewing of his cousin's photograph early in the novel. Because of his tendency to idealize the individuals around him, Jude projects a desired image onto a photograph of Sue before meeting her in real life. This projection takes on an aspect of reality for Jude which he can not escape, despite Sue's efforts to disillusion him and introduce him to...
Show moreIn my thesis I will argue that the source of the major conflict in Jude the Obscure - the traumatic relationship between Sue and Jude - is Jude's viewing of his cousin's photograph early in the novel. Because of his tendency to idealize the individuals around him, Jude projects a desired image onto a photograph of Sue before meeting her in real life. This projection takes on an aspect of reality for Jude which he can not escape, despite Sue's efforts to disillusion him and introduce him to her actual self. Since his projection starkly contrasts to Sue's actual being, not only does Jude believe that the two are compatible when they are not, but he believes that Sue's attempts to disillusion him are in fact deceitful. Thus the initial impetus of the photograph eventually leads to their conflicted relationship and the tragedy of the novel overall.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/210004
- Subject Headings
- Criticism and interpretation, Symbolism in literature, Imagination in literature, Despair in literature
- Format
- Document (PDF)