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Ceramics of Mayapan
Title
Ceramics of Mayapan: a petrographic study.
Creator
Sanchez Fortoul, Carmen Giomar., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description
The unimpressive archaeological record of the last Mayan pre-Hispanic period has been traditionally interpreted as one of a society in decadence. However, archaeological remains evidencing stylistic homogenization across regions and documentary accounts written during the conquest describing thriving markets and entrepreneurial people have indicated to some a mercantile society linked by extensive networks of communication. Under the weaker political environment of this period, it is expected...
Show moreThe unimpressive archaeological record of the last Mayan pre-Hispanic period has been traditionally interpreted as one of a society in decadence. However, archaeological remains evidencing stylistic homogenization across regions and documentary accounts written during the conquest describing thriving markets and entrepreneurial people have indicated to some a mercantile society linked by extensive networks of communication. Under the weaker political environment of this period, it is expected that a mercantile environment presented more competition and more ceramic producers. This research used petrographic analysis and XRD of the pottery of Mayapan the last Maya capital, to detect ceramic compositional groups, which research has associated with the number of pottery producers. The number of producers is usually taken as a reflection of the degree of competition. This research found multiple compositional groups and the use of fewer ceramic materials that nonetheless are technologically advantageous, suggesting a more competitive and pragmatic society.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/369394
Subject Headings
Indian pottery, Excavations (Archaeology), Maya pottery, Mayas, Antiquities, Antiquities
Format
Document (PDF)
preliminary typology of Aztec formal chipped stone tools
Title
A preliminary typology of Aztec formal chipped stone tools.
Creator
Guyah, Timothy J., Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology
Abstract/Description
This preliminary typology of Aztec formal chipped stone tools was created taking into account the context in which the lithics were recovered, their morphology, and manufacturing processes. The typology defines six categories of stone tools: ornately decorated bifaces (this includes ceremonial lithic artifacts), projectile points, scrapers, perforators, denticulates, and other. The thesis also includes an analysis of 10 previously unanalyzed Aztec lithic assemblages. When taken together the...
Show moreThis preliminary typology of Aztec formal chipped stone tools was created taking into account the context in which the lithics were recovered, their morphology, and manufacturing processes. The typology defines six categories of stone tools: ornately decorated bifaces (this includes ceremonial lithic artifacts), projectile points, scrapers, perforators, denticulates, and other. The thesis also includes an analysis of 10 previously unanalyzed Aztec lithic assemblages. When taken together the typology and lithic analysis provide a summary description of the Aztec lithic industry.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3342112
Subject Headings
Indians of Mexico, Antiquities, Aztecs, Antiquities, Stone implements, Obsidian implements
Format
Document (PDF)
puente hecho de tierra: un estudio comparativo de la visiâon indigenista del problema de la tierra en Balâun Canâan, por Rosario Castellanos, y "El problema del indio," por Josâe Carlos Mariâategui
Title
Un puente hecho de tierra: un estudio comparativo de la visiâon indigenista del problema de la tierra en Balâun Canâan, por Rosario Castellanos, y "El problema del indio," por Josâe Carlos Mariâategui.
Creator
Modic, Blaire., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
This thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's...
Show moreThis thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's fortunes be improved. Castellanos chooses the years of the Cardenas presidency (1934-1940) for her novel, a work that deals with the legacy of the Mexican Revolution. Set in Chiapas, Mexico, autobiographical and fictitious elements and characters dramatize a conflict over indigenous rights to land and education on a criollo family's enormous estate. Supported by intellectual criticism from a number of fields, this thesis connects episodes from Castellanos's novel with the core premises of Mariâategui's essay.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/3170604
Subject Headings
Criticism and interpretation, Criticism and interpretation, Indians of Mexico, Government relations, Land tenure, Social aspects, Indians of South America, History, Agriculture, Economic aspects, History, Civilization
Format
Document (PDF)
Documenting cultural transition through contact archaeology in Tíhoo, Mérida, Yucatán
Title
Documenting cultural transition through contact archaeology in Tíhoo, Mérida, Yucatán.
Creator
Rogers, Rhianna C., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description
This dissertation is concerned with the role material culture played in transformation and/or retention of Maya authority, just prior to and after Spanish contact (A.D. 1100-1800s). The primary research data used to discuss this transition was derived from the author's analysis of precolumbian and colonial artifacts from the Ciudadela Structure (YUC 2) in Tíhoo/Mérida, Yucatán-an assemblage originally collected by John Goggin in 1956 and 1957 and currently housed at the University of Florida...
Show moreThis dissertation is concerned with the role material culture played in transformation and/or retention of Maya authority, just prior to and after Spanish contact (A.D. 1100-1800s). The primary research data used to discuss this transition was derived from the author's analysis of precolumbian and colonial artifacts from the Ciudadela Structure (YUC 2) in Tíhoo/Mérida, Yucatán-an assemblage originally collected by John Goggin in 1956 and 1957 and currently housed at the University of Florida-Florida Museum of Natural History. As one of the last standing structures in the Maya site of Tíhoo, now buried beneath the Spanish capital city Mérida, the Ciudadela collection represents a rare glimpse into a significant, yet understudied, Type 1 archaeological site. Included in this project are a general examination of Maya studies in the Northwestern Yucatán Corridor and the results of my preliminary classification and viii discussion of materials represented in the YUC 2 assemblage. I t is important to note that as a part of this project, I created the first comprehensive catalogs for the YUC 2 Ciudadela collection, entitled FMNH YUC 2: Catalog of Artifacts, FMNH YUC 2: Ceramic Stylistic Catalog and FMNH YUC 2: Non-Ceramic Catalog. Results of the archaeological component of this study illustrated that there was little change in production of indigenous pottery after the fall of Mayapan (ca. A.D. 1441-1461), as inhabitants of precolumbian Tâihoo continued to use preexisting wares from their former capital, particularly those within the Mayapan Red Ware and Mayapan Unslipped Ware classifications, well into the Colonial period. In the Post-Colonial period, a significant change in wares occurred as native inhabitants incorporated foreign ceramic types into their society., Ceramics from Spain, Italy, and England, and porcelains from China and Japan, combined with colonial Mexican Majolica and preexisting Mayapan wares, illustrate the interaction of native inhabitants with European immigrants and their import goods. Although the YUC 2 collection supported the transformation of material culture after Spanish contact, the Maya, through religious practices, militaristic resistance, and oral/written traditions, were able to retain significant aspects of their precolumbian power into the colonial era and beyond.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2312917
Subject Headings
Mayas, Antiquities, Mayas, Material culture, Culture in art, History, History
Format
Document (PDF)