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use of the bastard identity
Title
The use of the bastard identity: from Victorian subverters to superheroes in the twenty-first century and beyond.
Creator
Dessler, Ryan., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of...
Show moreThis project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of illegitimacy being used as a literary device in novels by Victorian authors Charles Dickens and Wilkie Collins. In the second chapter, I examine the role illegitimacy plays in the origin stories of canonical comic book superheroes Batman and Superman. Lastly, in the third chapter, I scrutinize the role illegitimacy plays in defining the human condition within science fiction as human culture continues to advance technologically towards a post human world.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3355567
Subject Headings
Criticism and interpretation, Criticism and interpretation, Literature and society, History, Literature and society, History, Comic books, strips, etc, Criticism and interpretation, Illegitimacy in literature, Sex role in literature, Sensationalism in literature
Format
Document (PDF)
Drawing desires performance
Title
Drawing desires performance: dominance and submission in Will Eisner's The Spirit and Alan Moore's Watchmen.
Creator
Furlong, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis discusses the relationship between classic comic books and BDSM (bondage, discipline, sadism and masochism.) Will Eisner's The Spirit is used to discuss sexuality and power in comics, with special attention paid to Eisner's "The Kissing Caper." The Eisner chapter explores the relationship between sadomasochism, film noir, gender dynamics and comics. Using Judith Butler, Fredric Wertham and Theodor Reik, the gender politics of The Spirit are discussed. Women's changing roles in the...
Show moreThis thesis discusses the relationship between classic comic books and BDSM (bondage, discipline, sadism and masochism.) Will Eisner's The Spirit is used to discuss sexuality and power in comics, with special attention paid to Eisner's "The Kissing Caper." The Eisner chapter explores the relationship between sadomasochism, film noir, gender dynamics and comics. Using Judith Butler, Fredric Wertham and Theodor Reik, the gender politics of The Spirit are discussed. Women's changing roles in the post-World War II American workplace are linked to Eisner's BDSM themes in The Spirit from the character's origin story to the 1950s. In examining Alan Moore's Watchmen, the paper focuses on transactional power dynamics and how BDSM rituals are enacted in modern American comics. American power relationships in politics are used as a comparison and contrast to BDSM dynamics in Watchmen. Samuel R. Delany, William Moulton Marston and Pat Califia are used as theorists within the discussion of power exchanges in Dave Gibbons and Alan Moore's graphic novel. The consensual fantasy element to this power relationship is demonstrated as the underlying dynamic of the act, and not as actual punishment or nonconsensual sadism.
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Date Issued
2011
PURL
http://purl.flvc.org/FAU/3332180
Subject Headings
Criticism and interpretation, Criticism and interpretation, Comic books, strips, etc, History and criticism, Erotic literature, History and criticism
Format
Document (PDF)
dark, uncertain fate
Title
A dark, uncertain fate: homophobia, graphic novels, and queer identity.
Creator
Buso, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
This thesis focuses primarily on homophobia and how it plays a role in the construction of queer identities, specifically in graphic novels and comic books. The primary texts being analyzed are Alan Moore's Lost Girls, Frank Miller's Batman: The Dark Knight Returns, and Michael Chabon's prose novel The Amazing Adventures of Kavalier and Clay. Throughout these and many other comics, queer identities reflect homophobic stereotypes rather than resisting them. However, this thesis argues that,...
Show moreThis thesis focuses primarily on homophobia and how it plays a role in the construction of queer identities, specifically in graphic novels and comic books. The primary texts being analyzed are Alan Moore's Lost Girls, Frank Miller's Batman: The Dark Knight Returns, and Michael Chabon's prose novel The Amazing Adventures of Kavalier and Clay. Throughout these and many other comics, queer identities reflect homophobic stereotypes rather than resisting them. However, this thesis argues that, despite the homophobic tendencies of these texts, the very nature of comics (their visual aspects, panel structures, and blank gutters) allows for an alternative space for positive queer identities.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2100584
Subject Headings
Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Sex in literature, Homophobia, Gender identity, Comic books, strips, etc, History and criticism
Format
Document (PDF)
Collective memory of Japanese naming rituals through the incorporation of anime and manga
Title
Collective memory of Japanese naming rituals through the incorporation of anime and manga.
Creator
Kirk, LauraLynn., Harriet L. Wilkes Honors College
Abstract/Description
In this paper, I ask how members of Japanese society are able to remember naming practices in which some of the traditions are no longer in use. Members of Japanese society perpetuate their collective memory through the utilization of Japanese media to include past and present Japanese name alterations. I explain the reasons behind name alterations, and how knowledge and use of the naming rituals continue through the collective agency of contemporary Japanese media such as anime and manga....
Show moreIn this paper, I ask how members of Japanese society are able to remember naming practices in which some of the traditions are no longer in use. Members of Japanese society perpetuate their collective memory through the utilization of Japanese media to include past and present Japanese name alterations. I explain the reasons behind name alterations, and how knowledge and use of the naming rituals continue through the collective agency of contemporary Japanese media such as anime and manga. Each anime and manga example correlates to past and present naming rituals. Social name alterations occur at birth, genpuku, marriage, and changes in levels of skill. Political alterations occur from hostage exchange or adoption, change in ideologies, occupational change, or the assumption of new roles from a higher-ranking member of society. While members of Japanese society learn naming traditions from daily interactions with other people, media such as anime and manga reinforce expected behavior and customs.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/165337
Subject Headings
Memory, Social aspects, Rites and ceremonies, Psychological aspects, Comic books, strips, etc, Criticism and interpretation, Animated films, Criticism and interpretation
Format
Document (PDF)