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- Title
- Edith Wharton: self-actualization through characterization in The Age of Innocence.
- Creator
- Feuerberg, Betty., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Edith Wharton uses characterization in the primary three characters in The Age of Innocence to explore the aspects of her life. Early adulthood is represented by May Welland Archer, who was born into New York 400, where society suppressed an individual's emotions, aspirations, and freedoms. The intermediate phase of her life is depicted in Newland Archer, who tests the confining limits of the society to which he belongs and strives to understand the role of emotions in achieving personal...
Show moreEdith Wharton uses characterization in the primary three characters in The Age of Innocence to explore the aspects of her life. Early adulthood is represented by May Welland Archer, who was born into New York 400, where society suppressed an individual's emotions, aspirations, and freedoms. The intermediate phase of her life is depicted in Newland Archer, who tests the confining limits of the society to which he belongs and strives to understand the role of emotions in achieving personal satisfaction. Wharton rejected and craved the ties of the New York 400 in the final phase of her life as portrayed in Ellen Olenska who left the 400, lived in Europe, and returned to New York. By developing these characters, Wharton attempts to retrospectively reconcile the transformations she experienced. Indeed, it will be clear that Wharton's work serves as a personal assessment of her self-actualization.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3360784
- Subject Headings
- Criticism and interpretation, Women and literature, History, Feminism in literature
- Format
- Document (PDF)
- Title
- Sinfonâia en rojo: el prisma de Elisabeth Mulder.
- Creator
- Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3362329
- Subject Headings
- Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
- Format
- Document (PDF)
- Title
- The use of the bastard identity: from Victorian subverters to superheroes in the twenty-first century and beyond.
- Creator
- Dessler, Ryan., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of...
Show moreThis project explores the use if illegitimacy within Western discourse over the last three centuries. Illegitimacy was used in Victorian literature as a literary device to drive plot but evolved into a touchstone for Western discourse to explore the bounds of what is considered respectable society. Over time, as illegitimacy has become more mainstream, I contend illegitimate identities have been utilized to serve as a mirror for Western hegemony. In the first chapter, I explore the origins of illegitimacy being used as a literary device in novels by Victorian authors Charles Dickens and Wilkie Collins. In the second chapter, I examine the role illegitimacy plays in the origin stories of canonical comic book superheroes Batman and Superman. Lastly, in the third chapter, I scrutinize the role illegitimacy plays in defining the human condition within science fiction as human culture continues to advance technologically towards a post human world.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3355567
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Literature and society, History, Literature and society, History, Comic books, strips, etc, Criticism and interpretation, Illegitimacy in literature, Sex role in literature, Sensationalism in literature
- Format
- Document (PDF)
- Title
- Drawing desires performance: dominance and submission in Will Eisner's The Spirit and Alan Moore's Watchmen.
- Creator
- Furlong, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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This thesis discusses the relationship between classic comic books and BDSM (bondage, discipline, sadism and masochism.) Will Eisner's The Spirit is used to discuss sexuality and power in comics, with special attention paid to Eisner's "The Kissing Caper." The Eisner chapter explores the relationship between sadomasochism, film noir, gender dynamics and comics. Using Judith Butler, Fredric Wertham and Theodor Reik, the gender politics of The Spirit are discussed. Women's changing roles in the...
Show moreThis thesis discusses the relationship between classic comic books and BDSM (bondage, discipline, sadism and masochism.) Will Eisner's The Spirit is used to discuss sexuality and power in comics, with special attention paid to Eisner's "The Kissing Caper." The Eisner chapter explores the relationship between sadomasochism, film noir, gender dynamics and comics. Using Judith Butler, Fredric Wertham and Theodor Reik, the gender politics of The Spirit are discussed. Women's changing roles in the post-World War II American workplace are linked to Eisner's BDSM themes in The Spirit from the character's origin story to the 1950s. In examining Alan Moore's Watchmen, the paper focuses on transactional power dynamics and how BDSM rituals are enacted in modern American comics. American power relationships in politics are used as a comparison and contrast to BDSM dynamics in Watchmen. Samuel R. Delany, William Moulton Marston and Pat Califia are used as theorists within the discussion of power exchanges in Dave Gibbons and Alan Moore's graphic novel. The consensual fantasy element to this power relationship is demonstrated as the underlying dynamic of the act, and not as actual punishment or nonconsensual sadism.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3332180
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Comic books, strips, etc, History and criticism, Erotic literature, History and criticism
- Format
- Document (PDF)
- Title
- The President of the United States as charismatic leader: analysis of the Presidents' role and success in influencing educational policy between 1981-2009.
- Creator
- Shanfeld, Randye., College of Education, Department of Educational Leadership and Research Methodology
- Abstract/Description
-
The proposed study intended to identify the public education agenda and the success of implementation of this agenda of four Presidents: Ronald Reagan, George H.W. Bush, William Clinton, and George W. Bush. In addition, the study aimed to indentify if any of the above listed Presidents can be categorized as charismatic leaders as defined by Charismatic Leadership Theory and if this categorization can be linked to the determined success or failure of the agenda implementation. This was done...
Show moreThe proposed study intended to identify the public education agenda and the success of implementation of this agenda of four Presidents: Ronald Reagan, George H.W. Bush, William Clinton, and George W. Bush. In addition, the study aimed to indentify if any of the above listed Presidents can be categorized as charismatic leaders as defined by Charismatic Leadership Theory and if this categorization can be linked to the determined success or failure of the agenda implementation. This was done using two research methods, document and content analysis, on such documents as presidential speeches and writings, speeches and writings of the Secretary of Education, biographies and autobiographies, editorials from three major newspapers, writings from people working closely with the Presidents, writing of political analysts, and writing of Senate and House majority leadership. The study found the education agendas of the four presidents, and those education items that were passed by Congress. The study also found that Reagan, George H.W. Bush, and Clinton were found to be Charismatic Leaders, while George W. Bush was not. A conclusion was made with this data that there were no connection between Charismatic Leadership Theory and the passage of presidential education agendas.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3320106
- Subject Headings
- Views on education, Views on education, Views on education, Views on education, Political leadership, Political leadership, Education, Political aspects, Education, Political aspects, Education and state, Education and state
- Format
- Document (PDF)
- Title
- Stormland.
- Creator
- Ferguson, Adam, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
The narrative within this thesis follows events that transpire within a working class neighborhood over the span of three decades. The time and place in which these events occur, South Florida 1979-1989, lends itself to exploring themes such as race, class, addiction, the fragmentation of community, and the effects of these issues on the families that live there. Stylistically, the story makes three significant shifts in order to foreground each decade's dissimilarity. These shifts...
Show moreThe narrative within this thesis follows events that transpire within a working class neighborhood over the span of three decades. The time and place in which these events occur, South Florida 1979-1989, lends itself to exploring themes such as race, class, addiction, the fragmentation of community, and the effects of these issues on the families that live there. Stylistically, the story makes three significant shifts in order to foreground each decade's dissimilarity. These shifts intentionally disrupt reader expectation while a coherent narrative thread unifies the work, rendering it fragmented yet complete.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3353088
- Subject Headings
- Symbolism in literature
- Format
- Document (PDF)
- Title
- Studied girlhoods: consciousness, context, and negotiation of identity in the memoirs of Dorothy Allison, Mary Karr, and Barbara Robinette Moss.
- Creator
- Dilgen, Regina., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Dorothy Allison's Two or Three Things I Know for Sure, Mary Karr's The Liars' Club, and Barbara Robinette Moss's Change Me into Zeus's Daughter are memoirs published in the 1990s of girlhoods in the late 1950s and early 1960s. This dissertation uses and expands upon the approaches of the multi-disciplinary Girls' Studies in analyzing how these memoirists theorize their own girlhoods. Each memoirist represents her experience in a culture that attempts to marginalize, silence, and define her....
Show moreDorothy Allison's Two or Three Things I Know for Sure, Mary Karr's The Liars' Club, and Barbara Robinette Moss's Change Me into Zeus's Daughter are memoirs published in the 1990s of girlhoods in the late 1950s and early 1960s. This dissertation uses and expands upon the approaches of the multi-disciplinary Girls' Studies in analyzing how these memoirists theorize their own girlhoods. Each memoirist represents her experience in a culture that attempts to marginalize, silence, and define her. An application of the foundational work on girlhood in developmental psychology provides for an analysis of each memoirist's depiction of girlhood as a time of authentic insight and developing agency. Referencing feminist literary criticism allows for an interpretation of how the girls at the center of these works develop agency through growing awareness of the circumstances of their marginalization. And a semiotic literary interpretation adds to the analysis of these works as creative autobiogra phical writing in affording a close reading of how the memoirists portray younger selves learning to read the signs and texts of a culture and becoming aware of their status as girls in working-class families. Each memoirist uses a dual vocal presentation as both the adult memoirist and a younger self give shape to the narrative. Each memoirist represents a distinct southern space intersecting with specifics of the era to form a cultural moment. Social Construction Theory makes available a basis for considering how the memoirists narrate their increasing understanding of race and gender within these specific contexts as well as their resistive voicing of these insights., Through a Cultural Studies focus this dissertation examines how each memoirist represents a younger self's negotiations with cultural products of the era that work to construct girlhood. Adding to this unpacking of how the memoirists study their own girlhoods, the tools of Postco for an analysis of how the memoirists theorize their own girlhoods in ways that parallel these approaches. This dissertation adds to the evolving field of Girls' Studies in using contemporary theoretical frameworks to interpret how girlhood is constructed, represented, and negotiated with in these memoirs.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3332175
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Self in literature, Popular culture, Working class women
- Format
- Document (PDF)
- Title
- Reconfiguring the classic narrative of pulp fiction.
- Creator
- Gray, Alexandria S., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
This project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore's "Shambleau," Eleanor Arnason's "The Warlord of Saturn's Moons", Robert Heinlein's "The Rolling Stones", and Margaret Atwood's "The Blind Assassin". Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how...
Show moreThis project considers four writers that have used postmodern narrative strategies to reconfigure classic pulp science fiction tropes. The primary texts are Catherine L. Moore's "Shambleau," Eleanor Arnason's "The Warlord of Saturn's Moons", Robert Heinlein's "The Rolling Stones", and Margaret Atwood's "The Blind Assassin". Each experiments with narrative voices or uses a story-within-a-story structure. These strategies enable the authors to engage and comment on the process of how traditional tropes and narratives are brought into a new context through appropriation and reconstruction.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3332251
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Pulp literature, Criticism and interpretation, Popular literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature
- Format
- Document (PDF)
- Title
- Maternal health policy: nursing's legacy and the Social Security Act of 1935.
- Creator
- Pope, Bonnie L., Christine E. Lynn College of Nursing
- Abstract/Description
-
This study explored the work of nursing and the social influences of eugenic policies established during the Progressive Era (1890-1930) on the writing and passage of the Social Security Act of 1935. The research questions: "Did eugenic philosophy and practice influence the Social Security Act of 1935 in relation to Maternal Health Policy?" and 'What was nursing's influence on the Social Security Act of 1935?" required the social history research method. Data were evaluated with the...
Show moreThis study explored the work of nursing and the social influences of eugenic policies established during the Progressive Era (1890-1930) on the writing and passage of the Social Security Act of 1935. The research questions: "Did eugenic philosophy and practice influence the Social Security Act of 1935 in relation to Maternal Health Policy?" and 'What was nursing's influence on the Social Security Act of 1935?" required the social history research method. Data were evaluated with the conclusion that eugenic policies did influence the writing and passage of the Social Security Act. Also, that nurses, and other women, played a specific, important and constructive role in developing the Act. During the late 1800s and early 1900s prominent leaders of business, science, philanthropy, and social reform supported the eugenic agenda to assure the wellbeing of hard working "Anglo-Saxon" American citizens. Industrialization and scientific advances in medicine gave Americans the impression that the "production" of healthy, intelligent children could be controlled, efficient, and predictable. Better breeding as a means for social improvement, which fueled the eugenics movement's use of science to solve social problems through governmental involvement, had two sides. Positive eugenics increased information on health and illness prevention, and established well baby clinics; however, negative eugenics advocated controlled reproduction through sterilization of persons considered "unfit." By 1935, twenty-eight states had eugenic sterilization laws. Noted reformers during this time (Lillian Wald, Jane Addams, and Florence Kelley) worked with Presidents Theodore Roosevelt and Woodrow Wilson to establish the Federal Children's Bureau. The Bureau had a direct influence on the maternal and child health policy established by the Social Security Act of 1935., This legacy continues today in the continued fight for women and children's social and economic rights.The Social Security Act's intention, economic security for all citizens, was not realized. Sections of the Act focused on maternalistic social views and sought to maintain a patriarchal family structure. The language of the Social Security Act created barriers to benefits for the most vulnerable. In fact, it seems reasonable to conclude that institutionalized health care disparities laid their roots in America through this legislation.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3172424
- Subject Headings
- Eugenics, History, Medical policy, Nursing, Political aspects, Social security, History, Public welfare, History, Health promotion, Community health nursing
- Format
- Document (PDF)
- Title
- Marie Corelli: Britain's most popular forgotten author.
- Creator
- Moss, Doris., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
Marie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de...
Show moreMarie Corelli was arguably the most popular British novelist of the early 1900s, yet few today even know her name. Though she is not the only author to lose popularity, her enormous influence during her lifetime deserves consideration. What people liked about Marie Corelli can shed light on why the rise of modernism is seen as such a break from the popular in literature. This paper examines two of her bestsellers, A Romance of Two Worlds and The Sorrows of Satan, in light of the fin de siáecle, as well as the critical response to her work from both modernist and postmodern perspectives. Corelli is of interest today because her popular female characters are women who affirm traditional femininity yet also pursue and wield great power. The question I raise is whether Corelli's work is best seen as illustrative of theories about popular literature or as contradictory to them.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3172426
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Women and literature, History, Literature and society, History, English fiction, Criticism and interpretation
- Format
- Document (PDF)
- Title
- Unvanquished: economic enterprise and tribal adaptation among the Seminoles in the twentieth century.
- Creator
- Nolen, Amanda., Harriet L. Wilkes Honors College
- Abstract/Description
-
Throughout the twentieth century, the Seminole Tribe of Florida has experienced unprecedented changes to their culture, independence, and economic position. They began the century as subsistence based people with few rights to the land, and they ended the century with substantial political power and economically prosperous enterprises while maintaining their tribal status and identity as Seminoles. In the twentieth century, the Seminoles confirmed their historical role from the nineteenth...
Show moreThroughout the twentieth century, the Seminole Tribe of Florida has experienced unprecedented changes to their culture, independence, and economic position. They began the century as subsistence based people with few rights to the land, and they ended the century with substantial political power and economically prosperous enterprises while maintaining their tribal status and identity as Seminoles. In the twentieth century, the Seminoles confirmed their historical role from the nineteenth century as having never been defeated, but rather than achieving this image through war acts, as they did in the nineteenth century, they created a new role as being culturally and economically indomitable. This aspect of Seminole history has been largely ignored in the narrative of Florida's history.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3335461
- Subject Headings
- Seminole Indians, Economic conditions, Seminole Indians, Government relations, Tribal government, Indians of North America, Civil rights
- Format
- Document (PDF)
- Title
- Driving a hard bargain: U.S. sanctions strategies.
- Creator
- Levitt, Jason., Dorothy F. Schmidt College of Arts and Letters, Department of Political Science
- Abstract/Description
-
Policymakers and scholars are deeply divided on the purpose and effectiveness of sanctions, but recent work has given attention to the strategy of using positive sanctions or incentives. This study investigates the conditions under which the U.S. uses a punitive sanctions policy (indicated by all negative sanctions) or an engagement policy (indicated by a mix of positive and negative sanctions). Applying materialist (Schelling, 1960, 1966; Snyder and Diesing, 1977; Axelrod, 1984; Fearon, 1994...
Show morePolicymakers and scholars are deeply divided on the purpose and effectiveness of sanctions, but recent work has given attention to the strategy of using positive sanctions or incentives. This study investigates the conditions under which the U.S. uses a punitive sanctions policy (indicated by all negative sanctions) or an engagement policy (indicated by a mix of positive and negative sanctions). Applying materialist (Schelling, 1960, 1966; Snyder and Diesing, 1977; Axelrod, 1984; Fearon, 1994) and sociological (Schoppa, 1999; Wendt, 2000; Lebow, 2007) bargaining perspectives, this study will consider factors such as the level of target threat, the target's nuclear weapons capability, the extent of international support for sanctions, and the relationship between the U.S. and target. This study analyzes the case studies of the U.S-led sanctions against Iraq (1990-2003), North Korea (1993-present), and Libya (1972-2006).
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2976441
- Subject Headings
- Terrorism, Prevention, Government policy, Economic sanctions, American, Sanctions (International law), International economic relations, Foreign relations, Foreign relations
- Format
- Document (PDF)
- Title
- Un puente hecho de tierra: un estudio comparativo de la visiâon indigenista del problema de la tierra en Balâun Canâan, por Rosario Castellanos, y "El problema del indio," por Josâe Carlos Mariâategui.
- Creator
- Modic, Blaire., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's...
Show moreThis thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's fortunes be improved. Castellanos chooses the years of the Cardenas presidency (1934-1940) for her novel, a work that deals with the legacy of the Mexican Revolution. Set in Chiapas, Mexico, autobiographical and fictitious elements and characters dramatize a conflict over indigenous rights to land and education on a criollo family's enormous estate. Supported by intellectual criticism from a number of fields, this thesis connects episodes from Castellanos's novel with the core premises of Mariâategui's essay.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3170604
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Indians of Mexico, Government relations, Land tenure, Social aspects, Indians of South America, History, Agriculture, Economic aspects, History, Civilization
- Format
- Document (PDF)
- Title
- The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes.
- Creator
- Ferreira, Inara de Barros, Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
When John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative music he wrote for prepared piano requires a completely new approach to performance, and expands our understanding of the piano's capabilities. This study will examine the main prepared piano works by John Cage, with a detailed analysis of the Sonatas and Interludes. Cage's Table of Preparations will be examined to establish an aesthetic rationale for...
Show moreWhen John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative music he wrote for prepared piano requires a completely new approach to performance, and expands our understanding of the piano's capabilities. This study will examine the main prepared piano works by John Cage, with a detailed analysis of the Sonatas and Interludes. Cage's Table of Preparations will be examined to establish an aesthetic rationale for this preparation. Different modes of listening will be explored through a selection of the Sonatas and Interludes recorded in three different technological systems - conventional AB 2.0, surround 5.1, and Disk Jecklin. The latter allows for a true "surround sound" experience as Cage himself might have heard his own pieces. Included is a compact disc of selections from Sonatas and Interludes recorded in each of the three technological systems.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927866
- Subject Headings
- Cage, John, Criticism and interpretation, Prepared piano music, Music, Aleatory music, History and criticism, Avant-garde (Music), History and criticism
- Format
- Document (PDF)
- Title
- The power of memory: how Western collective memory of the Holocaust functioned in discourse on Kosovo.
- Creator
- Bjellos, Tajana., Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
- Abstract/Description
-
This thesis provides a rhetorical analysis of the Western representation of the Kosovo conflict and its resolution in the year 1999. By reviewing political, scholarly and media rhetoric, the thesis examines how the dominant narrative of "genocide in Kosovo" was created in Western discourse, arguing that it gained its persuasive force from the legacy of the collective memory of the Holocaust. Using the framework of Kenneth Burke's theory of Dramatism and Walter Fisher's theory of the narrative...
Show moreThis thesis provides a rhetorical analysis of the Western representation of the Kosovo conflict and its resolution in the year 1999. By reviewing political, scholarly and media rhetoric, the thesis examines how the dominant narrative of "genocide in Kosovo" was created in Western discourse, arguing that it gained its persuasive force from the legacy of the collective memory of the Holocaust. Using the framework of Kenneth Burke's theory of Dramatism and Walter Fisher's theory of the narrative paradigm, this thesis aims to understand how language, analogy and collective memory function in rhetoric to shape audience perceptions and guide political and military action. The study illustrates the mechanics of the operating rhetoric by analyzing two primary sources, the rhetoric of U.S. President Bill Clinton and British Prime Minister Tony Blair.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/2683535
- Subject Headings
- Discourse analysis, Narrative, Narrative (Rhetoric), History, Rhetoric, Political aspects, History, Memory, Political aspects, Kosovo War, 1998-1999, Holocaust, Jewish (1939-1945), Crimes against humanity, History
- Format
- Document (PDF)
- Title
- John Updike: the role of women in his short fiction.
- Creator
- Rosen, Cindy M., Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
-
There remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories...
Show moreThere remain two recurring criticisms of John Updike's fiction. The first comes from feminist critics who condemn his negative portrayal of women, accusing his fiction of denigrating women. The second comes from late twentieth century critics who accuse him of avoiding political and historical discussions in his fiction. However, it is my contention that Updike is willing to address both of these concerns, and I arrive at such an argument by carefully analyzing his collection of short stories compiled in Too Far To Go: The Maples Stories. Within these stories, Updike's female characters illustrate the shifting gender paradigms over the course of the fifties, sixties, and seventies amidst the middle-class, suburban American milieu. Updike's women act as agents of history providing testament to the shifting gender paradigms and historical, cultural, political, and social milestones of a maturing country and its growing pains.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1927298
- Subject Headings
- Criticism and interpretation, Women in literature, American fiction, History and criticism
- Format
- Document (PDF)
- Title
- Edna Pearce Lockett: lady of the house.
- Creator
- Dooley, Terry L., Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
This thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender...
Show moreThis thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender to encourage positive press. Far from trying to be men, they accentuated their femininity through press accounts detailing their fashion sense, their dedication to feminine pursuits, and their ability to be ladies as well as serve their constituency. Edna Pearce Lockett's life also illustrates what society was like in central Florida during the first half of the 20th century for men and women living on and around the cattle industry.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186679
- Subject Headings
- Political and social views, Frontier and pioneer life, History, Women in politics, History, Feminism, History and criticism, Women, History, History
- Format
- Document (PDF)
- Title
- Imperialism and the 1999 Women's World Cup: representations of the United States and Nigerian national teams in the U.S.
- Creator
- Canning, Michele., Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
- Abstract/Description
-
This research examines the U.S. media during the 1999 Women's World Cup from a feminist postcolonial standpoint. This research adds to current feminist scholarship on women and sports by de-centering the global North in its discourse. It reveals the bias of the media through the representation of the United States National Team as a universal "woman" athlete and the standard for international women's soccer. It further argues that, as a result, the Nigerian National Team was cast in...
Show moreThis research examines the U.S. media during the 1999 Women's World Cup from a feminist postcolonial standpoint. This research adds to current feminist scholarship on women and sports by de-centering the global North in its discourse. It reveals the bias of the media through the representation of the United States National Team as a universal "woman" athlete and the standard for international women's soccer. It further argues that, as a result, the Nigerian National Team was cast in simplistic stereotypes of race, class, ethnicity, and nation, which were often also appropriated and commodified. I emphasize that the Nigerian National Team resisted this construction and fought to secure their position in the global soccer landscape. I conclude that these biased representations, which did not fairly depict or value the contributions of diverse competing teams, were primarily employed to promote and sell the event to a predominantly white middle-class American audience.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/192982
- Subject Headings
- Women soccer players, Soccer for women, Imperialism, Psychological aspects, Nationalism and sports, Mass media and sports
- Format
- Document (PDF)
- Title
- Who is Paule Maurice?: her relative anonymity and its consequences.
- Creator
- Moore, Anthony Jon., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
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Paule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice...
Show morePaule Maurice (1910-1967) is the little known composer of Tableaux de Provence: Suite for Saxophone and Orchestra, one of the most frequently recorded and studied classical saxophone compositions in history. A more in depth study of Paule Maurice reveals a talented composer and dedicated professor whose career at the Conservatoire National Supérieur de Musique de Paris and l'Ecole Normale de Musique de Paris spanned over twenty-five years until her untimely death at age fifty-seven. Maurice composed for theatre, ballet, French National Radio, orchestra, voice, piano, flute, clarinet, and saxophone. There is question as to the whereabouts of many of her manuscripts. This thesis attempts to bring to bear the life and accomplishments of a talented French composer not well remembered in music history.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/367763
- Subject Headings
- Criticism and interpretation, Composers, Music, History and criticism, Women in music, Saxophone music
- Format
- Document (PDF)
- Title
- The philosophy of the animal in 20th century literature.
- Creator
- Johnson, Jamie, Dorothy F. Schmidt College of Arts and Letters, Department of English
- Abstract/Description
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The following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the...
Show moreThe following dissertation examines the philosophy of the animal as it appears in twentieth-century British and American literature. I argue that evolutionary theory, along with the Romantic emphasis on sympathy, creates an historical shift in our perception of humans and nonhumans. Beginning with Herman Melville's classic novel, Moby-Dick, the whale represents what I call a transitional animal figure in that the whale not only shows the traditionally symbolic literary animal but also the beginnings of the twentieth century shift toward the literal animal-as-subject. My proposed comparative analysis consists of a return to classic existential and phenomenological philosophers with animal studies in mind. A handful of critical essays in recent years have conducted just such an analysis. My contribution extends these philosophical endeavors on the animal and applies them to major literary authors who demonstrate a notable interest in the philosophy of animals. The first chapter of the dissertation begins with D.H. Lawrence, whose writings in selected essays, St. Mawr, and "The Fox" continue considerations made by Melville concerning animal being. Because Lawrence often focuses on gender, sexuality, and intuition, I discuss how a Heideggerian reading of animals in Lawrence adds value to interpretations of his fiction which remain unavailable in analyses of human subjects. In Chapter Two, I move on to William Faulkner's classic hunting tale of "The Bear" and other significant animal sightings in his fiction and nonfiction. For Faulkner, the animal subject exists in the author's particular historical climate of American environmentalism, modernism's literary emphasis on visuality, and race theory., This combination calls for a natural progression from a Heideggerian existential phenomenology: a contemporary Sartrean reading of animal being. Finally, the last chapter examines J.M. Coetzee, an author whose texts show the accumulated existential and phenomenological progression in the philosophy of the animal with a combined interest in current political and social issues surrounding animal life in the twentieth and twenty-first centuries.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/192984
- Subject Headings
- Symbolism in literature, Animals (Philosophy), Human-animal relationships in literature, Animals in literature, American prose literature, Criticism and interpretation, English prose literature, Criticism and interpretation
- Format
- Document (PDF)