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- Title
- Edna Pearce Lockett: lady of the house.
- Creator
- Dooley, Terry L., Dorothy F. Schmidt College of Arts and Letters, Department of History
- Abstract/Description
-
This thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender...
Show moreThis thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender to encourage positive press. Far from trying to be men, they accentuated their femininity through press accounts detailing their fashion sense, their dedication to feminine pursuits, and their ability to be ladies as well as serve their constituency. Edna Pearce Lockett's life also illustrates what society was like in central Florida during the first half of the 20th century for men and women living on and around the cattle industry.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/186679
- Subject Headings
- Political and social views, Frontier and pioneer life, History, Women in politics, History, Feminism, History and criticism, Women, History, History
- Format
- Document (PDF)
- Title
- Employing cultural landscapes in community preservation: the case of Druid Hills, Atlanta.
- Creator
- Blythe, Rachel, Harriet L. Wilkes Honors College
- Abstract/Description
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Druid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities...
Show moreDruid Hills is a historic suburb of Atlanta, Georgia, that was initially designed by landscape architech Frederick Law Olmsted in 1893. As one of Atlanta's first suburbs, Druid Hills has faced the consequences of sprawl, particularly in the 1980s when the Georgia Department of Transportation proposed construction of the Presidential Parkway, an expressway that would have cut through the middle of the neighborhood. In opposition to the expressway, members of the surrounding communities organized Citizens Against Unnecessary Thoroughfares In Older Neighborhoods (CAUTION). The strategic rhetoric of CAUTION's campaign emphasized Druid Hills' significance as "Olmsted's Vision of Atlanta," yet their use of this iconic figure did not capture the complete cultural landscape of Druid Hills. Although Olmsted designed the initial layout of the suburb, the suburb's form departed from his design during its development. I argue that preserving the community requires a comprehensive portrait of its varied history.
Show less - Date Issued
- 2012
- PURL
- http://purl.flvc.org/FAU/3359291
- Subject Headings
- Criticism and interpretation, Ethnic neighborhoods, History, Historic preservation, Social life and customs, History and criticism
- Format
- Document (PDF)
- Title
- The grassroots gospel: how spirituals and freedom songs democratized the Civil Rights Movement.
- Creator
- Bimmler, Lauren., Harriet L. Wilkes Honors College
- Abstract/Description
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The presence of music, especially in the form of freedom songs, is a notable constant in the American Civil Rights Movement of the 1950s and 1960s. Participants sang spirituals and freedom songs everywhere in the South - at mass meetings, demonstrations, and in jails. An engaging and participatory activity, singing unified, empowered, and historicized activists, allowing everyone an opportunity to be included in the action. Without these songs, the African-American communities across the...
Show moreThe presence of music, especially in the form of freedom songs, is a notable constant in the American Civil Rights Movement of the 1950s and 1960s. Participants sang spirituals and freedom songs everywhere in the South - at mass meetings, demonstrations, and in jails. An engaging and participatory activity, singing unified, empowered, and historicized activists, allowing everyone an opportunity to be included in the action. Without these songs, the African-American communities across the South may not have been able to band together to become such a force for change; while the activists were the facilitators for progress, the songs were the inspiration. Freedom songs democratized the Civil Rights Movement, enabling the participation of ordinary people at a grassroots level, therefore creating a strong mass movement.
Show less - Date Issued
- 2008
- PURL
- http://purl.flvc.org/FAU/77657, http://purl.flvc.org/fau/fd/FADT77657
- Subject Headings
- Civil rights movements, History, Protest songs, History and criticism, African Americans, Civil rights, History and criticism, Spirituals (Songs), History and criticism
- Format
- Document (PDF)
- Title
- Le mariage et la maternitâe chez Marie de France.
- Creator
- Firmino Palazzolo, Danielle., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
Twelfth century French feudal culture witnesses the codification of new marriage laws and a rapid rise in popularity of the Cult of the Virgin Mary, with correspondingly renewed attention being paid to women by ecclesiastical intellectuals of all sects. Of particular interest to these churchmen was the duty of the medieval wife to bear children. The Lais of Marie de France, a late twelfth-century text, often focus explicitly on motherhood (both biological and symbolic) and therefore allow a...
Show moreTwelfth century French feudal culture witnesses the codification of new marriage laws and a rapid rise in popularity of the Cult of the Virgin Mary, with correspondingly renewed attention being paid to women by ecclesiastical intellectuals of all sects. Of particular interest to these churchmen was the duty of the medieval wife to bear children. The Lais of Marie de France, a late twelfth-century text, often focus explicitly on motherhood (both biological and symbolic) and therefore allow a deeper examination of the new cultural representations of women in the dual role of spouse and mother. The Lais further highlight the symbolic role of the child as guarantor both of a woman's social value and of the validity of the love relationship based on the tenets of fin'amors instead of formal marriage.
Show less - Date Issued
- 2009
- PURL
- http://purl.flvc.org/FAU/2182086
- Subject Headings
- Cult, History, History and criticism, Women, Women in Christianity, Social conditions, History
- Format
- Document (PDF)
- Title
- Urban space and the birth of punk.
- Creator
- Fletcher, Paul., Harriet L. Wilkes Honors College
- Abstract/Description
-
While the general public agrees that the Sex Pistols were punk--they were dirty, vile, low-class, and they sang crass lyrics--their aesthetics were originally brought into punk by the New York Dolls, by bringing the street into their performance. The New York Dolls were from the New York City streets; they were mediocre musicians, unglamorous, and not at all phantasmagorical. They removed the hierarchy and the bourgeois elements from their performances that had been established by previous...
Show moreWhile the general public agrees that the Sex Pistols were punk--they were dirty, vile, low-class, and they sang crass lyrics--their aesthetics were originally brought into punk by the New York Dolls, by bringing the street into their performance. The New York Dolls were from the New York City streets; they were mediocre musicians, unglamorous, and not at all phantasmagorical. They removed the hierarchy and the bourgeois elements from their performances that had been established by previous New York City bands like the Velvet Underground--who performed as high-class, elitist artists. The New York Dolls destroyed this hierarchy, allowing the audience to join them. So, all the aesthetics that are associated with punk are the physical, visual, and auditory manifestations of the original scene and unity that began with the New York Dolls.
Show less - Date Issued
- 2006
- PURL
- http://purl.flvc.org/FAU/11586
- Subject Headings
- Rock musicians, Music, Philosophy and aesthestics, Counterculture, History, Punk rock music, History and criticism, Punk culture, History
- Format
- Document (PDF)
- Title
- The voice of nationalism in Moniuszko's opera.
- Creator
- Niewczas, Marlena., Dorothy F. Schmidt College of Arts and Letters, Department of Music
- Abstract/Description
-
Stanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his...
Show moreStanislaw Moniuszko (1819-1872) is the father of the Polish national opera, and yet he is little known outside Poland. His two masterpieces, Halka and The Haunted Manor, are operatic works that contributed to the development of national music. Moniuszko composed during the middle of the nineteenth century when Poland was under control of the three Powers: Russia, Prussia, and Austria. A study of Polish history reveals the understanding of Moniuszko's position as an artist and the role of his operas. The national elements portrayed in his compositions include Polish dances, such as the polonaise, mazurka, and krakowiak, as well as folk tunes, and most importantly, the libretto with social and patriotic stances. This thesis intends to enlighten English speakers about the development of Polish national opera, its innovator, and his techniques.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/1930489
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Nationalism in literature, Music, History and criticism, Nationalism, History, Politics and government
- Format
- Document (PDF)