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Title: Flotsam.
Creator: Henson, Jacob., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description: Flotsam is a collection of writing. Flotsam examines divisions of the self. Flotsam is made of fiction, nonfiction, and visual representations of both. Flotsam is made of the truth. Flotsam is made of lies. Flotsam is pretty. Flotsam is a beast.
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3338856
Subject Headings: Symbolism in literature, Avant-garde (Aesthetics), Symbolism in art, Postmodernism
Format: Document (PDF)

Title: Nurtured beauty: cultivating balance between chance, control, extravagance, and restraint.
Creator: Spivey, Kim., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Interested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting...
Show moreInterested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting the viewer to discover complex worlds at different scales within each environment I create. My intimate, domesticated painted environments offer the viewer the possibility to experience the spaces I find beautiful and to add to the conversation of where beauty resides today in contemporary art.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172945
Subject Headings: Symbolism in literature, Painting, Modern, Themes, motives, Self-perception in art, Mimesis in art, Postmodernism
Format: Document (PDF)

Title: The daoist gardener.
Creator: Futej, Stephen, Hnatysh, Walter, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The following statement supports the investigations that culminated in the body of sculptural work entitled “Daoist Garden”. It is an examination of the most basic sculptural issues of form and space, and reverses the roles of prototype and mold to give visual accounting of spaces created by curved planes. These spatial records allude to cycles of disintegration and reconfiguration of matter on various timelines and scales. The philosophical influence behind the work employs the concepts of...
Show moreThe following statement supports the investigations that culminated in the body of sculptural work entitled “Daoist Garden”. It is an examination of the most basic sculptural issues of form and space, and reverses the roles of prototype and mold to give visual accounting of spaces created by curved planes. These spatial records allude to cycles of disintegration and reconfiguration of matter on various timelines and scales. The philosophical influence behind the work employs the concepts of yin and yang, which relate directly to the mold/positive relationship, and are essential to experiencing Dao, the eternally nameless underlying order of the universe.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004111
Subject Headings: Art, Modern -- 21st century, Conceptual art, Ritual in art, Taoist art and symbolism, Taoist sculpture
Format: Document (PDF)

Title: An examination of botanical substructures as symbolic communication: The carved stone monuments of the Cotzumalguapa Nuclear Zone, Guatemala.
Creator: Kerr, Debora Claire., Florida Atlantic University, Kennedy, William J.
Abstract/Description: The Cotzumalguapa Nuclear Zone is located on the Pacific slope of Guatemala. A portion of the carved stone monuments associated with this zone exhibits a unique combination of botanical symbols as a concomitant to central portrait figuration. This botanical style, found elsewhere in Mesoamerica, includes leaf, flower, fruit, and complex tabbed speech scroll/vine motifs intertwined with other non-botanical symbols. The resulting style can be interpreted as an "envisioned form" of symbolic...
Show moreThe Cotzumalguapa Nuclear Zone is located on the Pacific slope of Guatemala. A portion of the carved stone monuments associated with this zone exhibits a unique combination of botanical symbols as a concomitant to central portrait figuration. This botanical style, found elsewhere in Mesoamerica, includes leaf, flower, fruit, and complex tabbed speech scroll/vine motifs intertwined with other non-botanical symbols. The resulting style can be interpreted as an "envisioned form" of symbolic communication. This thesis examines, isolates and quantifies the botanical elements, their placement and suggests comparisons with plant species known to facilitate altered state spiritual communication.
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Date Issued: 1998
PURL: http://purl.flvc.org/fcla/dt/15598
Subject Headings: Symbolism of flowers--Guatemala, Symbolism in art, Monuments--Guatemala, Cotzumalguapa Nuclear Zone (Guatemala)
Format: Document (PDF)

Title: Completion: artistic transmutation.
Creator: Rosas, Eduardo, Hnatysh, Walter, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Symbols connect our deepest thoughts with our senses. This thesis explores the Alchemical symbols, developed by mythical deity Hermes Trismegistus, whose symbols remnant of geometric shapes represent the classical elements of Earth, Water, Fire and Air. Watercolor, graphite, and gesso are my primary materials as they can be manipulated by the classical element of water. With this, I can create representations of the symbols through the language of drawing. The audience is invited to open...
Show moreSymbols connect our deepest thoughts with our senses. This thesis explores the Alchemical symbols, developed by mythical deity Hermes Trismegistus, whose symbols remnant of geometric shapes represent the classical elements of Earth, Water, Fire and Air. Watercolor, graphite, and gesso are my primary materials as they can be manipulated by the classical element of water. With this, I can create representations of the symbols through the language of drawing. The audience is invited to open their thoughts and all senses to the Alchemical symbols and the distinctive forms that appear from the visual mixture of the materials.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004225
Subject Headings: Alchemy in art, Drawing -- Technique, Hermes -- Trismegistus -- Influence, Hermetism, Realism in art, Symbolism (Psychology)
Format: Document (PDF)

Title: Gaze to discover.
Creator: Pennekamp, Tabitha., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Gaze to discover is the approach a viewer should take as s/he encounters the work within this exhibition. The main idea is that the work should be interactive. Developing this interaction is the objective of each piece. To engage viewers to interact with a piece of art coincides with the ability to acquire their undivided attention. The realization that it is difficult for a viewer to have a tangible interaction with artwork in a gallery setting leads to asking the viewer to interact visually...
Show moreGaze to discover is the approach a viewer should take as s/he encounters the work within this exhibition. The main idea is that the work should be interactive. Developing this interaction is the objective of each piece. To engage viewers to interact with a piece of art coincides with the ability to acquire their undivided attention. The realization that it is difficult for a viewer to have a tangible interaction with artwork in a gallery setting leads to asking the viewer to interact visually, "to look fixedly" - to gaze (Webster's Dictionary). Gazing at the work will direct the viewer to discover; "to gain knowledge through observation, study, or search" (Webster's Dictionary). The desired outcome is a personal relationship with each piece observed. Games, play, and visual interaction are what this installation addresses. The familiar vessel forms chosen draw the attention, but the alliteration imagery keeps the viewer intrigued. With the help of a game card, a viewer is left with a puzzle to solve only obtainable through the gaze to discover.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3352283
Subject Headings: Symbolism in literature, Imagery in literature, Sculpture, Exhibitions, Visual communication, Phenomenology and art, Aesthetics
Format: Document (PDF)

Title: "Viens a la maison": Moroccan hospitality, a contemporary view.
Creator: Schwartz, Anita., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: As a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by...
Show moreAs a woman of Moroccan descent, I have been brought up surrounded by a rich culture that places great emphasis on the importance of hospitality and family traditions. This exhibit represents an exploration of porcelain ceramics vessels that have been produced over the past year. The work incorporates tagine forms, plates, tea cups and tea pots that are commonly used while entertaining guests in a Moroccan home. Moroccans welcome the opportunity to show their generosity and hospitality by welcoming guests into their homes to visit and share meals. The vessels are ornately painted and decorated so that meals served will feast the eyes as well as the palate. The porcelain is decorated with ornate finials, underglazes and china painting. The subject of the imagery is a combination of visual anthropology in which random images of people from today's society are contrasted with my own interpretation of ancient geometric design details that are found in North African Zillij cut mosaic tiles. This infuses the work with an imagined sense of time and place. The attempt to harmonize seemingly incongruent elements results in vessels that feel both familiar and eccentric. The layers of color areused to symbolize nature, purity, depth of life and spiritual abundance. The colors are placed randomly in contrast to the symmetry of the geometric designs. The work is displayed in a dining room setting where guests are always welcome to enter. My work as an artist enhances the experience I bring to my students in the classroom.
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Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172699
Subject Headings: Symbolism in art, Ceramic sculpture, Jews, History, Ethnicity in art, Identity (Psychology) in art, Social life and customs
Format: Document (PDF)

Title: Allusions.
Creator: Nuruddin, Khaulah Naima, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Allusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical...
Show moreAllusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical planes, referencing the complexity of memory and the subjectivity of experience. Discordant color, texture, and layered information are used to heighten the drama of the moment. These painted panels and ceramic structures are a manifestation of my mental processing of interpersonal exchanges and remembered experiences through the development of a unique visual vocabulary in paint.
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Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004617
Subject Headings: Affect (Psychology), Visual perception., Optical art., Pictures--Psychological aspects., Color--Psychological aspects., Symbolism in art., Interpersonal relationships., Signs and symbols.
Format: Document (PDF)

Title: Inner struggles fought on paper.
Creator: Filan, Misoo, Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: As an MFA candidate at the Florida Atlantic University, I began in figurative painting and ended with abstract ink and pencil drawings in my thesis work. In between was a progression of artistic experimentation in theme, technique and medium to explore issues of female identity and childhood sexual abuse. From a girl trapped in a dark fairytale to a pregnant woman followed by a pedophile to a new mother frustrated that her own ambitions have been usurped, the final transformation of female...
Show moreAs an MFA candidate at the Florida Atlantic University, I began in figurative painting and ended with abstract ink and pencil drawings in my thesis work. In between was a progression of artistic experimentation in theme, technique and medium to explore issues of female identity and childhood sexual abuse. From a girl trapped in a dark fairytale to a pregnant woman followed by a pedophile to a new mother frustrated that her own ambitions have been usurped, the final transformation of female identity into fierce protector came after confronting memories of child abuse. Using India ink and pencil drawings, my thesis work recreates scenes of a struggle between the same attacker and a powerful mother. She spins her own hair into a delicate, but powerful, barrier that keeps her daughter safe.
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Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004107, http://purl.flvc.org/fau/fd/FA00004107
Subject Headings: Adult child sexual abuse victims -- Psychology, Art therapy for children, Art, Modern -- 21st century -- Themes, motives, etc, Symbolism in art
Format: Document (PDF)

Title: 2 Vietnams.
Creator: Rooney, Scarlett Elizabeth., Florida Atlantic University, Schwartz, Jason
Abstract/Description: 2 Vietnams documents modern Vietnam through alternating chapters of collage fictions and images: "East-West Documentation," "Vietnam in the Twilight-Hour," "Correspondence," and "Confessional Archives." Although 2 Vietnams serves as a documentary-style account of the many Vietnams that exist and confront our American memory of Vietnam, each chapter contains social narratives that connect to each other forming larger, subtler narratives. "East-West Documentation" follows a fictional writer's...
Show more2 Vietnams documents modern Vietnam through alternating chapters of collage fictions and images: "East-West Documentation," "Vietnam in the Twilight-Hour," "Correspondence," and "Confessional Archives." Although 2 Vietnams serves as a documentary-style account of the many Vietnams that exist and confront our American memory of Vietnam, each chapter contains social narratives that connect to each other forming larger, subtler narratives. "East-West Documentation" follows a fictional writer's experience living in Vietnam, conducting interviews and reading articles. "Vietnam in the Twilight-Hour" strings narrative poetry together with titles ranging from "Neocolonialism," "Love in Notations," to "SocialPolygrams." In addition to these poetic narratives are photographs that tell snapshot stories. "Correspondence" contains fictions such as "Think and It Will Happen," "StoryOptics," and "Flame of Life." Lastly, "Confessional Archives" contains images and non-fictional stories from veterans, both Vietnamese and American.
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Date Issued: 2005
PURL: http://purl.flvc.org/fcla/dt/13310
Subject Headings: Memory in art, Vietnam--History--Pictorial works, Vietnam War, 1961-1965--Pictorial works, Symbolism in literature, Indochina--History--1945---Sources
Format: Document (PDF)

Title: Authenticity of space: an interdisciplinary convergence of the tradition of sacred music and twenty-first century sacred architecture.
Creator: Copher, Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of Philosophy
Abstract/Description: The twenty-first century has already seen some aesthetically exciting sacred architectural spaces. Much liturgical music, however, is centuries old. With regard to performing old music, philosophers such as Steven Davies, etc., have debated the aesthetic merits of striving for authenticity of performance. If authenticity is a valid performance aesthetic principle, as I contend it is, the following paradox arises: Some contemporary sacred spaces are the sites of moving, aesthetically valid...
Show moreThe twenty-first century has already seen some aesthetically exciting sacred architectural spaces. Much liturgical music, however, is centuries old. With regard to performing old music, philosophers such as Steven Davies, etc., have debated the aesthetic merits of striving for authenticity of performance. If authenticity is a valid performance aesthetic principle, as I contend it is, the following paradox arises: Some contemporary sacred spaces are the sites of moving, aesthetically valid performances of sacred music. But how is it possible to have aesthetically valid authentic performances of sacred music in twenty-first century sacred spaces?... The question of authenticity in this unique musical genre focuses on performance space, liturgical function, musical instruments, performer/listener interaction, and cultural conditions. ...Using architectural examples constructed in the twenty-first century, this thesis will propose a set of aesthetic criteria for achieving an authentic setting for sacred music from all periods.
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Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3358555
Subject Headings: Liturgy and architecture, Christianity and the arts, Symbolism in architecture, Church architecture, Design, Organ (Musical instrument), Social aspects
Format: Document (PDF)

Title: Lifeline: Expressions of Intimacy Through Paint.
Creator: Cassens, Ashley Nicole, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Lifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere...
Show moreLifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere representation to know and express him better. Therefore, these paintings not only bridge the physical distance between my body and his, but search for meaningful expressions of my internal conversations as I make visual discoveries that expand my understanding of him.
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Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004869
Subject Headings: Memory., Symbolism in art., Figurative painting--21st century., Painting, Modern--21st century., Painting--Psychological aspects., Painting--Technique.
Format: Document (PDF)

Title: Belongings.
Creator: McLean, Samantha, Hart, Sharon, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Belongings hybridizes photography, sculpture, and printmaking through new laser technology. The exhibited work communicates a lingering sense of homesickness and maps a path through the objects discovered in my father’s wallet shortly after his passing.
Date Issued: 2017
PURL: http://purl.flvc.org/fau/fd/FA00004870
Subject Headings: McLean, Sammi--Personal narratives., Symbolism in art., Time and art., Fathers and daughters--Personal narratives., Photography, Artistic., Digital media--Social aspects., Discourse analysis, Narrative.
Format: Document (PDF)

Symbolism in art (4)	+ -
Symbolism in literature (4)	+ -
Symbolism in art. (3)	+ -
Postmodernism (2)	+ -
Adult child sexual abuse victims -- Psychology (1)	+ -

Aesthetics (1)	+ -
Affect (Psychology) (1)	+ -
Alchemy in art (1)	+ -
Art therapy for children (1)	+ -
Art, Modern -- 21st century (1)	+ -
Art, Modern -- 21st century -- Themes, motives, etc (1)	+ -
Avant-garde (Aesthetics) (1)	+ -
Ceramic sculpture (1)	+ -
Christianity and the arts (1)	+ -
Church architecture (1)	+ -
Color--Psychological aspects. (1)	+ -
Conceptual art (1)	+ -
Cotzumalguapa Nuclear Zone (Guatemala) (1)	+ -
Design (1)	+ -
Digital media--Social aspects. (1)	+ -
Discourse analysis, Narrative. (1)	+ -
Drawing -- Technique (1)	+ -
Ethnicity in art (1)	+ -
Exhibitions (1)	+ -
Fathers and daughters--Personal narratives. (1)	+ -
Figurative painting--21st century. (1)	+ -
Hermes -- Trismegistus -- Influence (1)	+ -
Hermetism (1)	+ -
History (1)	+ -
Identity (Psychology) in art (1)	+ -

21st centrury (1)	+ -
21st century (1)	+ -

Dorothy F. Schmidt College of Arts and Letters (11)	+ -
Department of Visual Arts and Art History (9)	+ -
Florida Atlantic University (8)	+ -
Hnatysh, Walter (2)	+ -
Prusa, Carol (2)	+ -

Broderick, Amy S. (1)	+ -
Cassens, Ashley Nicole (1)	+ -
Copher, Daniel. (1)	+ -
Department of English (1)	+ -
Department of Philosophy (1)	+ -
Filan, Misoo (1)	+ -
Futej, Stephen (1)	+ -
Hart, Sharon (1)	+ -
Henson, Jacob. (1)	+ -
Kennedy, William J. (1)	+ -
Kerr, Debora Claire. (1)	+ -
McLean, Samantha (1)	+ -
Nuruddin, Khaulah Naima (1)	+ -
Pennekamp, Tabitha. (1)	+ -
Rooney, Scarlett Elizabeth. (1)	+ -
Rosas, Eduardo (1)	+ -
Schwartz, Anita. (1)	+ -
Schwartz, Jason (1)	+ -
Spivey, Kim. (1)	+ -

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