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January 9, 1964, the day of the martyrs
Title
January 9, 1964, the day of the martyrs: tragedy in Panama at U.S. hands.
Creator
Perry, Tina, Harriet L. Wilkes Honors College
Abstract/Description
The relationship between the United States and Panama had been a precarious power struggle from 1821 until the Canal Zone reverted to Panamanian control in 1999. In 1903, the United States aided Panama in seceding from Gran Colombia, and both parties signed a treaty allowing the United States to build a canal. The Panamanians were concerned with the sovereignty of the Canal Zone and wanted the Panamanian flag to fly alongside the U.S. flag in the Canal Zone. On January 9, 1964, Panamanian...
Show moreThe relationship between the United States and Panama had been a precarious power struggle from 1821 until the Canal Zone reverted to Panamanian control in 1999. In 1903, the United States aided Panama in seceding from Gran Colombia, and both parties signed a treaty allowing the United States to build a canal. The Panamanians were concerned with the sovereignty of the Canal Zone and wanted the Panamanian flag to fly alongside the U.S. flag in the Canal Zone. On January 9, 1964, Panamanian students rebutted by marching the Panamanian flag into the Canal Zone and rioting broke out. This thesis explores the impact of this violent occurrence in light of the fact that the U.S. media glosses over it, whereas, together with other international events following the riots, it prompted the revision of the canal treaty. Subsequently, a new treaty was signed in 1977, becoming effective almost a hundred years after the creation of the Latin American country.
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Date Issued
2006
PURL
http://purl.flvc.org/FAU/11584
Subject Headings
Riots, History, Nationalism, History, History, Relations, Relations
Format
Document (PDF)
All power to the people
Title
All power to the people: the Black Panther Party as the vanguard of the oppressed.
Creator
Berman, Matthew., Harriet L. Wilkes Honors College
Abstract/Description
The Black Panther Party was the most famous group born out of the Black Power Movement. Because of the group's inherent link to the Black Power Movement, and the group's slogan of "Black Power," many people, both black and white, believed, and continue to believe, that the Black Panther Party was a group with racial motives. However, this conceptualization of the Party was, and is, incorrect. While the Black Panther Party began as an outgrowth of the black civil rights movement, the Panthers...
Show moreThe Black Panther Party was the most famous group born out of the Black Power Movement. Because of the group's inherent link to the Black Power Movement, and the group's slogan of "Black Power," many people, both black and white, believed, and continue to believe, that the Black Panther Party was a group with racial motives. However, this conceptualization of the Party was, and is, incorrect. While the Black Panther Party began as an outgrowth of the black civil rights movement, the Panthers quickly evolved into a revolutionary vanguard with a non-racial, class-oriented agenda.
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Date Issued
2008
PURL
http://purl.flvc.org/FAU/77656, http://purl.flvc.org/fau/fd/FADT77656
Subject Headings
African Americans, Politics and government, Civil rights movements, History, Black nationalism, History
Format
Document (PDF)
American national identity and discourses of the frontier in early 20th century visual culture
Title
American national identity and discourses of the frontier in early 20th century visual culture.
Creator
Maldonado, Chandra Ann, Trapani, William, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
This thesis examines the rise of image culture in the 1920’s and its impact on American national identity. I demonstrate that, perhaps surprisingly, the central figure in these debates was not a past or present prominent American but instead an indeterminate Other which is read in ambivalent ways and for varied purposes. It is the central claim of this project that in order to trace the modern American subject that emerges from the 1920s national rift, one must attend to the ways in which a...
Show moreThis thesis examines the rise of image culture in the 1920’s and its impact on American national identity. I demonstrate that, perhaps surprisingly, the central figure in these debates was not a past or present prominent American but instead an indeterminate Other which is read in ambivalent ways and for varied purposes. It is the central claim of this project that in order to trace the modern American subject that emerges from the 1920s national rift, one must attend to the ways in which a felt need to view and position oneself in relation to “the Other” was essential to defining the nature and future of the nation. More specifically, I argue that the film Grass: A Nation’s Battle for Life (1925) offers a solution to this national divide by providing viewers a popular culture form of “evidence” of the Westerner’s capacity to exhibit both premodern and modern qualities.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004214, http://purl.flvc.org/fau/fd/FA00004214
Subject Headings
Frontier and pioneer life -- United States -- Historiography, Frontier thesis, Grass: A Nation's Battle for Life (1925) (Motion picture), Group identity -- Political aspects -- United States -- History -- 20th century, Nationalism -- United States -- History -- 20th century, Political culture -- United States -- History -- 20th century
Format
Document (PDF)
Interview with Julie Hunter – ca. 2008
Title
Interview with Julie Hunter – ca. 2008.
Creator
Hunter, Julie, Dominguez-Karimi, Rebecca
Date Issued
2008-02-07
PURL
http://purl.flvc.org/fcla/dt/79445
Subject Headings
Civil rights movements -- United States -- History -- 20th century, National Association for the Advancement of Colored People, Evers, Medgar Wiley 1925-1963, Ku Klux Klan, Civil rights movements -- South Carolina -- History -- 20th century, South Carolina -- Race relations -- History -- 20th century, Oral histories --Florida., Oral history
Format
Document (PDF)