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Canoemates
Title
Canoemates: A story of the Florida Reef and Everglades.
Creator
Munroe, Kirk
Date Issued
1893
PURL
http://purl.flvc.org/fcla/dl/FA00000022.pdf
Subject Headings
Literature
Format
E-book
AMORY BLAINE AND THE "PURGATORIO" ("THIS SIDE OF PARADISE", "DIVINE COMEDY", FITZGERALD, DANTE)
Title
AMORY BLAINE AND THE "PURGATORIO" ("THIS SIDE OF PARADISE", "DIVINE COMEDY", FITZGERALD, DANTE).
Creator
ARNONE, EUGENE M., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Fitzgerald's first novel, This Side of Paradise, is a well organized and intricately detailed work which uses as its basic metaphor the middle poem of the Divine Comedy by Dante Al ighieri. Thematically, structurally, and symbolically, Fitzgerald's novel parallels Dante's poem, incorporating the philosophy of St. Thomas Aquinas, the Mirrors of Narcissus motif, Dante's idea of Amore, and the symbolic figure of Beatrice. Critics have overlooked Dante as a source for Fitzgerald's work and...
Show moreFitzgerald's first novel, This Side of Paradise, is a well organized and intricately detailed work which uses as its basic metaphor the middle poem of the Divine Comedy by Dante Al ighieri. Thematically, structurally, and symbolically, Fitzgerald's novel parallels Dante's poem, incorporating the philosophy of St. Thomas Aquinas, the Mirrors of Narcissus motif, Dante's idea of Amore, and the symbolic figure of Beatrice. Critics have overlooked Dante as a source for Fitzgerald's work and therefore have not adequately explained the thematic concerns of this novel.
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Date Issued
1986
PURL
http://purl.flvc.org/fcla/dt/14331
Subject Headings
Literature, Comparative, Literature, American
Format
Document (PDF)
"The Battle of Maldon": Evidence of the move away from epic heroism
Title
"The Battle of Maldon": Evidence of the move away from epic heroism.
Creator
Baird, Diane Stetson, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
The Battle of Maldon is a poem of change, a pivot point in the English literary tradition. It lies between Beowulf and Sir Gawain and the Green Knight, both in time and in intent. The Maldon poet created finely interrelated philosophic and social commentary in his poem, playing the epic hero against the newer Christian martyr. He used both characterizations to create a picture of Byrhtnoth as a political martyr. With some understanding of the historical and religious perspectives of tenth...
Show moreThe Battle of Maldon is a poem of change, a pivot point in the English literary tradition. It lies between Beowulf and Sir Gawain and the Green Knight, both in time and in intent. The Maldon poet created finely interrelated philosophic and social commentary in his poem, playing the epic hero against the newer Christian martyr. He used both characterizations to create a picture of Byrhtnoth as a political martyr. With some understanding of the historical and religious perspectives of tenth century England, it is possible to begin to appreciate The Battle of Maldon and to understand its pivotal role in artistic evolution. The poet integrated disparate ideas to produce an Anglo-Saxon work of surprising complexity that has survived for one thousand years.
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Date Issued
1991
PURL
http://purl.flvc.org/fcla/dt/14779
Subject Headings
Literature, Medieval, Literature, English
Format
Document (PDF)
Chaos in Kurt Vonnegut's "Sirens of Titan"
Title
Chaos in Kurt Vonnegut's "Sirens of Titan".
Creator
Barney, David Lawrence, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
The individual's search for absolute order and meaning within a chaotic universe is an important theme in the novels of Kurt Vonnegut. In Sirens of Titan, Malachi Constant unwillingly undertakes this futile quest and is consequently victimized, philosophically and psychologically, by various agents and symbols of chaos. After spiraling outward into the chaotic cosmos, his simplistic beliefs revealed to be illusion, Malachi spirals back to himself and to Earth, literally and figuratively, only...
Show moreThe individual's search for absolute order and meaning within a chaotic universe is an important theme in the novels of Kurt Vonnegut. In Sirens of Titan, Malachi Constant unwillingly undertakes this futile quest and is consequently victimized, philosophically and psychologically, by various agents and symbols of chaos. After spiraling outward into the chaotic cosmos, his simplistic beliefs revealed to be illusion, Malachi spirals back to himself and to Earth, literally and figuratively, only to confront the illusions within. In addition, the form of Sirens of Titan can be seen as a metaphor for meaninglessness, mirroring and echoing Malachi Constant's and the reader's absurd call for clarity within chaos.
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Date Issued
1991
PURL
http://purl.flvc.org/fcla/dt/14727
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
Cerebral Cabaret: All Voices Present and Accounted For. A collection of short stories
Title
Cerebral Cabaret: All Voices Present and Accounted For. A collection of short stories.
Creator
Angel, Tee, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Cerebral Cabaret: All Voices Present and Accounted For is a collection of short stories that question identity and purpose in life. Each of the stories gravitates to a center of family, the need for love, and the search for a sense of belonging. Is success the sale of the perfect work of art, or is it taking a drive, rolling down the windows, and fighting to hold the breeze in outstretched hands? When love fails, can an unholy communion provide solace? Can a man feel at home in the house of a...
Show moreCerebral Cabaret: All Voices Present and Accounted For is a collection of short stories that question identity and purpose in life. Each of the stories gravitates to a center of family, the need for love, and the search for a sense of belonging. Is success the sale of the perfect work of art, or is it taking a drive, rolling down the windows, and fighting to hold the breeze in outstretched hands? When love fails, can an unholy communion provide solace? Can a man feel at home in the house of a stranger? Do voices from the past seal the fate of our future? Does death alter love? Can life be revised? These are a few of the questions mulled over in this collection. Each character's ostensible success is not at stake, only their continued willingness to navigate the world in which they exist.
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Date Issued
2006
PURL
http://purl.flvc.org/fcla/dt/13337
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
Feasting with Banquo: The ghost stories of Fritz Leiber
Title
Feasting with Banquo: The ghost stories of Fritz Leiber.
Creator
Adair, Gerald M., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
In "Smoke Ghost" (1941), Fritz Leiber created the contemporary paradigm for the "urban horror story" that has been so successfully exploited by Stephen King, Richard Matheson, Dennis Etchison, Ramsey Campbell and many others. At the heart of Leiber's ghost stories, however, rest a firm "tradition" of supernatural fiction, stemming from primitive religion, on the one hand, and literary example on the other. While his urban settings (Chicago, San Francisco) may be seen as contemporary...
Show moreIn "Smoke Ghost" (1941), Fritz Leiber created the contemporary paradigm for the "urban horror story" that has been so successfully exploited by Stephen King, Richard Matheson, Dennis Etchison, Ramsey Campbell and many others. At the heart of Leiber's ghost stories, however, rest a firm "tradition" of supernatural fiction, stemming from primitive religion, on the one hand, and literary example on the other. While his urban settings (Chicago, San Francisco) may be seen as contemporary reinterpretations of Horace Walpole's Gothic castle, his specters are the lineal descendants of Shakespeare's, LeFanu's, and Henry James's. Leiber's later use of Jungian archetypes (Shadow and Anima) is superimposed on the traditional ghostly archetype. An analysis of his novel-length ghost story, Our Lady of Darkness , reveals the lurking malevolence of a LeFanu specter, while the ghosts of Shakespeare hover in the wings of stories in which he explores themes of sex, guilt, and death. In each of Leiber's ghost stories, the elements of the tradition combine with "haunts" from the author's personal psychic history to produce a powerful fantasy experience that persists despite threats to the genre by "science, common sense, and psychiatry."
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Date Issued
2000
PURL
http://purl.flvc.org/fcla/dt/12666
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
PORTRAYAL OF ADOLESCENCE IN THE NOVELS OF CARSON MCCULLERS
Title
THE PORTRAYAL OF ADOLESCENCE IN THE NOVELS OF CARSON MCCULLERS.
Creator
BINDAS, SUSAN ANNE, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Adolescents play an integral role in Carson McCullers' work, particularly The Heart Is a Lonely Hunter, The Member of the Wedding, and Clock Without Hands. In these novels the characterizations of Mick, Frankie, Jester, and Sherman are drawn with an intuitive awareness of principles of adolescent psychology. McCullers focuses on the expectations, uncertainties, and contradictions of the adolescent years. However, her novels are much more than stories of troubled teens. Largely because of...
Show moreAdolescents play an integral role in Carson McCullers' work, particularly The Heart Is a Lonely Hunter, The Member of the Wedding, and Clock Without Hands. In these novels the characterizations of Mick, Frankie, Jester, and Sherman are drawn with an intuitive awareness of principles of adolescent psychology. McCullers focuses on the expectations, uncertainties, and contradictions of the adolescent years. However, her novels are much more than stories of troubled teens. Largely because of their adolescent characteristics, Nick, Frankie, Jester, and Sherman serve as fitting symbolic vehicles for McCullers' exploration of such ageless themes as the search for self and the search for love.
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Date Issued
1977
PURL
http://purl.flvc.org/fcla/dt/13862
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
RELATIONSHIP BETWEEN THE NARRATOR AND THE BLACK KNIGHT IN CHAUCER'S "THE BOOK OF THE DUCHESS."
Title
THE RELATIONSHIP BETWEEN THE NARRATOR AND THE BLACK KNIGHT IN CHAUCER'S "THE BOOK OF THE DUCHESS.".
Creator
BING, LOUISE ADELE, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
An examination of the dream-vision form and the Hiddle English lyric clarifies the role relationship in Chaucer's The Book of the Duchess, a relationship not fully clarified by past scholarship. In the dream vision a conventional pattern establishes the relationship between the narrator and his superior guide and, in the English lyric form, the "chanson d'aventure," the narrator encounters a sorrowing figure who provides enlightenment through the explanation of his sorrow. Chaucer employs the...
Show moreAn examination of the dream-vision form and the Hiddle English lyric clarifies the role relationship in Chaucer's The Book of the Duchess, a relationship not fully clarified by past scholarship. In the dream vision a conventional pattern establishes the relationship between the narrator and his superior guide and, in the English lyric form, the "chanson d'aventure," the narrator encounters a sorrowing figure who provides enlightenment through the explanation of his sorrow. Chaucer employs the dream vision's conventional pattern and, in the dream portion of the poem, he makes use of the "chanson d'aventure" form with the added complexities of his own material. His Narrator has forgotten his nature as man. The sorrowing Knight reminds him of the need to feel this emotion, both over the loss of the Duchess and because of man's own fallen state. The Knight, then, becomes a guide who provides enlightenment for the erring Narrator.
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Date Issued
1973
PURL
http://purl.flvc.org/fcla/dt/13601
Subject Headings
Literature, Medieval, Literature, English
Format
Document (PDF)
Reading Henry: The author's role in Henry James's criticism and in "The Middle Years"
Title
Reading Henry: The author's role in Henry James's criticism and in "The Middle Years".
Creator
Alvarez, Camila, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Henry James wrote several works fictionalizing ideas of authorship. No critics have yet looked at "The Middle Years" as an affirmation of the role of the author. Julie Rivkin and Joyce Carol Oates are critics I cite as valuable support to my interpretation of "The Middle Years," a short story that gives us insight into Henry James's critical theory. The story deals with the final days of the author---Dencombe and his creation of a work of art also entitled "The Middle Years." This doubling of...
Show moreHenry James wrote several works fictionalizing ideas of authorship. No critics have yet looked at "The Middle Years" as an affirmation of the role of the author. Julie Rivkin and Joyce Carol Oates are critics I cite as valuable support to my interpretation of "The Middle Years," a short story that gives us insight into Henry James's critical theory. The story deals with the final days of the author---Dencombe and his creation of a work of art also entitled "The Middle Years." This doubling of the title causes authority over the story to become diffused: the real author writes the actual story, while the fictional author owns both the fictional and actual story. Authority is further complicated by the processes of reading and revision. Through these processes, the author and the reader become both creators and spectators. This duality in combination with Dencombe's identification as the ideal author and Dr. Hugh's identification as the ideal reader grants insight into James's stance on the author's role in a work of fiction.
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13218
Subject Headings
Literature, American, Literature, English
Format
Document (PDF)
TWO WISE MEN IN QUARTET. ELIOT AND SANTAYANA: THE SEARCH FOR FAITH
Title
TWO WISE MEN IN QUARTET. ELIOT AND SANTAYANA: THE SEARCH FOR FAITH.
Creator
BARNES, JACKIE WARD, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Santayana's thought underlies much of Eliot's poetry. Both Eliot and Santayana were skeptics, and Eliot's skepticism is documented in the quartets, a work that is a personal journal of his search for faith. That search was to be an unsuccessful one, for Eliot realized the impossibility of union with the Absolute. The symbolism of the rosegarden, the bedded axle-tree, the still point, and the clematis, when analyzed, demonstrates Eliot's concept of a clockwork universe, a universe that is...
Show moreSantayana's thought underlies much of Eliot's poetry. Both Eliot and Santayana were skeptics, and Eliot's skepticism is documented in the quartets, a work that is a personal journal of his search for faith. That search was to be an unsuccessful one, for Eliot realized the impossibility of union with the Absolute. The symbolism of the rosegarden, the bedded axle-tree, the still point, and the clematis, when analyzed, demonstrates Eliot's concept of a clockwork universe, a universe that is unknowing and uncaring. Eliot reaches that concept, basically, because of Santayana's influence.
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Date Issued
1983
PURL
http://purl.flvc.org/fcla/dt/14152
Subject Headings
Literature, American, Literature, English
Format
Document (PDF)
clause of congruency: A possible worlds reading of three novels of Ray Bradbury
Title
The clause of congruency: A possible worlds reading of three novels of Ray Bradbury.
Creator
Adamo, Nicole Maria, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Using Marie-Laure Ryan's definition of the law of minimal departure, I propose an important addendum, the clause of congruency. It is necessary to delve deeper into the connection a reader makes with a textual possible world and its relation to the actual world. The textual world, with all its various rules and mores, becomes just as accessible to the reader as the world he currently resides in, so long as it flows along in a logical manner. It is only when something appears that is...
Show moreUsing Marie-Laure Ryan's definition of the law of minimal departure, I propose an important addendum, the clause of congruency. It is necessary to delve deeper into the connection a reader makes with a textual possible world and its relation to the actual world. The textual world, with all its various rules and mores, becomes just as accessible to the reader as the world he currently resides in, so long as it flows along in a logical manner. It is only when something appears that is incongruent with the reader's understanding of the textual world, the reader is forced to dissemble his current textual world and build a new one. Ray Bradbury utilizes the clause of congruence to reveal meaning in three of his novels.
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Date Issued
2002
PURL
http://purl.flvc.org/fcla/dt/12964
Subject Headings
Literature, Comparative, Literature, American
Format
Document (PDF)
Gabriel Conroy and closure in "Dubliners"
Title
Gabriel Conroy and closure in "Dubliners".
Creator
Becker, Virginia Mary, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Gabriel Conroy in "The Dead" appears to be the boy of the first three stories in adulthood. The boy's artistic mind is formed and limited by adult influences so that he dreams of escape. Gabriel has the same artistic disposition and has developed a limited outlet for his talents. He, too, envisions escape. Gabriel's epiphany and his sense of insecurity and pride are so like the boy's that the similarity suggests one character who has developed a habit of introspection. Finally, Gabriel's...
Show moreGabriel Conroy in "The Dead" appears to be the boy of the first three stories in adulthood. The boy's artistic mind is formed and limited by adult influences so that he dreams of escape. Gabriel has the same artistic disposition and has developed a limited outlet for his talents. He, too, envisions escape. Gabriel's epiphany and his sense of insecurity and pride are so like the boy's that the similarity suggests one character who has developed a habit of introspection. Finally, Gabriel's sexual anxiety implies that he fears women and fears his own sexuality. Joyce repeats patterns of imagery in "The Dead" that echo the boy's developing sexuality, indicating that the boy and the man suffer the same fears. Seeing Gabriel Conroy as the boy-narrator of the first three stories creates closure for Dubliners, and it gives the reader insight into the character of Gabriel.
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Date Issued
1991
PURL
http://purl.flvc.org/fcla/dt/14764
Subject Headings
Literature, Modern, Literature, English
Format
Document (PDF)
Hemingway hero and the monomyth: An examination of the hero quest myth in the Nick Adams stories
Title
The Hemingway hero and the monomyth: An examination of the hero quest myth in the Nick Adams stories.
Creator
Bajger, John James, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
The code hero is the foundation of Hemingway interpretation and central to an understanding of his ideology. The values, ideals and actions of many of Hemingway's greatest heroes fit within this framework, and the Hemingway hero is as firm a part of American literary myth as Melville's Great White Whale. Twain's Huckleberry Finn, or Faulkner's Yoknapatawpha county. I will use Joseph Campbell's work, The Hero with a Thousand Faces, a study in which he details his conception of the monomyth--...
Show moreThe code hero is the foundation of Hemingway interpretation and central to an understanding of his ideology. The values, ideals and actions of many of Hemingway's greatest heroes fit within this framework, and the Hemingway hero is as firm a part of American literary myth as Melville's Great White Whale. Twain's Huckleberry Finn, or Faulkner's Yoknapatawpha county. I will use Joseph Campbell's work, The Hero with a Thousand Faces, a study in which he details his conception of the monomyth---the basic underlying structure for all heroic myths---to show how the idea of the mythic hero links the Nick Adams stories together and also serves to reveal the character of Nick himself. Most importantly, however, it is my contention that Campbell's stages of the monomyth---the departure, the road of trials, and the return---can be utilized to describe and analyze the major themes found in the Nick Adam's stories.
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Date Issued
2003
PURL
http://purl.flvc.org/fcla/dt/13052
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
Hiro of the platonic: Neal Stephenson's "Snow Crash"
Title
Hiro of the platonic: Neal Stephenson's "Snow Crash".
Creator
Boehm, Carl John, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
In The Republic, Plato constructs the ideal city-state built on the principle of justice. Plato establishes an urban utopia with a set of morals through which the citizen helps the state and the state helps the citizen. Centuries after Plato's Republic, Neal Stephenson presents in Snow Crash, a cyberpunk adventure, a virtual city known as the Metaverse. Hiro Protagonist, as his name implies, defends his virtual city from a threatening virus in the same way that a citizen in Plato's Republic...
Show moreIn The Republic, Plato constructs the ideal city-state built on the principle of justice. Plato establishes an urban utopia with a set of morals through which the citizen helps the state and the state helps the citizen. Centuries after Plato's Republic, Neal Stephenson presents in Snow Crash, a cyberpunk adventure, a virtual city known as the Metaverse. Hiro Protagonist, as his name implies, defends his virtual city from a threatening virus in the same way that a citizen in Plato's Republic would protect the city-state. An analysis of Snow Crash using ideas from The Republic reveals the "hacker" to be a socially minded individual who preserves order in the cybernetic utopia that is the Metaverse. This analysis demonstrates that justice must be sought in every era, and that heroes unique to their milieu pursuit justice.
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Date Issued
2001
PURL
http://purl.flvc.org/fcla/dt/12867
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
technique of morality: Post-transactional readings of "The Turn of the Screw" and "Lolita"
Title
The technique of morality: Post-transactional readings of "The Turn of the Screw" and "Lolita".
Creator
Bretan, Charles Paul, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Over the years the study of literature has shifted its attention from the author to the text to the reader and back again--all this in an attempt to understand what a text means and how that meaning got into the text in the first place. Wayne C. Booth's rhetorical model of interpretation, while excellent in its detailing rhetorical techniques and their effects on the reader, ignores both the active role readers play in interpretation and the creative power of language. This thesis takes a...
Show moreOver the years the study of literature has shifted its attention from the author to the text to the reader and back again--all this in an attempt to understand what a text means and how that meaning got into the text in the first place. Wayne C. Booth's rhetorical model of interpretation, while excellent in its detailing rhetorical techniques and their effects on the reader, ignores both the active role readers play in interpretation and the creative power of language. This thesis takes a post-transactional approach to The Turn of the Screw and Lolita in an attempt to expose two blind spots in Booth's rhetorical criticism: his refusal to allow the reader into the creative, interpretive process, and his insistence on the author's use of clear, unambiguous language to produce a single reading of his text.
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Date Issued
1989
PURL
http://purl.flvc.org/fcla/dt/14572
Subject Headings
Literature, Comparative, Literature, American
Format
Document (PDF)
textual masks of Nathanael West
Title
The textual masks of Nathanael West.
Creator
Bezet, Jared, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
The novels of Nathanael West are preoccupied with the deconstruction of Western civilization, satirizing and parodying its most respected ideologies and literatures; they are also involved in recreating both cultural and personal identity from the deconstructed fragments of this culture by performances or masks of identity. The textual mask is a trope that performs both these functions in the work of Eliot, Pound, and Joyce, but especially in West. West demonstrated the mask's destructive...
Show moreThe novels of Nathanael West are preoccupied with the deconstruction of Western civilization, satirizing and parodying its most respected ideologies and literatures; they are also involved in recreating both cultural and personal identity from the deconstructed fragments of this culture by performances or masks of identity. The textual mask is a trope that performs both these functions in the work of Eliot, Pound, and Joyce, but especially in West. West demonstrated the mask's destructive force and constructive potential in both his writing and his personal life. The novels---The Dream Life of Balso Snell, Miss Lonelyhearts, A Cool Million, and The Day of the Locust---variously attack artistic or political formulae that privilege escape from culture's degradation, or that offer erroneous promises of subjective or cultural wholeness. West's life and art, then, exhibit the usefulness of the mask in the grim battle for the formation of artistic and political subjectivity.
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Date Issued
2005
PURL
http://purl.flvc.org/fcla/dt/13201
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
SOUTH AFRICAN ANALOGUE TO "ABSALOM, ABSALOM|" (FAULKNER, PATON)
Title
SOUTH AFRICAN ANALOGUE TO "ABSALOM, ABSALOM|" (FAULKNER, PATON).
Creator
BLANTON, JERRY CAIN, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Literature is influenced by the society in which it is written. Absalom, Absalom! by William Faulkner and Too Late the Phalarope by Alan Paton have many similarities because the societies which produced them have similarities. The Old South and the Afrikaner society of South Africa have many historical occurrences and cultural attitudes in common, among them: former slave societies, wars with aborigenes, an agrarian-industrial conflict in which they were defeated, racial segregation,...
Show moreLiterature is influenced by the society in which it is written. Absalom, Absalom! by William Faulkner and Too Late the Phalarope by Alan Paton have many similarities because the societies which produced them have similarities. The Old South and the Afrikaner society of South Africa have many historical occurrences and cultural attitudes in common, among them: former slave societies, wars with aborigenes, an agrarian-industrial conflict in which they were defeated, racial segregation, Calvinist religion, and an intermingling of the past and the present. Absalom, Absalom! and Too Late the Phalarope have the following in common: tone, titles of despair, character types, function of setting, qualities of Greek tragedy, Biblical allusions and syntax. A sociological literary study may help to understand how a society influences its literature.
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Date Issued
1977
PURL
http://purl.flvc.org/fcla/dt/13850
Subject Headings
Literature, Modern, Literature, African
Format
Document (PDF)
THEMATIC RELEVANCE OF JOHN GARDNER'S "UNRELIABLE NARRATOR."
Title
THE THEMATIC RELEVANCE OF JOHN GARDNER'S "UNRELIABLE NARRATOR.".
Creator
ATWILL, WILLIAM D., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Gardner's use of unreliable and often intrusive narrative voices is a structural key to the world view presented in his novels. All the narrators, whether they be involved central characters or intrusive third-person voices, journey toward knowledge and affirmation in art. In The Wreckage of Ag'athon, the aged seer is driven by the chaos he cannot untangle to create his own rationale. Grendel embraces a nihilistic world view until the monster is finally lifted to a limited sort of vision as a...
Show moreGardner's use of unreliable and often intrusive narrative voices is a structural key to the world view presented in his novels. All the narrators, whether they be involved central characters or intrusive third-person voices, journey toward knowledge and affirmation in art. In The Wreckage of Ag'athon, the aged seer is driven by the chaos he cannot untangle to create his own rationale. Grendel embraces a nihilistic world view until the monster is finally lifted to a limited sort of vision as a shaper of experience. The voice of The Sunlight Dialogues is limited omniscient, yet the narrator intrudes, reminding the reader that he is dependent upon an involved point of view. In the dream-narrative of Jason and Medeia, perhaps the best utilization of an involved, fallible narrator, the journey toward affirmative vision balongs more to the narrator than the hero.
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Date Issued
1978
PURL
http://purl.flvc.org/fcla/dt/13911
Subject Headings
Literature, Modern, Literature, American
Format
Document (PDF)
Aesthetic immersion and imaginative constructs in the novels of Henry James
Title
Aesthetic immersion and imaginative constructs in the novels of Henry James.
Creator
Alvarez, Alberto Gabriel, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
A recurrent condition plaguing many of James's characters can be diagnosed as an aesthetic dependency. These characters turn their back on "the real thing" and exist in a precarious world of beauty and misplaced ideals. The novels examined present various methods James's characters utilize to elude the actual world. In The Tragic Muse, the line that separates mimetic art and actuality is nonexistent. Through imitation and performance characters create and represent what ought to be. Aesthetic...
Show moreA recurrent condition plaguing many of James's characters can be diagnosed as an aesthetic dependency. These characters turn their back on "the real thing" and exist in a precarious world of beauty and misplaced ideals. The novels examined present various methods James's characters utilize to elude the actual world. In The Tragic Muse, the line that separates mimetic art and actuality is nonexistent. Through imitation and performance characters create and represent what ought to be. Aesthetic immersion and imaginative constructs are opposed methods of escape in The Spoils of Poynton. The Ambassadors depicts a world where characters conspire to disguise the truth. Lambert Strether's imagination is stimulated by this milieu and takes flight. Similarly, the characters in The Wings of the Dove go to extreme lengths to realize their aesthetic visions. Ultimately, each character in these novels must deal with the sacrifices that are made when one chooses to exist in a world consisting solely of beauty and imagination.
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Date Issued
1996
PURL
http://purl.flvc.org/fcla/dt/15331
Subject Headings
Literature, Modern, Literature, American, Literature, English
Format
Document (PDF)
Imaginative integration in four novels by Doris Lessing
Title
Imaginative integration in four novels by Doris Lessing.
Creator
Blondin, Brian Gerard, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Within the remarkable diversity of Doris Lessing's fiction, the author's interest in the interrelation between the individual and the collective remains a constant. Her early works pursued this theme within a socio-political framework; however, her continued explorations have evolved an apolitical ethos which unfolds progressively in all of her work since The Golden Notebook. The impetus of this development, which has encouraged Lessing's experiments with various narrative techniques, is her...
Show moreWithin the remarkable diversity of Doris Lessing's fiction, the author's interest in the interrelation between the individual and the collective remains a constant. Her early works pursued this theme within a socio-political framework; however, her continued explorations have evolved an apolitical ethos which unfolds progressively in all of her work since The Golden Notebook. The impetus of this development, which has encouraged Lessing's experiments with various narrative techniques, is her desire to articulate a formula integrating the self with society; in one form or another, the catalyst of this integration is the creative imagination. By tracing related thematic and aesthetic courses of development in four novels--The Golden Notebook, The Four-Gated City, The Making of the Representative for Planet Eight, and The Good Terrorist--this thesis will demonstrate how Lessing's quest for integration has shaped her present apolitical ethos.
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Date Issued
1989
PURL
http://purl.flvc.org/fcla/dt/14508
Subject Headings
Literature, Modern, Literature, African, Literature, English
Format
Document (PDF)

Pages