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The animalcules of Adam: & other small tales
Title
The animalcules of Adam: & other small tales.
Creator
von Kursell, Mikaela, Bucak, Ayse Papatya, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Inspired by the baroque prose of Melissa Pritchard, The Animalcules of Adam: & Other Small Tales is a genre-bending short story collection that incorporates elements of fiction, nonfiction, poetry and translation. Spanning in subject and setting, from the primitive bear rituals of Finland to the coroner’s inquests of 19th century England, the purpose of this thesis project is to develop a uniquely immersive voice, while ostensibly investigating the origins of curious inventions, including the...
Show moreInspired by the baroque prose of Melissa Pritchard, The Animalcules of Adam: & Other Small Tales is a genre-bending short story collection that incorporates elements of fiction, nonfiction, poetry and translation. Spanning in subject and setting, from the primitive bear rituals of Finland to the coroner’s inquests of 19th century England, the purpose of this thesis project is to develop a uniquely immersive voice, while ostensibly investigating the origins of curious inventions, including the microscope, the kaleidoscope, and the first English dictionary. This collection borrows from, and deliberately manipulates, the texts of important historical figures, such as Walt Whitman, Antonie van Leeuwenhoek and Robert Cawdrey, in an effort to make a home in the voice of another. It is a playful and linguistically sensitive study of the nature of invention; a meta-fictional commentary on the anxiety (and ecstasy) of influence; and above all else, a celebration of the written word.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004170, http://purl.flvc.org/fau/fd/FA00004170
Subject Headings
Pritchard, Melissa--Influence., Creation (Literary, artistic, etc.), Short stories, American., Authorship., Storytelling., Shared virtual environments.
Format
Document (PDF)
"Heart of My Race:" Questions of ldentity in Sicilian/American Writings
Title
"Heart of My Race:" Questions of ldentity in Sicilian/American Writings.
Creator
Mazzucchelli, Chiara, Tamburri, Anthony J., Florida Atlantic University
Abstract/Description
Throughout the 1900s, the sense of a distinct sicilianita-or Sicilian-nessmanifested itself in writings by Italian authors such as Giovanni Verga, Luigi Pirandello, Leonardo Sciascia, Vincenzo Consolo, and Andrea Camilleri, among others. Interestingly, a parallel phenomenon has emerged in the United States in the broader field of Italian-American literature. While attempting to redefine the concept of Americanness and expand the canon of American literature so that it embraces articulations...
Show moreThroughout the 1900s, the sense of a distinct sicilianita-or Sicilian-nessmanifested itself in writings by Italian authors such as Giovanni Verga, Luigi Pirandello, Leonardo Sciascia, Vincenzo Consolo, and Andrea Camilleri, among others. Interestingly, a parallel phenomenon has emerged in the United States in the broader field of Italian-American literature. While attempting to redefine the concept of Americanness and expand the canon of American literature so that it embraces articulations of ethnic identities, many Sicilian-American writers have turned their works into literary manifestations of their Sicilian Americanness, or, as I have called it, sicilianamericanita. In this study, I try to answer questions such as: Why and how have some Sicilian- American authors fashioned their Italian-American identity in regional terms? How did a sense of sicilianita develop in the US and turn into sicilianamericanita? And how did the above-mentioned phenomenon materialize in Italian-American literature? My examination focused on Jerre Mangione's memoirs, Rose Romano's poetry, and Ben Morreale's novels. While Mangione consistently capitalized on his regional ethnic identity mainly in order to correct some of the most unfavorable prejudices, and especially those originating from Mafia, Rose Romano writes poetry and prose dealing with issues of regional self-ascription which overlaps with contestations of traditional gender roles, heterosexual scripts, and racial categorizations. Ben Morreale's sicilianamericanita takes on intertextual aspects, creating a closely-knit net of relations with the Sicilian tradition in Italian literature. Many Sicilian-American writers, just like their Sicilian counterparts, have come to see their regional ethnic identity as a source of inspiration for the growth of a distinctive literary tradition. This study has been conceived as an initial small step towards a process of inquiry and exploration of the common ground between Italian and Italian-American literatures. Such critical endeavors and international cooperation between both fields of literary studies could bring forth a better understanding of the cultures, and also strengthen in significant ways the status of both literatures within and outside their respective national critical communities.
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Date Issued
2007
PURL
http://purl.flvc.org/fau/fd/FA00000985
Subject Headings
Italian literature--Italy--Sicily--Criticism and interpretation, American literature--Italian American authors--Criticism and interpretation, National characteristics in literature, Influence (Literary, artistic, etc)
Format
Document (PDF)
good woman is hard to find
Title
A good woman is hard to find: discovering the voice of the woman satirist in Flannery O'Connor's Wise Blood.
Creator
Paxton, Virginia A., Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
While Flannery O'Connor's characters and narrative landscape may share a history with those of other works often labeled "Southern gothic," her heavily judicious narrative voice utilizes the depravity of the South struggling to find its identity as a means to explore her vision of God's mercy and distinguishes her work as satirical criticism. This thesis analyzes her construction of a distinctive satirical narrative voice for Wise Blood, particularly as it deviates from how she initially...
Show moreWhile Flannery O'Connor's characters and narrative landscape may share a history with those of other works often labeled "Southern gothic," her heavily judicious narrative voice utilizes the depravity of the South struggling to find its identity as a means to explore her vision of God's mercy and distinguishes her work as satirical criticism. This thesis analyzes her construction of a distinctive satirical narrative voice for Wise Blood, particularly as it deviates from how she initially wrote the first chapters as presented in earlier short stories like "The Train" and "The Peeler." Here, the ways in which O'Connor revises her diction and syntax to create a satirical tone will be examined closely. For the purposes of this paper, satire is defined as a literary work aimed at utilizing irony, hyperbole, or sarcasm to reveal, critique, and correct some moral, ethical, or social phenomenon or situation that the author finds reprehensible.
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Date Issued
2009
PURL
http://purl.flvc.org/FAU/221951
Subject Headings
Criticism and interpretation, Feminism and literature, Didactic fiction, American, Criticism and interpretation, Symbolism in literature, Influence (Literary, artistic, etc.)
Format
Document (PDF)
Myth, Modernism and Mentorship: Examining François Fénelon’s Influence on James Joyce’s Ulysses
Title
Myth, Modernism and Mentorship: Examining François Fénelon’s Influence on James Joyce’s Ulysses.
Creator
Curran, Robert, Ulin, Julieann V., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
The purpose of this thesis will be to examine closely James Joyce’s Ulysses with respect to François Fénelon’s The Adventures of Telemachus. Joyce considered The Adventures of Telemachus to be a source of inspiration for Ulysses, but little scholarship considers this. Joyce’s fixation on the role of teachers and mentor figures in Stephen’s growth and development, serving alternately as cautionary figures, models or adversaries, owes much to Fénelon’s framework for the growth of Telemachus....
Show moreThe purpose of this thesis will be to examine closely James Joyce’s Ulysses with respect to François Fénelon’s The Adventures of Telemachus. Joyce considered The Adventures of Telemachus to be a source of inspiration for Ulysses, but little scholarship considers this. Joyce’s fixation on the role of teachers and mentor figures in Stephen’s growth and development, serving alternately as cautionary figures, models or adversaries, owes much to Fénelon’s framework for the growth of Telemachus. Close reading of both Joyce’s and Fénelon’s work will illuminate the significance of education and mentorship in Joyce’s construction of Stephen Dedalus. Leopold Bloom and Stephen’s relationship in Joyce’s Ulysses closely mirrors that of Mentor and Telemachus as seen in Fénelon’s The Adventures of Telemachus. Through these numerous parallels, we will see that mentorship serves as a better model for Bloom and Stephen’s relationship in Ulysses than the more critically prevalent father-son model.
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Date Issued
2016
PURL
http://purl.flvc.org/fau/fd/FA00004583, http://purl.flvc.org/fau/fd/FA00004583
Subject Headings
Fénelon, Franc̜ois de Salignac de La Mothe-,--1651-1715--Influence., Fénelon, Franc̜ois de Salignac de La Mothe-,--1651-1715.--The adventures of Telemachus--Criticism and interpretation., Joyce, James,--1882-1941.--Ulysses--Criticism and interpretation., Mentoring of authors., Influence (Literary, artistic, etc.)
Format
Document (PDF)
Reading, Writing, and Language: The Neo-Slave Novel and the Changing Definition of Literacy
Title
Reading, Writing, and Language: The Neo-Slave Novel and the Changing Definition of Literacy.
Creator
Segal, Pamela H., Dagbovie-Mullins, Sika A., Florida Atlantic University
Abstract/Description
After examining the neo-slave genre it becomes evident that the definition of the genre provided by AshrafRushdy is incomplete, because it does not include an important component of the narrative, literacy. By adding to Rushdy's definition, the narrative's dimensions change and the discussion of the genre is given a new perspective. Many neo-slave narratives' discussions of literacy correspond to the time of publication, not the time period or setting of the novels. Therefore, by interpreting...
Show moreAfter examining the neo-slave genre it becomes evident that the definition of the genre provided by AshrafRushdy is incomplete, because it does not include an important component of the narrative, literacy. By adding to Rushdy's definition, the narrative's dimensions change and the discussion of the genre is given a new perspective. Many neo-slave narratives' discussions of literacy correspond to the time of publication, not the time period or setting of the novels. Therefore, by interpreting the development of literacy alongside the neo-slave narrative, one is able to consider the significance of this connection. By examining three novels within the neo-slave genre, Ishmael Reed's Flight to Canada (1976), Shirley Ann Williams's Dessa Rose (1986) and Toni Morrison's Beloved (1987), I contend that Ashraf Rushdy' s definition of the narrative appears too limited. The cultural perspective and use of literacy within the neo-slave novel allows for further examination of this important component.
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Date Issued
2008
PURL
http://purl.flvc.org/fau/fd/FA00000961
Subject Headings
Slavery in literature, Influence (Literary, artistic, etc), American prose literature--African American authors--Criticism and interpretation, Reed, Ishmael,--1938---Flight to Canada--Criticism and interpretation, Williams, Shirley Ann--Dessa Rose--Criticism and interpretation, Morrison, Toni--Beloved--Criticism and interpretation
Format
Document (PDF)