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Made Up
Title
Made Up.
Creator
Crowley, Margaret Louise, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
Made Up, a body of paintings, expresses my love/loathe relationship with the beauty/fashion industries and the fantasy/deception they instill. Aging amplifies my fear of being rejected or invisible and is assuaged by being made-up. Pages torn from fashion layouts are manually distressed to become the visually striking crumpled images that are the basis for my painting. The wrinkled nature of my source communicates my frustration with aging and never being able to meet the standards of modern...
Show moreMade Up, a body of paintings, expresses my love/loathe relationship with the beauty/fashion industries and the fantasy/deception they instill. Aging amplifies my fear of being rejected or invisible and is assuaged by being made-up. Pages torn from fashion layouts are manually distressed to become the visually striking crumpled images that are the basis for my painting. The wrinkled nature of my source communicates my frustration with aging and never being able to meet the standards of modern beauty ideals. My careful repainting of the disfiguration demonstrates my desire to intimately repair and own the image. In taking my power back through painting, the defiled magazine spread becomes a layout of my ability and power as a painter to create and control the illusion. Paint enables me to accept myself through the virtuosity of its application, scale, and in the resulting illusion, in which cathartic moments of subversive humor play out.
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Date Issued
2019
PURL
http://purl.flvc.org/fau/fd/FA00013195
Subject Headings
Painting, Beauty culture, Aging, Feminine beauty (Aesthetics)
Format
Document (PDF)
Female Beauty in Young Adult Literature: Male gaze in Laura Ruby’s Bone Gap and John Green’s An Abundance of Katherines
Title
Female Beauty in Young Adult Literature: Male gaze in Laura Ruby’s Bone Gap and John Green’s An Abundance of Katherines.
Creator
Council, Nicole, Bradford, Adam C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of English
Abstract/Description
Standards of female beauty have long been a source of debate within Western society. Determining who dictates these standards of beauty and how these standards inform individual value seemingly become more and more determined by the individuals themselves, yet there remains a high value placed on white, thin and cisgender females. This standard, although increasingly challenged remains the default for beauty in our society and within our literary culture. This thesis works to expose two...
Show moreStandards of female beauty have long been a source of debate within Western society. Determining who dictates these standards of beauty and how these standards inform individual value seemingly become more and more determined by the individuals themselves, yet there remains a high value placed on white, thin and cisgender females. This standard, although increasingly challenged remains the default for beauty in our society and within our literary culture. This thesis works to expose two modern Young Adult texts, John Green’s An Abundance of Katherines and Laura Ruby’s Bone Gap, for the ways in which they continue to reinforce these standards of beauty in women. While presenting challenges to these stereotypes, the standards set out in these texts ultimately portray women as defined and controlled by men.
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Date Issued
2018
PURL
http://purl.flvc.org/fau/fd/FA00005967
Subject Headings
Young adult literature, Feminine beauty (Aesthetics) in literature, Gaze
Format
Document (PDF)
Manufacturing the gentleman's girl: Beauty, class, and the adult entertainment club
Title
Manufacturing the gentleman's girl: Beauty, class, and the adult entertainment club.
Creator
Kratz, Shannon Lee., Florida Atlantic University, Steinman, Clay
Abstract/Description
In its formulation of the classy strip club, the adult entertainment industry incorporates a discursive relationship between class imagery, especially as the industry uses this to address consumers, and aesthetics, particularly hierarchical representations of woman's beauty. For the author (a former stripper at the adult entertainment club Pure Platinum in Fort Lauderdale, Florida), this relationship shores up the industry's structure, enabling its prolific connections to and with other...
Show moreIn its formulation of the classy strip club, the adult entertainment industry incorporates a discursive relationship between class imagery, especially as the industry uses this to address consumers, and aesthetics, particularly hierarchical representations of woman's beauty. For the author (a former stripper at the adult entertainment club Pure Platinum in Fort Lauderdale, Florida), this relationship shores up the industry's structure, enabling its prolific connections to and with other cultural forms and practices, popular as well as marginal. Assuming adult entertainment occupies merely a cultural margin hinders insight into these important power relations. Grasping them and their changeability requires recognition that the industry shares material and ideological ties with forms more mainstream, such as Miss USA, Barbie, and Snow White.
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Date Issued
1991
PURL
http://purl.flvc.org/fcla/dt/14773
Subject Headings
Feminine beauty (Aesthetics), Stripteasers., Dance--Social aspects., Women entertainers.
Format
Document (PDF)
Average (arithmetic mean) of women’s bodies
Title
Average (arithmetic mean) of women’s bodies.
Creator
Behar, Linda, Valdes, Juana, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
Between 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a...
Show moreBetween 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a visual examination, which illustrates the preconceived notion that Western Society portrays the female body as a commodity and exports those views to different cultures and societies. This calls to question: “who makes those standards endorsed by society and why women follow them?”. From the standardized measurements conducted by the United States Government, I generated a 2-D computer model of an outline of the generic female figure. Based on the 2-D representation, I constructed a series of ten 27”x36” inkjet prints and a 3-Dimensional prototype of the figurative form. The project consist on the manufacture of 14,698 molds base on the 3- Dimensional prototype -- 10% reduction of the size of the average female.
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Date Issued
2014
PURL
http://purl.flvc.org/fau/fd/FA00004079
Subject Headings
Advertising -- Psychological aspects, Body image in women, Feminine beauty (Aesthetics), Feminist theory, Human body -- Social aspects, Self esteem in women
Format
Document (PDF)
Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice
Title
Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice.
Creator
Averill, Lindsey, Caputi, Jane, Hagood, Taylor, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Center for Women, Gender and Sexuality Studies
Abstract/Description
This dissertation explores the making of and research for the film, Fattitude, a social justice based documentary that looks to awaken viewers to the reality of weight bias in media representation. This dissertation reviews the filmmaking process and then engages with the nature of stereotypes about fat bodies. Deeply tied to feminist and fat studies theory, the work here seeks to categorize and shape the understanding of weight bias in the media by linking fat tropes to clearly understood...
Show moreThis dissertation explores the making of and research for the film, Fattitude, a social justice based documentary that looks to awaken viewers to the reality of weight bias in media representation. This dissertation reviews the filmmaking process and then engages with the nature of stereotypes about fat bodies. Deeply tied to feminist and fat studies theory, the work here seeks to categorize and shape the understanding of weight bias in the media by linking fat tropes to clearly understood images of oppression, for example the monstrous, the fool, they hypersexual and the asexual. The work also seeks to present theory on the nature of creating media representations of fatness that are not oppressive – making note of current media created by grassroots movements for body acceptance and fat positivity.
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Date Issued
2017
PURL
http://purl.flvc.org/fau/fd/FA00004900, http://purl.flvc.org/fau/fd/FA00004900
Subject Headings
Fattitude., Body image--Social aspects., Discrimination against overweight persons., Feminine beauty (Aesthetics), Obesity., Body image in women., Self-esteem in women., Physical-appearance-based bias.
Format
Document (PDF)
A Feminist Cultural Study of Identity, Hair Loss, and Chemotherapy
Title
A Feminist Cultural Study of Identity, Hair Loss, and Chemotherapy.
Creator
Guillerm, Celine, Scodari, Christine, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, School of Communication and Multimedia Studies
Abstract/Description
The main aim of this dissertation is to discuss the way women negotiate the cultural meaning of hair loss, alopecia, as a result of undergoing chemotherapy, and to understand, accordingly, how cancer's cultural effects regarding women can be deeply different from those of men. Very few studies have been done about the cultural impact and resonance of alopecia. It is often regarded as "secondary" to other effects of chemotherapy. Because, in many cultures, head hair for women expresses or...
Show moreThe main aim of this dissertation is to discuss the way women negotiate the cultural meaning of hair loss, alopecia, as a result of undergoing chemotherapy, and to understand, accordingly, how cancer's cultural effects regarding women can be deeply different from those of men. Very few studies have been done about the cultural impact and resonance of alopecia. It is often regarded as "secondary" to other effects of chemotherapy. Because, in many cultures, head hair for women expresses or manifests attractiveness and power, to be bald is to be deprived of the ability to fit into society, whether in the public or private sphere. The study examines the representation of such women in the media, audience/subject responses to these representations, and interrogates women's identities and representations in terms of Laura Mulvey's theory of the male gaze. Women who have experienced chemotherapy-induced alopec ia were interviewed in this regard. Other contributive feminist, cultural and/or media studies works, such as those by Suzanna Walters, Susan Bordo, Naomi Wolf, Donna Haraway, Stuart Hall, Kimberle Crenshaw, and Judith Butler, help facilitate the analysis. From these perspectives, a historical analysis takes into consideration the symbolic dimension of hair, especially women's head hair, within Western cultural history, particularly in France and a multicultural America. In addition, a textual analysis looks at women, cancer, and hair loss as represented in popular culture characters and personalities. The study insists on the necessity for women to resist to the culture industries and deconstruct the male gaze, as well as the female gaze, which can both contribute to, and perpetuate women's objectification.
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Date Issued
2015
PURL
http://purl.flvc.org/fau/fd/FA00004502, http://purl.flvc.org/fau/fd/FA00004502
Subject Headings
Baldness -- Psychological aspects, Body image, Cancer -- Psychosomatic aspects, Cancer -- Treatment -- Complications, Feminine beauty (Aesthetics), Identity (Psychology), Self esteem in women
Format
Document (PDF)