Current Search: Design and Decorative Arts (x)
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Title
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Reexamining currency design for the new millennium.
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Creator
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Arteaga, Elio L., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
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Abstract/Description
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The design of paper currency has attracted attention recently with the introduction of the Euro and American currency design modifications. New designs provide deterrence against counterfeiting, and, in some cases, accommodate the special needs of visually challenged individuals. Often aesthetics are given lower priority or ignored completely. This thesis is an examination of the author's motivations, inspirations, goals and design decisions involved in creating a set of paper currency bills...
Show moreThe design of paper currency has attracted attention recently with the introduction of the Euro and American currency design modifications. New designs provide deterrence against counterfeiting, and, in some cases, accommodate the special needs of visually challenged individuals. Often aesthetics are given lower priority or ignored completely. This thesis is an examination of the author's motivations, inspirations, goals and design decisions involved in creating a set of paper currency bills that fit the high-tech, fast-paced and culturally diverse society that is twenty-first century America. The author incorporates a deep visual texture with American symbols and historical events illustrated by shape and shading alone---no color or line. Semiotics and visual metaphors are applied to convey meaning to abstract or complex concepts. Counterfeit deterrence features and features for use by visually challenged individuals are integrated into the design, thus producing a system of currency that is both functional and aesthetic.
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Date Issued
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2003
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PURL
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http://purl.flvc.org/fcla/dt/13090
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Subject Headings
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Design and Decorative Arts
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Format
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Document (PDF)
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Title
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The (trans)formation of image: Symbolic consumption, self, and society.
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Creator
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Bauer, Daniel Eric, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology, Harris, Michael S.
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Abstract/Description
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In the United States tattooing has become popularized. Tattoo studios are now commonplace commercial venues. Tattooing has become a legitimate art form. This research examines the commodification of tattooing in South Florida and the relationship between consumption and identity production. In efforts to express the self and exert control over the body, individuals adorn themselves. In the United States we are increasingly using tattoos as one form of self-expression. However, this expression...
Show moreIn the United States tattooing has become popularized. Tattoo studios are now commonplace commercial venues. Tattooing has become a legitimate art form. This research examines the commodification of tattooing in South Florida and the relationship between consumption and identity production. In efforts to express the self and exert control over the body, individuals adorn themselves. In the United States we are increasingly using tattoos as one form of self-expression. However, this expression is grounded in Western consumerist ideals. It is through consumption of the symbolic commodity of the tattoo that the individual expresses the self and asserts control over the body.
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Date Issued
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2002
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PURL
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http://purl.flvc.org/fcla/dt/12876
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Subject Headings
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Anthropology, Cultural, Design and Decorative Arts
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Format
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Document (PDF)