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Reexamining currency design for the new millennium
Title
Reexamining currency design for the new millennium.
Creator
Arteaga, Elio L., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
The design of paper currency has attracted attention recently with the introduction of the Euro and American currency design modifications. New designs provide deterrence against counterfeiting, and, in some cases, accommodate the special needs of visually challenged individuals. Often aesthetics are given lower priority or ignored completely. This thesis is an examination of the author's motivations, inspirations, goals and design decisions involved in creating a set of paper currency bills...
Show moreThe design of paper currency has attracted attention recently with the introduction of the Euro and American currency design modifications. New designs provide deterrence against counterfeiting, and, in some cases, accommodate the special needs of visually challenged individuals. Often aesthetics are given lower priority or ignored completely. This thesis is an examination of the author's motivations, inspirations, goals and design decisions involved in creating a set of paper currency bills that fit the high-tech, fast-paced and culturally diverse society that is twenty-first century America. The author incorporates a deep visual texture with American symbols and historical events illustrated by shape and shading alone---no color or line. Semiotics and visual metaphors are applied to convey meaning to abstract or complex concepts. Counterfeit deterrence features and features for use by visually challenged individuals are integrated into the design, thus producing a system of currency that is both functional and aesthetic.
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Date Issued
2003
PURL
http://purl.flvc.org/fcla/dt/13090
Subject Headings
Design and Decorative Arts
Format
Document (PDF)
Weaving Visual Identities Beyond Borders Through Immersive Experience
Title
Weaving Visual Identities Beyond Borders Through Immersive Experience.
Creator
Panahandeh, Narges, Afanador-Llach, Camila, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
Effective communication and a sense of togetherness between people from different backgrounds happen on a platform of mutual understanding. The boundaries of differences between people from various cultures limit our understanding of each other's conditions, problems, and concerns. As a designer, I seek to fade the boundaries between cultures and facilitate a conversation, promoting mutual understanding by blending visual elements from American and Iranian cultures. With interactive visual...
Show moreEffective communication and a sense of togetherness between people from different backgrounds happen on a platform of mutual understanding. The boundaries of differences between people from various cultures limit our understanding of each other's conditions, problems, and concerns. As a designer, I seek to fade the boundaries between cultures and facilitate a conversation, promoting mutual understanding by blending visual elements from American and Iranian cultures. With interactive visual media and storytelling, I have created diverse visual artworks that combine traditional Iranian arts and crafts elements with visuals from American popular culture. This body of work includes illustrations, patterns, motion design, audio, and augmented reality. Through these shared visual experiences, I aim to introduce new values into the sphere of design, enrich the design world with diversity, and build a shared visual experience that talks both to Iranians and the cultural milieu of the United States. Producing art pieces with the theme of Shared Visual Experiences can aid in promoting diversity, fostering connection, encouraging innovation and creativity, and bringing attention to significant social and cultural issues. It is a meaningful way to contribute to a more interconnected world that benefits everyone.
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Date Issued
2024
PURL
http://purl.flvc.org/fau/fd/FA00014428
Subject Headings
Immersive art experiences, Art and design, Culture
Format
Document (PDF)
(trans)formation of image: Symbolic consumption, self, and society
Title
The (trans)formation of image: Symbolic consumption, self, and society.
Creator
Bauer, Daniel Eric, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Anthropology, Harris, Michael S.
Abstract/Description
In the United States tattooing has become popularized. Tattoo studios are now commonplace commercial venues. Tattooing has become a legitimate art form. This research examines the commodification of tattooing in South Florida and the relationship between consumption and identity production. In efforts to express the self and exert control over the body, individuals adorn themselves. In the United States we are increasingly using tattoos as one form of self-expression. However, this expression...
Show moreIn the United States tattooing has become popularized. Tattoo studios are now commonplace commercial venues. Tattooing has become a legitimate art form. This research examines the commodification of tattooing in South Florida and the relationship between consumption and identity production. In efforts to express the self and exert control over the body, individuals adorn themselves. In the United States we are increasingly using tattoos as one form of self-expression. However, this expression is grounded in Western consumerist ideals. It is through consumption of the symbolic commodity of the tattoo that the individual expresses the self and asserts control over the body.
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Date Issued
2002
PURL
http://purl.flvc.org/fcla/dt/12876
Subject Headings
Anthropology, Cultural, Design and Decorative Arts
Format
Document (PDF)
Not at Home: Im[Migration] and Design
Title
Not at Home: Im[Migration] and Design.
Creator
Uribe, Melanie, Johnson, Linda, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
Not long ago, Venezuela was considered the wealthiest in Latin America. Today, Human Rights Watch estimates that 2.3 million Venezuelan refugees are scattered through the Americas. Imagine having to leave your home with just a few possessions. The world is currently witnessing a wave of mass migration, with nearly 65 million people being displaced because of war or persecution, and an even higher number migrating from poverty. This thesis uses design to visually articulate the personal...
Show moreNot long ago, Venezuela was considered the wealthiest in Latin America. Today, Human Rights Watch estimates that 2.3 million Venezuelan refugees are scattered through the Americas. Imagine having to leave your home with just a few possessions. The world is currently witnessing a wave of mass migration, with nearly 65 million people being displaced because of war or persecution, and an even higher number migrating from poverty. This thesis uses design to visually articulate the personal narratives surrounding the struggles of flight and the significance of emotion to the debate on migrant identity, acculturation, and the perception of being the other, focusing on the current displacement crisis in Venezuela. The visual message making process of graphic design is used as a catalyst for social good with the intent to create a conversation and generate an experience and that promotes advocacy.
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Date Issued
2019
PURL
http://purl.flvc.org/fau/fd/FA00013272
Subject Headings
Installations (Art), Venezuela, Migration and refugees, Design
Format
Document (PDF)
CULTURAL INTEGRATION THROUGH DESIGN EXPRESSION: EXPLORING THE INTERSECTION OF LANGUAGES IN DESIGN AND CULTURAL EXCHANGES
Title
CULTURAL INTEGRATION THROUGH DESIGN EXPRESSION: EXPLORING THE INTERSECTION OF LANGUAGES IN DESIGN AND CULTURAL EXCHANGES.
Creator
Edalati, Hamed Tabrizi, Cunningham, Stephanie, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description
This thesis, drawn from my experience as a visual designer who recently moved to the United States, focuses on design expression as a means to bridge cultures. My aim is to clarify the complex connection between design expression and cultural integration, emphasizing the essential part that design plays in promoting significant cross-cultural interactions. To reveal the complex relationships that exist in design and cultural identity, I go beyond aesthetics and investigate how design may be...
Show moreThis thesis, drawn from my experience as a visual designer who recently moved to the United States, focuses on design expression as a means to bridge cultures. My aim is to clarify the complex connection between design expression and cultural integration, emphasizing the essential part that design plays in promoting significant cross-cultural interactions. To reveal the complex relationships that exist in design and cultural identity, I go beyond aesthetics and investigate how design may be used to comprehend and communicate cultural identity. Language serves as a means of expressing cultural identity, values, and traditions. Using poetry, quotes, and idioms in both Farsi and English as inspiration, I create interactive messages that illustrate the difficulties of bridging two languages and cultures. My overarching goal is to promote inclusive and culturally aware design approaches, fostering meaningful communication and cross-cultural understanding.
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Date Issued
2024
PURL
http://purl.flvc.org/fau/fd/FA00014435
Subject Headings
Design, Cultural fusion and the arts
Format
Document (PDF)
Points of Intersection Finding Connections Between Design, Science and Math
Title
Points of Intersection Finding Connections Between Design, Science and Math.
Creator
Kohlhagen, Christopher, Afanador Llach, Camila, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
Contemporary educational trends have created a false dichotomy between the arts and science. The will to make STEM subjects the focus of K-12 education, ignores both a shared history and the potential for greater learning in a shared future.The intention of Points of Intersection is to demonstrate that design, science and math intersect in their concepts, practices and history. In the past, these disciplines were explored and studied together and benefited from each other. By exploring what...
Show moreContemporary educational trends have created a false dichotomy between the arts and science. The will to make STEM subjects the focus of K-12 education, ignores both a shared history and the potential for greater learning in a shared future.The intention of Points of Intersection is to demonstrate that design, science and math intersect in their concepts, practices and history. In the past, these disciplines were explored and studied together and benefited from each other. By exploring what design and science have in common and the points where they intersect, we can see the relevance and importance of art and design in k-12 education and change STEM to STEAM. The exhibition will explore point, line, plane and the “Golden Ratio” demonstrating how these concepts can be understood from the perspectives of physics, math, art and design on a basic level. These basic principles can be used to introduce these fields of study and bring a better understanding of them to students in K-12. Future designers and scientists with this educational underpinning will have a better mutual understanding of one another’s field and the potential for shared research, process and results.
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Date Issued
2017
PURL
http://purl.flvc.org/fau/fd/FA00005949
Subject Headings
Dissertations, Academic -- Florida Atlantic University, Art and science., Science--Study and teaching., Design.
Format
Document (PDF)
Authenticity of space
Title
Authenticity of space: an interdisciplinary convergence of the tradition of sacred music and twenty-first century sacred architecture.
Creator
Copher, Daniel., Dorothy F. Schmidt College of Arts and Letters, Department of Philosophy
Abstract/Description
The twenty-first century has already seen some aesthetically exciting sacred architectural spaces. Much liturgical music, however, is centuries old. With regard to performing old music, philosophers such as Steven Davies, etc., have debated the aesthetic merits of striving for authenticity of performance. If authenticity is a valid performance aesthetic principle, as I contend it is, the following paradox arises: Some contemporary sacred spaces are the sites of moving, aesthetically valid...
Show moreThe twenty-first century has already seen some aesthetically exciting sacred architectural spaces. Much liturgical music, however, is centuries old. With regard to performing old music, philosophers such as Steven Davies, etc., have debated the aesthetic merits of striving for authenticity of performance. If authenticity is a valid performance aesthetic principle, as I contend it is, the following paradox arises: Some contemporary sacred spaces are the sites of moving, aesthetically valid performances of sacred music. But how is it possible to have aesthetically valid authentic performances of sacred music in twenty-first century sacred spaces?... The question of authenticity in this unique musical genre focuses on performance space, liturgical function, musical instruments, performer/listener interaction, and cultural conditions. ...Using architectural examples constructed in the twenty-first century, this thesis will propose a set of aesthetic criteria for achieving an authentic setting for sacred music from all periods.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3358555
Subject Headings
Liturgy and architecture, Christianity and the arts, Symbolism in architecture, Church architecture, Design, Organ (Musical instrument), Social aspects
Format
Document (PDF)
Deconstructing my universal marginalization
Title
Deconstructing my universal marginalization.
Creator
Nazim, Fathima Asma., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description
This thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ;...
Show moreThis thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ; I seem to not fit in completely in this country as well as in my own. In the US I am considered 'eastern' or 'exotic', whereas in my own country, I am considered 'westernized', no longer looked at as a typical Sri Lankan woman. This thesis examines and explores marginalization, orientalism, deconstruction theories, semiotic studies, dialect as well as attire, in the specific context of Graphic Design.
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Date Issued
2010
PURL
http://purl.flvc.org/FAU/2138108
Subject Headings
Marginality, Social, Marginality, Social, Identity (Psychology), Pluralism (Social sciences), International relations and culture, Culture and globalization, Visual communication in art, Graphic design (Typography)
Format
Document (PDF)
Bar splendor
Title
Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa.
Creator
Patel, Erin., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description
This thesis focuses on the translation of parole in libertáa, an early twentieth century poetic styling that combines a visual and written code proposed by F.T. Marinetti, the founder of Futurism, the Italian avant-garde literary and artistic movement. A translation of 5 "tavole parolibere" from the collection Equatore Notturno, parole in libertáa (1916) by the relatively unknown poet Francesco Meriano will lay the groundwork for the analysis of the obstacles a translator faces in regards to...
Show moreThis thesis focuses on the translation of parole in libertáa, an early twentieth century poetic styling that combines a visual and written code proposed by F.T. Marinetti, the founder of Futurism, the Italian avant-garde literary and artistic movement. A translation of 5 "tavole parolibere" from the collection Equatore Notturno, parole in libertáa (1916) by the relatively unknown poet Francesco Meriano will lay the groundwork for the analysis of the obstacles a translator faces in regards to maintaining the faithfulness to the original while keeping in mind the rules Marinetti set forth in his manifestos on literature and poetry between 1909 and 1914. Meriano adhered to many of these Futurist literary conditions, and thus the translartor's task becomes more challengind as the rules dictate the style, content and form so uniquely interwoven within these pages. The aim of this thesis in not only to shine a new light upon Meriano through the English translation of some of his poems, but also to readdress translation theories with regards to parole in libertáa.
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Date Issued
2012
PURL
http://purl.flvc.org/FAU/3358752
Subject Headings
Criticism and interpretation, Futurism (Art), Futurism (Literary movement), Graphic design (Typography)
Format
Document (PDF)