Current Search: Cunningham, Stephanie (x)
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- Title
- Backtalk: Visual Language and the Representation of Black Women.
- Creator
- Charles, Cathy, Cunningham, Stephanie, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
- Abstract/Description
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For years, black women have endured the mainstream stereotypes of the Mammy, the Jezebel, and the Sapphire. Backtalk is a conversation about black women using their own language translated into a graphic visual language. It examines ways in which black women are active agents in the social scripting of their own identities. Their complexity is visualized using a formal semiotic system based on their individual descriptions. This new visual language allows black women to deconstruct the...
Show moreFor years, black women have endured the mainstream stereotypes of the Mammy, the Jezebel, and the Sapphire. Backtalk is a conversation about black women using their own language translated into a graphic visual language. It examines ways in which black women are active agents in the social scripting of their own identities. Their complexity is visualized using a formal semiotic system based on their individual descriptions. This new visual language allows black women to deconstruct the limiting categorizations mainstream culture allows them, freeing participants from category-based expectations.
Show less - Date Issued
- 2018
- PURL
- http://purl.flvc.org/fau/fd/FA00013002
- Subject Headings
- Women, Black, Backtalk
- Format
- Document (PDF)
- Title
- Designing utopia.
- Creator
- White, Lesli D., Cunningham, Stephanie, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
- Abstract/Description
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The intention of this thesis is to explore the innate human desire to pursue an ideal existence. This compulsion recurs throughout history, regardless of race, religion, or geography, revealing itself through multiple disciplines such as art, design, film, music, and architecture. Humankind’s propulsion towards utopia evidences the human condition and our desire to create an improved existence for ourselves and for those who follow. It is this idyllic goal that promotes change, social...
Show moreThe intention of this thesis is to explore the innate human desire to pursue an ideal existence. This compulsion recurs throughout history, regardless of race, religion, or geography, revealing itself through multiple disciplines such as art, design, film, music, and architecture. Humankind’s propulsion towards utopia evidences the human condition and our desire to create an improved existence for ourselves and for those who follow. It is this idyllic goal that promotes change, social progress, and ultimately unites humankind. This thesis will inform and facilitate a platform from which to experience and reflect upon our collective utopian ambition through the lens of graphic design.
Show less - Date Issued
- 2015
- PURL
- http://purl.flvc.org/fau/fd/FA00004420
- Subject Headings
- Conduct of life, Graphic design -- Technique, Signs and symbols, Symbolism (Psychology), Utopias -- Social aspects
- Format
- Document (PDF)
- Title
- 5th Wave: The Fault of Women.
- Creator
- Koppisch, Patricia, Cunningham, Stephanie, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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As a reaction to the demand for women’s suffrage and equal rights in the late-1800s, American antifeminism emerged. In the article by Janet Saltzman Chafetz and Anthony Gary Dworkin, “In the Face of Threat: Organized Antifeminism in Comparative Perspective,” the authors concluded that the growth of a countermovement is contingent upon the success and size of the movement it opposes.1 This conclusion is applied to the actions, counter-actions and subsequent growth of both antifeminism and...
Show moreAs a reaction to the demand for women’s suffrage and equal rights in the late-1800s, American antifeminism emerged. In the article by Janet Saltzman Chafetz and Anthony Gary Dworkin, “In the Face of Threat: Organized Antifeminism in Comparative Perspective,” the authors concluded that the growth of a countermovement is contingent upon the success and size of the movement it opposes.1 This conclusion is applied to the actions, counter-actions and subsequent growth of both antifeminism and feminism. However, as feminism succeeds with small advancements in equality, antifeminism escalates its oppositional strength by creating accusations against women, using labels based on gender stereotypes and initiatives that incite divisive discourse in the pursuit of equal rights for all human beings. Graphic design is a catalyst for both antifeminism and feminism visual language. To find inspiration for my exhibition, I examined one-hundred years of design used by both movements. Based by my research, the exhibition, “5th Wave: The Fault of Women,” navigates through the growth and history of antifeminism and visually examines antifeminist labels and initiatives and the culmination of these techniques used during the fifth wave of antifeminism. The exhibition, “5th Wave: The Fault of Women,” exposes and challenges the efforts of the fifth wave of antifeminism in an effort to evoke an understanding of the importance of feminism’s fight for equality and the betterment of all human beings. Using research and design to expose antifeminism’s growing labels and initiative, feminism can combat the techniques used to punish those who challenge patriarchy and heteronormativity.
Show less - Date Issued
- 2020
- PURL
- http://purl.flvc.org/fau/fd/FA00013596
- Subject Headings
- Graphic design, Anti-feminism
- Format
- Document (PDF)
- Title
- CULTURAL INTEGRATION THROUGH DESIGN EXPRESSION: EXPLORING THE INTERSECTION OF LANGUAGES IN DESIGN AND CULTURAL EXCHANGES.
- Creator
- Edalati, Hamed Tabrizi, Cunningham, Stephanie, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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This thesis, drawn from my experience as a visual designer who recently moved to the United States, focuses on design expression as a means to bridge cultures. My aim is to clarify the complex connection between design expression and cultural integration, emphasizing the essential part that design plays in promoting significant cross-cultural interactions. To reveal the complex relationships that exist in design and cultural identity, I go beyond aesthetics and investigate how design may be...
Show moreThis thesis, drawn from my experience as a visual designer who recently moved to the United States, focuses on design expression as a means to bridge cultures. My aim is to clarify the complex connection between design expression and cultural integration, emphasizing the essential part that design plays in promoting significant cross-cultural interactions. To reveal the complex relationships that exist in design and cultural identity, I go beyond aesthetics and investigate how design may be used to comprehend and communicate cultural identity. Language serves as a means of expressing cultural identity, values, and traditions. Using poetry, quotes, and idioms in both Farsi and English as inspiration, I create interactive messages that illustrate the difficulties of bridging two languages and cultures. My overarching goal is to promote inclusive and culturally aware design approaches, fostering meaningful communication and cross-cultural understanding.
Show less - Date Issued
- 2024
- PURL
- http://purl.flvc.org/fau/fd/FA00014435
- Subject Headings
- Design, Cultural fusion and the arts
- Format
- Document (PDF)
- Title
- ARTIFICIAL INTELLIGENCE AND HUMAN CREATIVITY: A VALUE STUDY OF CRAFT AND TECHNOLOGY IN GRAPHIC DESIGN.
- Creator
- Pimenova, Maria, Cunningham, Stephanie, Florida Atlantic University, Department of Visual Arts and Art History, Dorothy F. Schmidt College of Arts and Letters
- Abstract/Description
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The thesis focuses on the relationship between artificial intelligence (AI) and graphic design, aiming to understand AI's potential while emphasizing the unique value of human designers. This exploration will involve transforming AI-generated patterns into physical forms using paper, demonstrating the positive possibilities of AI in creative pursuits. By blending AI output with human creativity, the thesis will show how both play essential, distinct roles. The study addresses concerns about...
Show moreThe thesis focuses on the relationship between artificial intelligence (AI) and graphic design, aiming to understand AI's potential while emphasizing the unique value of human designers. This exploration will involve transforming AI-generated patterns into physical forms using paper, demonstrating the positive possibilities of AI in creative pursuits. By blending AI output with human creativity, the thesis will show how both play essential, distinct roles. The study addresses concerns about AI's potential to replace human artists. By highlighting AI as a tool that enhances, rather than replaces, human creativity, the thesis debunks the misconception that AI will eradicate human artistry. Instead, AI can inspire and expedite creative processes while artists remain responsible for the final production. Using Midjourney, a generative AI system, the research underscores AI's limitations in fully understanding or replicating human imagination. The study emphasizes the importance of human touch in design, particularly when using paper—a material with deep historical and cultural roots in graphic design and communication. Furthermore, paper's use extends beyond art and design, proving its versatility and importance across various fields. The thesis highlights human ingenuity's role in maximizing paper's potential across disciplines, underscoring the critical contribution of human creativity.
Show less - Date Issued
- 2024
- PURL
- http://purl.flvc.org/fau/fd/FA00014434
- Subject Headings
- Graphic arts, Artificial intelligence, Creative ability
- Format
- Document (PDF)