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CHRISTIAN SIGNIFICANCE OF THE ASTROLOGICAL TRADITION: A STUDY IN THE LITERARY USE OF ASTRAL SYMBOLISM IN ENGLISH LITERATURE FROM CHAUCER TO SPENSER
Evangeline Walton's fictionalization of the "Mabinogion": The demise of the Goddess
WILLIAM DUNBAR: LAUREATE AND FOOL
Contemporary Sanguines: The Vampire Myth As Manifest In The Works Of Anne Rice
quest for selfhood in Ursula Le Guin's "The Wizard of Earthsea" and "The Farthest Shore"
Transmission of matrilineal/matriarchal society in ethnic American and in fantasy literature
domestic Sybil: Feminist concerns in P. L. Travers's "Mary Poppins" and "Mary Poppins Comes Back"
Mosaic Law in William Shakespeare's "The Merchant of Venice"
Anthony Burgess's "A Clockwork Orange" and Michel Foucault's "Panopticism"
Freudian analysis of hysteria in Bram Stoker's "Dracula"
Coming of age in Ursula K. Le Guin's Earthsea
Secondary worlds: Thomas Burnett Swann's fantastic forests and J. M. Barrie's imaginary islands
Musical aspects of "The Canterbury Tales"
Mythological backgrounds in Sheri S. Tepper's fiction
"Fore-conceit," autonomy, and Sidney's view of mimesis
Historical reductionism in Christopher Marlowe's "Edward II"
Griselda and "knowing who you are": "The Clerk's Tale" and the "Consolation of Philosophy"
AElfric's idea of "origin" in "The Preface to Genesis"
malignant intimacy: Doubles, atheists, and orphans in "Frankenstein Unbound"
"DEATH AND THE CHILD": A KEY TO THE CRANE CANON. (STEPHEN CRANE)

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